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Fox Studios Australia, Bldg. 54/FSA #19, 38 Driver Ave. Moore Park, New South Wales 2021, Australia Tel. +61-2-9383-4800 Fax +61-2-9383-4801 |
Type: Private
On the web:
http://www.animallogic.com
Pouncing on the special effects industry makes a lot of sense to this animal. Animal Logic is a design, visual effects, and animation company specializing in movies, television, and commercial production. The company has worked on such high-profile Hollywood movies as The Matrix, The Lord of the Rings: The Fellowship of the Ring, Moulin Rouge, Babe, and Australia's first digital animated feature, Happy Feet. Animal Logic joined Fox Studios Australia in 2000; it also has an office in Los Angeles. In addition, Animal Logic develops software. The company was founded in 1991 by managing director Zareh Nalbandian and visual effects director Chris Godfrey.
Officers:
CEO: Zareh Nalbandian
CFO: Rob Cornish
Head IT: Alex Timbs
Competitors:
Digital Domain
ILM
Rhythm & Hues Studios
| Industry | CGI visual effects and animation Motion pictures |
|---|---|
| Founded | 1991 |
| Headquarters | Sydney, Australia |
| Number of locations | Santa Monica, California |
| Products | Animated films, Visual effects |
| Website | www.animallogic.com |
Animal Logic is an Australian digital visual effects company based at Fox Studios in Sydney, Australia and Santa Monica, California. Established in 1991, Animal Logic's core business has traditionally been the design and production of high-end visual effects for commercials and television programs, although Animal Logic has also worked on various design projects for clients such as Cartoon Network and Spicks and Specks.
In recent years, however, the company has produced visual effects for many large budget film projects, including Moulin Rouge!, The Matrix trilogy, Babe: Pig in the City, Hero, House of Flying Daggers, Planet of the Apes, Harry Potter and the Goblet of Fire, World Trade Center, Fool's Gold, 300, Knowing, Untamed and Uncut and Australia.
In 2002, Animal Logic began work on its first computer-animated feature film, the Academy Award-winning Happy Feet, for director George Miller. Released in the United States on 17 November 2006, the project has seen the company expand significantly, recruiting up to 300 artists and technicians from Australia and around the world. Their most recent full length animation, Legend of the Guardians: The Owls of Ga'Hoole, was released on 24 September 2010, to mixed reviews.
In 2004, Animal Logic developed and designed a on-air identity for Cartoon Network.
Their video clip of the 2006 Telemetry Orchestra single "Under the Cherry Tree" won an award in early 2007 in New York.[1]
In November 2009, Animal Logic ranked number 447 in the Top500 ranking of super-computer sites.[2]
| Year | Production | Credit | Ref. |
|---|---|---|---|
| 20?? | Bone | Production Company | [3] |
| 2014 | Untitled Lego Project | [4] | |
| 2013 | Walking with Dinosaurs 3D | Special Effects Company | [5] |
| 2011 | Sucker Punch | Visual Effects | [6] |
| Lego Star Wars: The Padawan Menace | Production Company | [7] | |
| 2010 | Legend of the Guardians: The Owls of Ga'Hoole | Special Effects Company | [8] |
| 2009 | Knowing | Visual Effects | [9] |
| 2008 | Australia | [10] | |
| The Black Balloon | [11] | ||
| Fool's Gold | [12] | ||
| 2007 | 28 Weeks Later | Digital Visual Effects | [13] |
| Clubland | Front Title Design | [14] | |
| Crocodile Dreaming | Special Effects Company | [15] | |
| 2006 | 300 | Visual Effects | [16] |
| Charlotte's Web | Film Scanning | [17] | |
| Happy Feet | Special Effects Company | [18] | |
| David Tench Tonight | Animation | [19] | |
| World Trade Center | Additional Visual Effects | [20] | |
| The Silence | Visual Effects | [21] | |
| Aquamarine | [22] | ||
| 2005 | Harry Potter and the Goblet of Fire | [23] | |
| The Cave | Additional Previsualization | [24] | |
| The Great Raid | Visual Effects | [25] | |
| Stealth | [26] | ||
| Little Fish | [27] | ||
| 2004 | Farscape: The Peacekeeper Wars | [28] | |
| Anacondas: The Hunt for the Blood Orchid | Opening Titles | [29] | |
| My Sister | Digital Film Transfer | [30] | |
| House of Flying Daggers | Visual Effects | [31] | |
| 2003 | XMA: Xtreme Martial Arts | Special Effects Company | [32] |
| In the Cut | Visual Effects | [33] | |
| Danny Deckchair | Titles and Opticals | [34] | |
| The Matrix Reloaded | Visual Effects | [35] | |
| Swimming Upstream | Special Effects Company | [36] | |
| Darkness Falls | [37] | ||
| 2002 | Ang agimat: Anting-anting ni Lolo | Digital Tape to Film Transfer | [38] |
| Hero | Special Effects Company | [39] | |
| Garage Days | [40] | ||
| The Quiet American | [41] | ||
| Mono po | Digital Tape To Film Transfer | [42] | |
| The Crocodile Hunter: Collision Course | VFX and CGI | [43] | |
| Rabbit-Proof Fence | Visual Effects | [44] | |
| 2001 | Charlotte Gray | Special Effects Company | [45] |
| The Lord of the Rings: The Fellowship of the Ring | Visual Effects | [46] | |
| Planet of the Apes | Special Effects Company | [47] | |
| Moulin Rouge! | [48] | ||
| South Pacific | Visual Effects | [49] | |
| 2000 | Chopper | Special Effects Company | [50] |
| Devi Putrudu | Scanning | [51] | |
| Mr. Accident | Visual Effects | [52] | |
| 1999 | Me Myself I | Visual Effects and CGI | [53] |
| Holy Smokes | Special Effects Company | [54] | |
| The Incredible Genie | Digital Effects | [55] | |
| Strange Planet | Title Design And Production, Visual Effects | [56] | |
| The Matrix | Special Effects Company | [57] | |
| Farscape | Visual Effects | [58] | |
| 1998 | The Thin Red Line | Special Effects Company | [59] |
| Babe: Pig in the City | [60] | ||
| In the Winter Dark | [61] | ||
| 1997 | Mousehunt | Additional Visual Effects | [62] |
| Heaven's Burning | Digital Opticals | [63] | |
| Thank God He Met Lizzie | Title Design | [64] | |
| Face/Off | Additional Visual Effects, Titles | [65] | |
| Blackrock | Special Effects Company | [66] | |
| 1996 | Babe | [67] | |
| 1994 | Little Women | Title Design | [68] |
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