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Ann Hui

 
Director: Ann Hui
  • Born: 1947 in Manchuria, China
  • Occupation: Director, Writer, Actor
  • Active: '80s-2000s
  • Major Genres: Drama, Action
  • Career Highlights: Fong Sai-Yuk, Bun Sang Yun, God of Killers
  • First Major Screen Credit: The Secret (1979)

Biography

One of the most important figures of Hong Kong cinema, Ann Hui was born in Manchuria in 1947 and moved to Hong Kong when she was five years old. She studied English language and literature and comparative literary studies until 1972, then spent two years at the London Film School. Upon returning to Hong Kong, Hui became an assistant to the veteran director King Hu and then joined TVB, where she directed serials and documentaries on 16 mm. In 1977, she joined the ICAC (Independent Commission for Anti-Corruption) and made seven TV episodes for its drama series, two of which were banned from airing because of the sensitive subject matter. She then joined the government TV network RTHK in 1978 and made three featurettes for the series Below the Lion Rock, of which the best known is Boy From Vietnam, which subsequently became the first part of her "Vietnam trilogy." The other two films were Huyue de Gushi (The Story of Wu Viet) (1981), which was screened at the Director's Fortnight of the Cannes Film Festival, and Tuo Pen Hu Hai (The Boat People) (1982), an Official Selection at Cannes and Best Film at the Hong Kong Film Awards.

Hui left television and made her first feature film, Feng Jie (The Secret), in 1979, a thriller based on a real-life murder case and starring famous Hong Kong actress Sylvia Chang. Zhuang Dao Zheng (The Spooky Bunch, 1980) was her venture into a popular genre in Chinese literature and film, the ghost story. Quing Cheng Zhi Lian (Love in a Fallen City, 1984) was an adaptation of a well-known Shanghai novelette by Zhang Ailing. Hui used the story -- set in the days before Hong Kong's fall to the Japanese in 1941 -- to comment on the anxiety felt by Hong Kong residences about the Chinese takeover of 1997. Her projects became more ambitious, with the two-part Qing dynasty epic, martial-arts film Shujian Enchoulou (The Romance of Book and Sword/Princess Fragrance) (1987). Ann Hui's films have always revealed a strong sense of history and almost without exception featured strong female characters. The question of exile and the psychological effects of the condition of exile on the individual are her recurring themes. Ke Tu Chin Hen (Song of the Exile) (1990), which is somewhat autobiographical, won the Best Film prize both at the Asian Pacific Film Festival and Rimini Film Festival. Hui executive produced Yim Ho's The Day the Sun Turned Cold (1994), Best Film at the Tokyo International Film Festival, and was an associate producer of Opium War (1997). Qian Yan Wan Yu (Ordinary Heroes) competed at the 49th International Berlin Film Festival in 1999. ~ Gönül Dönmez-Colin, All Movie Guide
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Wikipedia: Ann Hui
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This is a Chinese name; the family name is Hui.
Ann Hui
Director Ann Hui @ Broadway Cinematheque.JPG
Ann Hui answering questions following a screening of The Way We Are at the Broadway Cinematheque in Yau Ma Tei.
Chinese name 許鞍華 (Traditional)
Chinese name 许鞍华 (Simplified)
Born 23 May 1947 (1947-05-23) (age 62)
Anshan, Liaoning
Years active 1979 - present

Ann Hui On-Wah (simplified Chinese: 许鞍华traditional Chinese: 許鞍華pinyin: Xǔ Ānhuá; Hepburn: Kyo Anka; born 23 May 1947 to a Chinese father and a Japanese mother) is a Hong Kong film director, film producer and occasional screenwriter, one of the most critically acclaimed amongst the Hong Kong New Wave.

Contents

Early life

Hui was born in Anshan, Liaoning, China and she moved to Macau, then to Hong Kong when she was five. She studied in St. Paul's Convent School. She studied English language and literature and comparative literary studies in the University of Hong Kong until 1972, when she received her Masters, before spending two years in the London International Film School. Returning to Hong Kong in 1975, she entered TVB as a director, making many serials and documentaries on 16mm. During this time she in particular helped King Hu as an assistant on television. The most notable featurette she made during this period was Boy From Vietnam (1978), which was her first film on Vietnam and formed the first part of her "Vietnamese trilogy".

Transition from television to film

Hui left television in 1979, making her first feature The Secret, a mystery thriller based on real life murder case and starring Taiwanese star Sylvia Chang. It was immediately hailed as an important film in the Hong Kong New Wave. The Spooky Bunch (1981) was her take on the ghost story genre, while The Story of Woo Viet (1981) continued her Vietnamese trilogy. Hui experimented with special effects and daring angles; her preoccupation with sensitive political and social issues is a recurrent feature in most of her subsequent films. Boat People (1982), the third part of her Vietnamese trilogy, is the most famous of her early films. It examines the plight of the Vietnamese after the Vietnam War.

In the mid-1980s Hui continued her string of critically acclaimed works. Love in a Fallen City (1984) was based on a novel by Eileen Chang, and the two-part, ambitious wuxia adaptation of Louis Cha's first novel, The Book and the Sword was divided into The Romance of the Book and Sword (1987) and Princess Fragrance (1987). 1990 saw one of her most important works to date, the semi-autobiographical The Song of Exile. The film looks into the loss of identity, disorientation and despair faced by an exiled mother and a daughter faced with clashes in culture and historicity. As in the film, Hui's own mother was Japanese.

Post-hiatus work

After a brief hiatus in which she returned briefly to television production, Hui returned with Summer Snow (1995), about a middle-aged woman trying to cope with everyday family problems and an Alzheimer-inflicted father-in-law. Eighteen Springs (1997) reprises another Eileen Chang novel. Her Ordinary Heroes (1999), about Chinese and Hong Kong political activists from 1970s to the 1990s, won the Best Feature at the Golden Horse Awards.

In 2002, her July Rhapsody, the companion film to Summer Snow and about a middle-aged male teacher facing a mid-life crisis, was released to good reviews in Hong Kong and elsewhere. Her film, Jade Goddess of Mercy (2003), is adapted from a novel from Chinese writer Hai Yan.

Filmography as director

Filmography as actress

Ann Hui has appeared mostly in cameo in several films:

See also

External links

Awards and achievements
Preceded by
Allen Fong
for Father and Son
Hong Kong Film Awards for Best Director
1983
for Boat People
Succeeded by
Allen Fong
for Half Man
Preceded by
Wong Kar-Wai
for Chungking Express
Hong Kong Film Awards for Best Director
1996
for Summer Snow
Succeeded by
Peter Chan
for Comrades, Almost a Love Story
Preceded by
None
Golden Bauhinia Awards for Best Director
1996
for Summer Snow
Succeeded by
Peter Chan
for Comrades, Almost a Love Story
Preceded by
Wong Kar-Wai
for In the Mood for Love
Hong Kong Film Critics Society Awards for Best Director
2001
for Visible Secret
Succeeded by
Peter Chan
for Three
Preceded by
Johnnie To
for Exiled
Hong Kong Film Critics Society Awards for Best Director
2007
for The Postmodern Life of My Aunt
Succeeded by
Ann Hui
for The Way We Are
Preceded by
Ann Hui
for The Postmodern Life of My Aunt
Hong Kong Film Critics Society Awards for Best Director
2008
for The Way We Are
Succeeded by
TBD
Preceded by
Peter Chan
for The Warlords
Hong Kong Film Awards for Best Director
2009
for The Way We Are
Succeeded by
TBD

 
 
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