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Anne Dudley

 
Artist: Anne Dudley
 
Anne Dudley

Similar Artists:

Worked With:

Frank Ricotti, Tessa Niles, Gary Langan, Carol Kenyon, Johnathon J. Jeczalik, Luis Jardim, Trevor Horn, Duane Eddy

Formal Connection With:

Anne Dudley & Jaz Coleman
  • Active: '90s, 2000s
  • Genres: Rock
  • Instrument: Synthesizer, Producer, Keyboards
  • Representative Albums: "Songs from the Victorious City," "Pushing Tin," "American History X"
  • Representative Songs: "Ziggarats of Cinnamon," "Minarets and Memories," "The Awakening"

Biography

A founding member of the pioneering electronic pop trio Art of Noise, Anne Dudley later enjoyed success as an Academy Award-winning film composer. A graduate of the Royal College of Music, the classically-trained Dudley began her professional career as a session keyboardist; a protege of producer Trevor Horn, she went on to arrange records including ABC's The Lexicon of Love and Malcolm McLaren's classic "Buffalo Girls" (which she also co-wrote) before forming Art of Noise in 1983 with Horn, JJ Jeczalik, Gary Langan and Paul Morley. Known for hits including "Close to the Edit," "Peter Gunn" and the Tom Jones collaboration "Kiss," the Art of Noise's groundbreaking experiments in sampling and mixing proved to be enormously influential on the emerging techno movement, and during the 1990s the group's own material was itself sampled endlessly. Concurrently Dudley remained a sought-after arranger, crafting hits including Frankie Goes to Hollywood's "Two Tribes," Paul McCartney's "No More Lonely Nights" and Electronic's "Getting Away with It"; in 1987, she additionally began composing film scores with work on the comedies Hiding Out and Disorderlies. Her soundtrack to the Phil Collins vehicle Buster won a Brit Award the following year. After the Art of Noise went on hiatus in 1991, Dudley collaborated with former Killing Joke frontman Jaz Coleman on the album Songs from the Victorious City, and a year later scored director Neil Jordan's acclaimed The Crying Game. The solo album Ancient & Modern followed in early 1995, and a year later she conducted the hit production Michael Flatley: Lord of the Dance. Dudley's score to the 1997 hit British comedy The Full Monty earned her an Oscar, and in 1999 she joined the reunited Art of Noise. ~ Jason Ankeny, All Music Guide
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Wikipedia: Anne Dudley
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Anne Dudley (born Anne Jennifer Beckingham, 7 May 1956, Chatham, Kent) is an Academy Award-winning English orchestra composer and pop musician, and was the BBC Concert Orchestra's composer in Association between January 2002 and January 2005. She has worked in both the classical and pop genres. She is perhaps best known, however, as one of the core members of the synthpop band, Art of Noise. In 1998, she won an Academy Award for Best Original Musical or Comedy Score for The Full Monty.

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Career

Trained as a classical performer, Dudley then moved to the competitive commercial field as a session musician, where her professional relationship with Trevor Horn began. In 1981 Dudley made significant contributions to the Horn produced The Lexicon of Love album by ABC. She went from fleshing-out keyboard parts to scoring the album's orchestrations and even co-writing the song, "4 Ever 2 Gether". In 1990 she contributed strings on the Associates album Wild and Lonely, written by Billy Mackenzie.

Her pop arranging career has included work with groups such as The Pet Shop Boys and Frankie Goes to Hollywood and Lloyd Cole and the Commotions, whose Rattlesnakes album was an early standout effort. She has also co-written a 1930's inspired song with Sting called "This Was Never Meant To Be" in 1996, which is on his U.S. released Maxi Single entitled "I'm So Happy That I Can't Stop Crying". She provided orchestral arrangements for the Wet Wet Wet track "Blue For You" on the album Holding Back the River. She even produced Scarlet's 1994 transatlantic hit Independent Love Song. She was a founding member of the successful band Art of Noise, who helped pioneer the use of electronic and incidental music within the pop music context.

Dudley's music for film includes the score for American History X (1998), Tristan & Isolde (2006), Zwei Frauen (aka Silence Like Glass) (1989), The Crying Game (1992) and Buster (1988), and in 1998 she won the "Best Original Musical or Comedy Score" Oscar for The Full Monty. Her TV music includes scores for Kavanagh Q.C., Jeeves and Wooster and The Perfect Blue. She has also worked as a session musician for many clients. In 2004, she both scored and produced the album Voice for Alison Moyet (the two are neighbours).

In addition to her above participations, Anne Dudley also composed the music score of Michael Flatley's Lord of the Dance Irish dance spectacle.

Discography (not including work from Art of Noise)

See also

External links


 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Anne Dudley" Read more

 

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