Anna Christie (1921), a drama by Eugene O'Neill. [Vanderbilt Theatre, 177 perf.; Pulitzer Prize.] At Johnny‐the‐Priest's waterfront saloon, where Chris Christopherson (George Marion) whiles away the hours he is not on his coal barge, a letter arrives for him from his daughter, Anna (Pauline Lord), announcing she is coming back to New York. Chris has not seen her since she was a youngster, for his wife and Anna went to live with relatives on a farm in Minnesota, and after his wife's death, as Chris explains, “Ay tank it's better Anna live on farm, den she don't know dat ole davil sea, she don't know fader like me.” When Anna appears, however, it is obvious to everyone but Chris that Anna has known devils of her own. She was seduced by her cousin when she was sixteen, and, running away to St. Paul, became a prostitute. When the powerful, rough sailor Mat Burke (Frank Shannon) meets and falls in love with Anna, she tells Mat and her father of her history. The men go out, get drunk, and sign on a ship that will take them to Africa. Before they leave, however, they are reconciled with Anna. She promises to await their return and “make a regular place for you to come back to.” Chris is uncertain of what that means. “Only dat ole davil sea, she know!” he responds. Burns Mantle called Anna Christie “one of the big dramas of the day, soundly human, impressively true in characterization and, in its bigger moments, intensely dramatic.” While the Arthur Hopkins–produced drama may be more commercially slanted than many other O'Neill plays, it has remained eminently theatrical and has enjoyed a number of revivals, including Broadway productions with Celeste Holm in 1952, Liv Ullman in 1977, and Natasha Richardson in 1993. The play was also turned into the musical NEW GIRL IN TOWN (1957) with a book by George Abbott and songs by Bob Merrill. With Gwen Verdon cast as Anna, the role became a dancing one, and Bob Fosse's choreography was quite ingenious. Cameron Prud'homme was Chris, George Wallace was Matt, and Thelma Ritter often stole the show as the earthy barfly Marthy. The Hal Prince production played at the 46th Street Theatre for 431 performances. Notable songs: It's Good to Be Alive; Flings; Sunshine Girl.
| Anna Christie | |
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Poster for the 1977 Broadway revival by James McMullan |
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| Written by | Eugene O'Neill |
| Date premiered | November 2, 1921 |
| Place premiered | Vanderbilt Theatre New York City |
| Original language | English |
| Subject | a former prostitute falls in love, but runs into difficulty in turning her life around |
| Genre | Drama |
| Setting | 1910; a New York City saloon; on a barge at anchor in Provincetown |
| IBDB profile | |
Anna Christie is a play in four acts by Eugene O'Neill. It made its Broadway debut at the Vanderbilt Theatre on November 2, 1921. O'Neill received the 1922 Pulitzer Prize for Drama for his work.
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Anna Christie is the story of a former prostitute who falls in love, but runs into difficulty in turning her life around.
The first act takes place in a bar, owned by Johnny the Priest and tended by Larry. Old Chris, a coal barge captain, receives a letter from his daughter, a young woman whom he has not seen since she was a 5 years old and their family lived in Sweden. They meet at the bar and she agrees to go on the coal barge with him. The rest of the play takes place on the barge.
The barge crew rescues Mat Burke and four other men, who were in an open boat after a shipwreck. After not getting along at first, Mat and Anna fall in love.
A confrontation between Anna, Chris and Mat. Mat wants to marry Anna, Chris does not want them to get married because he doesn't want her to marry a sailor, and Anna is upset with both of them for trying to be in charge of her. Anna tells them the truth about her life, that she was raped while living with her mother's relatives on a Minnesota farm, and then became a prostitute after her time as a nurse's aide. Mat gets very angry, and Mat and Chris both leave.
Mat and Chris return. Anna forgives Chris for not being part of her childhood, and after a dramatic confrontation, Mat forgives Anna for being a prostitute after she promises never to be one again, and Chris agrees to them getting married. It turns out that Chris and Mat have both signed up for the same ship going to South Africa, and they are about to leave the next day, but promise to come home to Anna after the voyage.
O'Neill's first version of the play, begun in January 1919, was entitled Chris Christopherson and performed as Chris in out-of-town tryouts. O’Neill revised it radically, changing the barge captain’s daughter Anna from a pure woman needing to be protected into a prostitute who finds reformation and love from life on the sea. The new play, now entitled Anna Christie received its premiere on Broadway at the Vanderbilt Theatre on 2 November 1921 for 177 performances before closing in April 1923. The production was staged by Arthur Hopkins starring Pauline Lord.
Alexander Woollcott in the New York Times called it "a singularly engrossing play", and advised that "all grown-up playgoers should jot down in their notebooks the name of Anna Christie as that of a play they really ought to see."[1]
In 1923 Anna Christie was adapted by Bradley King for a film and directed by John Griffith Wray and Thomas H. Ince with stars Blanche Sweet, William Russell, George F. Marion and Eugenie Besserer.
Another adaptation by Frances Marion was released in 1930 directed by Clarence Brown, starring Greta Garbo, Charles Bickford, George F. Marion and Marie Dressler. This pre-Code film used the marketing slogan "Garbo Talks!", as it was her first talkie. Her first spoken line has become her most famous: "Give me a whiskey with ginger ale on the side, and don't be stingy, baby." George F. Marion performed the role of Anna's father in the original Broadway production and in both the 1923 and 1930 film adaptations.
The German language film was shot after the English version and was also released in 1930. This film was adapted by Frances Marion, translated by Walter Hasenclever and directed by Jacques Feyder, also starring Garbo, with Theo Shall, Hans Junkermann, and Salka Viertel.
In 1957, a musical version by Bob Merrill, called New Girl in Town, opened on Broadway.
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