| Angelo (1950 Film), Angelitos del Trapecio (1959 Film) | |
| Angelo Tsarouchas: Bigger Is Better (2009 Film), Angelo in the Crowd (1952 Film) |
| Angelo My Love | |
|---|---|
| Directed by | Robert Duvall |
| Produced by | Robert Duvall Gail Youngs |
| Written by | Robert Duvall |
| Starring | Angelo Evans |
| Cinematography | Joseph Friedman |
| Editing by | Stephen Mack |
| Release date(s) | 27 April 1983 |
| Running time | 115 minutes |
| Country | United States |
| Language | English |
Angelo My Love is a 1983 American drama film about New York City gypsies, directed by Robert Duvall. It was screened out of competition at the 1983 Cannes Film Festival.[1]
Duvall first saw the lead actor, Angelo, in 1977 when he was 8 years old, having an argument with an older woman on Columbus Avenue that "sounded like a lovers quarrel"[2] The screenplay for Angelo My Love was written by Mr. Duvall, with some dialogue improvised by the gypsy actors, most of whom play themselves. His mother had a fortune-telling business.
Besides Angelo are his older brother Michael, his mother, his sister Debbie, and his girlfriend Patricia (Katerina Ribaka); his father Tony Evans, from the movie might have been thought to be absent, but is actually in a couple of scenes.
"Angelo is a kind of idealized sum-total of all New York street kids no matter what their ethnic backgrounds. He is physically small but he has such a big, sharply defined personality that he seems to be a child possessed by the mind and experiences of a con man in his 20's. Then, as the movie goes on, one sees Angelo moving from glib, smarttalking self-assurance to childhood tears and back again, all in the space of a few seconds of screen time. This, too, may be part of Angelo's con, but it's also unexpectedly moving as well as funny. Angelo, among other things, is scared of ghosts."[2]
Variety reported that Mr. Duvall spent more than $1,000,000 and five years on the film[3] and that many of the cast, including Angelo, did not read English.
San Francisco, New York, and Los Angeles commercial screenings were documented, with a CineMax cable presentation in 1985.
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