Angel Face

Share on Facebook Share on Twitter Email
Top

Plot



Jean Simmons' fascinating interpretation of an uncharacteristic role is the main drawing card of Otto Preminger's Angel Face. The daughter of Charles Treymayne (Herbert Marshall), who remarried a wealthy woman (Barbara O'Neil), Diane Treymayne's (Simmons) angelic countenance masks an unbridled psychotic who'll let nothing stand in the way of her happiness. Diane arranges for Catherine's death, making it look like an auto accident. Coveting family chauffeur Frank Jessup (Robert Mitchum), Diane steals Frank away from his sweetheart Mary (Mona Freeman) and forces him to become her spiritual accomplice in her stepmother's murder. And when Diane finally realizes that she'll never, ever, be able to hold Frank, she... well, enough said. If Angel Face doesn't look like a typical early-1950s RKO Radio film, it may be because its director was borrowed from 20th Century-Fox, and its cinematographer (Harry Stradling) was a loan-out from Sam Goldwyn. ~ Hal Erickson, Rovi

Review

Angel Face is an atypical film noir piece that has developed a considerable cult reputation over the years. Those who favor the film find it a fascinating examination of detached evil, one that captures a certain coolness of tone that is not so much heartless as it is simply devoid of feeling and intent. Others, however, find the resulting deliberate pacing much too slow and dreary, and the motivations of the characters confusing if not inscrutable. Certainly, director Otto Preminger and leading lady Jean Simmons have created a most curious and intriguing femme fatale, one who seems to be going through her actions with no real conception of what they mean and no real thought about how she should behave. This aspect of the character -- coupled with Preminger's precise, brutal filming of the accident - make the inadvertent death of the father strangely powerful. Simmons is fascinating throughout, seeming to act totally in the moment, but as if the moment were entirely understood only by her character. Robert Mitchum is a perfect foil for her, disturbingly rational and more keenly aware of the world around him, but somehow drawn into her spell in spite of himself. The cool, detached qualities that make Angel Face special will alienate many, but those who tune into it will be rewarded. ~ Craig Butler, Rovi

Cast

Barbara O'Neil - Mrs. Tremayne; Kenneth Tobey - Bill Crompton; Raymond Greenleaf - Arthur Vance; Griff Barnett - The judge; Robert Gist - Miller; Morgan Farley - Juror; Jim Backus - District Attorney Judson; Gertrude Astor - Matron; Lucille Barkley - Waitress; Larry Blake - Brady; Morgan Brown - Harry the Bartender; Mary Jane Carey - Woman; Jack Chefe - Man; Bess Flowers - Barrett's Secretary; Alex Gerry - Lewis, Frank's Attorney; Theresa Harris - Nurse Theresa; Pete Kellett - Detective; Frank Kumagai - Satsuma; Lewis Martin - Police Sergeant; Grandon Rhodes - Prison Chaplain; Jeffrey Sayre - Court Clerk; Cora Shannon - Patient; George Sherwood - Man; Charles Tannen - TV Broadcaster; Ralph Volkie - Good Humor Man; Buck Young - Assistant District Attorney; John Ellis - Jury Foreman; Frank O'Connor - Bailiff; Charmienne Harker - Secretary; Michael Lally - Reporter; Herbert Lytton - Doctor; Bob Peoples - Reporter; Sammy Shack - Man; Carl Sklover - Man; Brick Sullivan - Deputy Sheriff; Marvin Jones - Policeman

Credit

Carroll Clark - Art Director, Albert S. D'Agostino - Art Director, Michael Woulfe - Costume Designer, Fred Fleck - First Assistant Director, Otto Preminger - Director, Frederic Knudtson - Editor, Dimitri Tiomkin - Composer (Music Score), Mel Berns, Sr. - Makeup, Harry Stradling - Cinematographer, Otto Preminger - Producer, Jack Mills - Set Designer, Darrell Silvera - Set Designer, A. Earl Wolcott - Sound/Sound Designer, Clem Portman - Sound/Sound Designer, Chester Erskine - Screen Story, Oscar Millard - Screenwriter, Frank S. Nugent - Screenwriter

Previous:Angel Eyes (2001 Film), Angel Eyes (1991 Film)
Next:Angel Factory (1917 Film), Angel Feather (Film)
Wikipedia on Answers.com:

Angel Face (1952 film)

Top
Angel Face

Theatrical release poster
Directed by Otto Preminger
Produced by Otto Preminger
Screenplay by Ben Hecht
Oscar Millard
Frank S. Nugent
Story by Chester Erskine
Starring Robert Mitchum
Jean Simmons
Mona Freeman
Herbert Marshall
Music by Dimitri Tiomkin
Cinematography Harry Stradling
Distributed by RKO Pictures
Release date(s) February 2, 1953 (1953-02-02) (United States)
Running time 91 minutes
Country United States
Language English

Angel Face (1953) is a black-and-white film noir directed by Otto Preminger. The drama, filmed on location in Beverly Hills, California, features Robert Mitchum and Jean Simmons.[1]

Contents

Plot

One night, Beverly Hills ambulance driver Frank Jessup and his partner Bill are called to the cliffside estate of Charles and Catherine Tremayne. By the time they arrive, Catherine has already been treated for gas inhalation, which the police believe occurred accidentally, but which the wealthy Catherine suspects was deliberate. As he is leaving the house, Frank notices Catherine's beautiful English stepdaughter Diane playing a melancholy piano piece and assures her that her stepmother will be fine. When Diane becomes hysterical, Frank slaps her face to calm her. Confused, she slaps him back, then apologizes. Later, after getting off work, Frank goes to a nearby diner, unaware that Diane is following him in her sports car. In the diner, Frank tries to call his girl friend, Mary Wilton, a hospital receptionist, but gets no answer. Diane then comes in and strikes up a flirtatious conversation with him. When Mary finally calls him, Frank turns down her dinner invitation, claiming that he is too tired. Frank takes Diane out, and over dinner, she tells him that her father is a well-respected novelist but has not finished a book since her mother's death during the war. Diane then asks Frank, a former race car driver who dreams of owning his own garage, about Mary, and he reveals that Mary has been saving her money to help him. The next day, Diane invites Mary to lunch and, while pretending that she wants to contribute to Frank's garage fund, lets her know that he spent the evening with her. Seeing through Diane's tactics, Mary rejects her offer but admits that her faith in Frank is shaken. That night, Mary is about to go out with Frank when he lies again about his date with Diane.

Disgusted, Mary rejects Frank and goes out with Bill, a longtime admirer. Later, at the diner, Diane finds Frank, who chastises her for speaking to Mary. When Diane suggests that he drive her car in an upcoming race, however, Frank forgives her and agrees to talk further about her idea. Diane then convinces her parents to hire a chauffeur and, while kissing him on a moonlit drive, persuades Frank to accept the job. Soon after, Diane informs Frank that she has talked to her stepmother about investing in his garage, and he presents Catherine with a written proposal. Although Catherine is suspicious of Diane's motives, she tells Frank that she will consider the offer. Catherine then calls her lawyer, Arthur Vance, for advice, but learns that he is out of town. Later, Diane meets secretly with Frank and tells him that Catherine threw his proposal in the trash. Diane also confides her fear that if Catherine were to find out about their romance, she would fire him and lock her up. Frank tries to reassure Diane that Catherine has no power over her, but Diane insists that Catherine will take her anger out on her beloved, weak father if she is defied. In the middle of the night, Diane then comes to Frank's room and tells him that Catherine tried to kill her by turning on her gas fireplace. Frank refuses to believe Diane's story and orders her back to bed. The next day, Frank stops by Mary's apartment and states that he is leaving his job and Diane. After making a date with Mary for that night, Frank returns to the Tremaynes and starts to pack. Having anticipated his move, Diane cries and begs him to run away with her, showing him her own packed suitcase. Admitting that he loves her, Frank agrees to stay for a few more days so that she can think seriously about the situation. The following day, with Frank gone, Catherine prepares to drive herself to Santa Barbara. As she is about to leave, Charles asks for a lift, and after Catherine puts the car in drive and steps on the gas, the vehicle screeches backward over the cliff. Catherine and Charles are killed in the crash, and following some investigation, both Frank and Diane are arrested for murder. Diane, who stands to inherit all of Catherine's wealth, has suffered a nervous breakdown, however, and is incarcerated in a prison hospital.

To help Diane, Vance hires Fred Barrett, a renowned defense lawyer. Just before the trial is to start, Fred convinces Frank and Diane to marry so that he can propose that Diane's suitcase was in Frank's room because they were planning to elope. During the trial, Barrett skillfully deflates expert testimony regarding the car's transmission and steering mechanism, which appears to have been tampered with, and paints Frank and Diane as innocent lovebirds. Frank and Diane are acquitted, but once back at the estate, Frank tells Diane he is divorcing her. Diane finally talks about the jealousy and loneliness she felt when her father married Catherine and the grief she suffered upon seeing their crushed bodies. Despite Diane's remorse, Frank insists he is returning to Mary. After Diane bets Frank her sports car that Mary will not take him back, Frank goes to Mary, who rejects him in favor of Bill. Diane, meanwhile, visits Barrett's office and insists on confessing to the murders, detailing how she asked an unsuspecting Frank to explain the car's transmission. Reminding Diane about the double jeopardy rule, Barrett tears up the confession. Upon returning home, Diane finds Frank packing for Mexico and asks if she can go, too. Frank says no, but agrees to let her drive him to the bus station. After Frank gets in, Diane shifts into reverse, jams her foot on the gas pedal and sends the car over the cliff, killing them both.

Cast

Critical reaction

The film mostly receives positive reviews today. Dave Kehr from the Chicago Reader writes: "This intense Freudian melodrama by Otto Preminger (1953) is one of the forgotten masterworks of film noir... The film is a disturbingly cool, rational investigation of the terrors of sexuality...The sets, characters, and actions are extremely stylized, yet Preminger's moving camera gives them a frightening unity and fluidity, tracing a straight, clean line to a cliff top for one of the most audacious endings in film history."[2]

Film critic Terry Pitkin gave the movie a negative review. "The acting is terrible, the movie starts going half way through, and the movie is predictable."

Film critic Paul Brenner wrote, "Preminger transforms a second rate James M. Cain murder plot, re-orchestrating this textbook tale of passion and murder into a haunting and haunted refrain. The by then clichéd story line is pared away and brought down to an elemental level -- there is not a wasted scene in the film — and the story's familiarity breeds an aftertaste of inevitability and doom. The hallucinogenic nature of the proceedings is accented with Preminger's direction and camerawork, having actors drift from foreground to background or having the camera track to fluid and suffocating close-ups. Preminger, ever the mesmerizer, weaves his style into a half-dreamt haze of nightmare."[3]

It was also named by critic Robin Wood as one of his top 10 films, shortly before his death.[4]

Jean-luc Godard named it the 8th best American Sound film.[5]

References

  1. ^ Angel Face at the Internet Movie Database.
  2. ^ Kehr, Dave. Film review. Last accessed: December 3, 2009.
  3. ^ Brenner, Paul. AMC filmcritic, film review, 2009. Last accessed: December 3, 2009.
  4. ^ Rosenbaum, Jonathan Blog post. Last accessed: December 25, 2009.
  5. ^ Cahiers du Cinema via Godard on Godard, Da Capo Press, March 22, 1986. Last accessed: February 26, 2011.

External links


Post a question - any question - to the WikiAnswers community:

Copyrights:

Mentioned in

Atziluth (parapsychology)
Briah (parapsychology)
Hey! [7T's] (2001 Album by Glitter Band)
Hey! (1974 Album by The Glitter Band)
City That Never Sleeps (1953 Drama Film)