The original soundtrack to Anna and the King features George Fenton's orchestral score, which incorporates classical European and Asian elements, along with Joy Enriquez's ballad "How Could I Not Love You," which was produced by Babyface. A pleasant soundtrack, but not a necessary listening experience outside the movie's context. ~ Heather Phares, All Music Guide
Ricky Lawson (Drums), Rebecca Morellato (Production Coordination), Kenneth "Babyface" Edmonds (Producer), Eric Croone (Legal Advisor), David Lawson (Sampling), Michael Fisher (Percussion), James Walker (Woodwind), Jeff Atmajian (Arranger), Steve Hall (Mastering), Geoffrey Alexander (Orchestration), Joe Gastwirt (Mastering), Kenneth "Babyface" Edmonds (Keyboards), Robert Kraft (Lyricist), George Fenton (Producer), Endre Granat (Concert Master), Nathan East (Bass), Cherie O'Brien (Creative Coordinator), Steve Schaeffer (Percussion), Alan Estes (Ethnic Percussion), Michael Knobloch (Music Supervisor), Graham Sutton (Editing), Greg Phillinganes (Piano), Eric Croone (Music Business Affairs), John Richards (Recording), Tom Cavanaugh (Legal Advisor), Dennis Sager (Engineer), Alan Estes (Percussion), Jonathan Glass (Mixing Engineer), Phil Ayling (Woodwind), Paul Boutin (Engineer), Michael Fisher (Ethnic Percussion), David Lawson (Pre-Production), Karen Hua-Qi Han (Erhu), Robert Kraft (Music Supervisor), Steve Schaeffer (Ethnic Percussion), Tom Cavanaugh (Music Business Affairs), Ivy Skoff (Production Coordination), Jeff Atmajian (Orchestration), Antonio M. Reid (Executive Producer), Tom Steel (Stage Crew), Graham Sutton (Music Editor), George Fenton (Lyricist), Michael D. Ryan (Music Editor), John Richards (Mixing), Kenneth "Babyface" Edmonds (Lyricist), Nick Vidar (MIDI), Bruce Dukov (Concert Master), George Fenton (Conductor), Gregory Goodall (Ethnic Percussion), Robert Kraft (Executive Producer)
