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Annie Ernaux

 

Ernaux, Annie (b. 1940). French novelist. Ernaux's writing is strongly marked by her childhood and working-class origins in Normandy. Her early novels have strong feminist themes: Les Armoires vides (1974) is narrated by a student from a working-class background undergoing an abortion; Ce qu'ils disent ou rien (1977) has a younger female narrator who finds herself confronted one summer by hitherto unsuspected gender roles and sexual codes; La Femme gelée (1981) is the narrative of an intellectual married woman, again of humble social origins, whose ambitions and desires have been smothered by marriage and motherhood. ‘Je cherche ma ligne de fille et de femme’, writes the narrator, echoing Ernaux's project in examining the social and cultural meaning that her gender holds. With La Place (1981) and Une femme (1988) she takes a new direction, producing narratives which combine an autobiographical, historical, and social dimension. La Place focuses on her father, exploring her relationship with him and the abyss which her middle-class culture acquired through education has created between them. The text lovingly recreates her father's habits, tastes, and language. Une femme, written immediately after her mother's death, similarly evokes her mother's life, this time accompanied by the particular ambivalences of daughter-mother love and identification.

[Elizabeth Fallaize]

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Annie Ernaux (born in Lillebonne, Seine-Maritime on September 1, 1940) is a French writer.

She won the Prix Renaudot in 1984 for her book La Place, an autobiographical narrative focusing on her relationship with her father and her experiences growing up in a small town in France, and her subsequent process of moving into adulthood and away from her parents' place of origin.

As a child, Annie Ernaux lived in Yvetot in Normandy. Very early in her career, she turned away from fiction to concentrate on autobiography. Her work combines historic and individual experiences.She charts her parents' social progression (La place, La honte), her adolescence (Ce qu’ils disent ou rien), her marriage (La femme gelée), her abortion (L’événement), Alzheimer's disease (Je ne suis pas sortie de ma nuit), the death of her mother (Une femme) and breast cancer (L’usage de la photo). Ernaux also wrote L'écriture comme un couteau with Frédéric-Yves Jeannet.

Her latest novel "Les années" (Gallimard, 2008) is considered her 'magnum opus' and was very well received by the French critics. In this latter book Ernaux places herself into third person perspective (Elle) for the first time and gives a vivid look at French society after the Second World War - up till now - through the images kept, and words spoken by this same woman. A poignant social history once again of a woman and the society she lived in, a woman who has looked death in the eye and realises and describes what will disappear, and how relative that is, if she would disappear.

Many of her works have been translated into English and published by Seven Stories Press.

Bibliography

  • Les Armoires vides, Paris, Gallimard, 1974
  • Ce qu’ils disent ou rien, Paris, Gallimard, 1977
  • La Femme gelée, Paris, Gallimard, 1981
  • La Place, Paris, Gallimard, 1984
  • Une Femme, Paris, Gallimard, 1989
  • Passion simple, Paris, Gallimard, 1991
  • Journal du dehors, Paris, Gallimard, 1993
  • La Honte, Paris, Gallimard, 1997
  • Je ne suis pas sortie de ma nuit, Paris, Gallimard, 1997
  • La Vie extérieure : 1993-1999, Paris, Gallimard, 2000
  • L’Événement, Paris, Gallimard, 2000
  • Se perdre, Paris, Gallimard, 2001
  • L’Occupation, Paris, Gallimard, 2002
  • L’Usage de la photo, with Marc Marie, Paris, Gallimard, 2005
  • Les Années, Paris, Gallimard, 2008

External links


 
 

 

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French Literature Companion. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved.  Read more
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