Annie Get Your Gun (1946), a musical comedy by Herbert and Dorothy Fields (book), Irving Berlin (music, lyrics). [ Imperial Theatre, 1,147 perf.] Annie Oakley (Ethel Merman) is an uneducated but happy country girl who is an infallible shot, an asset that lands her in Buffalo Bill's Wild West Show. She falls in love with a rival sharpshooter, Frank Butler (Ray Middleton), but when Annie's popularity soars, the romance is soured. After separating for a time, a shooting match is arranged between Annie and Frank, and Sitting Bull (Harry Bellaver) takes her aside to counsel that she can win her man only by losing the match. So she swallows her pride, loses the match, and gets Frank. Notable songs: They Say It's Wonderful; There's No Business Like Show Business; I Got the Sun in the Morning; Doin' What Comes Natur'lly; I Got Lost in His Arms; Moonshine Lullaby; You Can't Get a Man with a Gun; My Defenses Are Down. Berlin's biggest Broadway hit also boasted more song standards than any of his (or just about anyone else's) other scores. Jerome Kern was scheduled to compose the songs, but when he died before he could begin work, producers Rodgers and Hammerstein approached Berlin, who hadn't written for Broadway for six years. The show remains a popular favorite, while “There's No Business Like Show Business” has become a theatrical anthem. A 1999 Broadway revival, with an altered book by Peter Stone, managed a long run by featuring a series of stars (Bernadette Peters, Cheryl Ladd, Reba McIntyre, Crystal Bernard) in the title role. The real Annie OAKLEY [neé Phoebe Ann Moses] (1860–1926) became famous as a sharpshooter in the circus and, after beating Frank Butler in a shooting match, married him. The couple then joined Buffalo Bill's Wild West Show. The Ohio‐born Oakley was reputed to be a shy woman and a homebody. One of her most celebrated stunts was to shoot holes in tickets that were thrown up into the air. Later, free theatre tickets that were punched with a hole became known as Annie Oakleys. Biography: Annie Oakley of the Wild West, Walter Havighurst, 1954.
Annie Get Your Gun
| American Theater Guide: Annie Get Your Gun |
| Classical Work: Annie Get Your Gun, musical |
- Date: 1945 -1946
- Composer: Irving Berlin
- Period: Modern (1910-1949)
Review
Annie Oakley (1860-1926) and her tours with Buffalo Bill Cody's Wild West Show through the declining years of the nineteenth century were still a living memory when Dorothy and Herbert Fields crafted a clever boy-meets-girl stage book around her career. Richard Rodgers and Oscar Hammerstein II, in their guise as producers between their own musicals, agreed to mount it. Jerome Kern was engaged for the music, but sadly succumbed to a cerebral hemorrhage shortly after beginning work. So, the task fell to Irving Berlin -- with the exception of Rodgers, the only tunesmith of comparable standing at the time. Most comfortable writing stand-alone songs (such as Alexander's Ragtime Band, Mandy, and Blue Skies) and compiling revues, Berlin had little experience with full-scale musicals. However, after a week of work he produced an entire sheaf of songs -- lyrics and music -- tailored to the unique talents of Broadway's reigning queen, Ethel Merman, who was then at the zenith of her career.Rodgers and Hammerstein spared no expense on the project. Jo Mielziner designed lavish sets; Robert Russell Bennett (Broadway's master hand) doctored Philip J. Lang's original, and somewhat dull, orchestrations; and the brilliant Joshua Logan directed. The show's four try-out performances in New Haven -- beginning with the premiere on March 28, 1946 -- played to a packed house every night, and the three-week run in Boston was equally successful, setting the stage for a smash Broadway opening. However, a structural defect in the intended Broadway theater, which literally threatened to bring down the roof, postponed the opening, and the show moved to Philadelphia for two weeks. Annie Get Your Gun did not arrive at Broadway's Imperial Theater until May 16, 1946, but once it did it ran for 1,147 performances -- with Merman remaining in the lead. It then moved on to London for an even longer stint. Nearly all of New York's critical fraternity received it rapturously.
The upshot was Berlin's greatest score, graced with the most generous bouquet of hit songs in his long career. Merman, whose specialty had been snappily sophisticated jades, came into her own as an actress with the vulnerable, lovelorn Annie ("You Can't Get a Man With a Gun," "I Got Lost in His Arms"), ably partnered by Ray Middleton as Frank Butler, the object of her affections ("I'm a Bad, Bad Man," "The Girl That I Marry," "My Defenses Are Down"). In an era of experiment and striving for depth of character, Annie Get Your Gun remained resolutely conventional, the situations pure cliché, with stereotypes (Chief Sitting Bull being the most egregious) framing Annie the sharpshooting "natural." But -- and this is probably the secret of the show's enduring popularity -- where nearly any other composer would have fallen between the stools of distancing irony or patronizing hokum, Berlin responds to it all with zest, rising to the big moments with unforgettable effervescence -- "I Got the Sun in the Morning," "They Say That Falling in Love is Wonderful," "There's No Business Like Show Business," or "Anything You Can Do I Can Do Better." In these compelling numbers, the stereotypes become archetypes looming larger than life. ~ All Music Guide
Albums with Complete Performances of the Work
Albums with Excerpt Performances of the Work
| Wikipedia: Annie Get Your Gun (musical) |
| Annie Get Your Gun | |
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| Broadway 1946 Original Cast Album | |
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| Music | Irving Berlin |
| Lyrics | Irving Berlin |
| Book | Herbert Fields Dorothy Fields |
| Productions | 1946 Broadway 1947 West End 1947 U.S. Tour 1947 Australia 1966 Broadway revival |
| Awards | 1999 Tony Award for Best Revival |
Annie Get Your Gun is a musical with lyrics and music written by Irving Berlin and a book by Herbert Fields and his sister Dorothy Fields. The story is a fictionalized version of the life of Annie Oakley (1860-1926), who was a sharpshooter from Ohio, and her husband, Frank Butler.[1]
The 1946 Broadway production was a hit, and the musical had long runs in both New York (1,147 performances) and London, spawning revivals, a 1950 film version and television versions. Songs that became hits include "There's No Business Like Show Business", "Doin' What Comes Natur'lly", "You Can't Get a Man with a Gun", "They Say It's Wonderful", and "Anything You Can Do."
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History and background
Dorothy Fields had the idea for a musical about Annie Oakley, to star her friend, Ethel Merman. After producer Mike Todd turned the project down, Fields and Merman went to a new producing team, Richard Rodgers and Oscar Hammerstein II, who agreed to produce, with Jerome Kern writing the music to Fields' lyrics and book (together with her brother Herbert). However, before he could produce the score, Kern died suddenly. The producers and Fields then asked Irving Berlin to take on the job of writing both lyrics and music. Berlin initially thought it was not quite "up his alley," worrying that he would be unable to write songs to fit specific scenes in "a situation show." He was eventually persuaded by being able to work with the director, Josh Logan.[2]
The musical's showstopper song, "There's No Business Like Show Business," was almost left out of the show because Berlin, mistakenly, got the impression that one of the producers, Richard Rodgers, did not like it.[3]
For the revised 1999 revival, the writer Peter Stone said, "The big challenge is taking a book that was wonderfully crafted for its time and make it wonderfully crafted for our time.... But [its insensitivity] had to be dealt with in a way that was heartfelt and not obvious.... In this case, it was with the permission of the heirs. They're terribly pleased with it all."[2]
Plot summary
- Act I
When the traveling Buffalo Bill's Wild West show visits Cincinnati, Ohio ("Colonel Buffalo Bill"§), Frank Butler, the show's handsome, womanizing star ("I'm a Bad, Bad, Man"§), challenges anyone in town to a shooting match. Foster Wilson, a local hotel owner, doesn't appreciate the Wild West Show taking over his hotel, so Frank gives him a side bet of one hundred dollars on the match. Annie Oakley enters and shoots a bird off Dolly Tate's hat, and then explains her simple backwoods ways to Wilson with the help of her siblings ("Doin' What Comes Natur'lly"). When Wilson learns she's a brilliant shot, he enters her in the shooting match against Frank Butler.
While Annie waits for the match to start, she meets Frank Butler and falls instantly in love with him, not knowing he will be her opponent. When she asks Frank if he likes her, Frank explains that the girl he wants will "wear satin... and smell of cologne" ("The Girl That I Marry"). The rough and naive Annie comically laments that "You Can't Get a Man with a Gun". At the shooting match, Annie finds out that Frank is the "big swollen-headed stiff" from the Wild West Show. She wins the contest, and Buffalo Bill and Charlie Davenport, the show's manager, invite Annie to join the Wild West Show. Annie agrees because she loves Frank even though she has no idea what "show business" is. Frank, Charlie, Buffalo Bill, and everyone explain that "There's No Business Like Show Business."
Over the course of working together, Frank becomes enamoured of the plain-spoken, honest and tomboyish Annie and, as they travel to Minneapolis, Minnesota on a train, he explains to her what "love" is ("They Say It's Wonderful"). Buffalo Bill and Charlie find out that the rival show, Pawnee Bill's Far East Show, will be playing in Saint Paul, Minnesota while the Wild West Show plays in nearby Minneapolis. They ask Annie to do a special shooting trick on a motorcycle in Minneapolis to draw Pawnee Bill's business away. Annie agrees, since the trick will surprise Frank, and then sings her siblings to sleep with the "Moonshine Lullaby."
As Annie and Frank prepare for the show, Frank plans to propose to Annie after the show and then ruefully admits that "My Defenses Are Down". When Annie performs her trick and becomes a star, Chief Sitting Bull adopts her into the Sioux tribe ("I'm An Indian Too"§). Frank is hurt and angry, and he walks out on Annie and the show, joining the competing Pawnee Bill's show.
- Act II
The Buffalo Bill show tours Europe with Annie as the star, but the show goes broke, as does Pawnee Bill's show with Frank. Annie, now well-dressed and more refined and worldly, still longs for Frank ("I Got Lost in His Arms"). Frank and Pawnee Bill plot a merger of the two companies, each assuming the other has the money necessary for the merger. They all meet at a grand reception, where they soon discover both shows are broke. Annie, however, has received sharpshooting medals from all the rulers of Europe worth one hundred thousand dollars, and she decides to sell the medals to finance the merger, rejoicing in the simple things ("I Got the Sun in the Mornin'").
When Frank appears, he and Annie confess their love and decide to marry, although with comically different ideas: Frank wants "some little chapel," while Annie wants "a big church with bridesmaids and flower girls" ("An Old-Fashioned Wedding"°). When Annie shows Frank her medals, Frank again has his pride hurt, and they call off the merger and the wedding. They agree to one last shooting duel ("Anything You Can Do"). Annie deliberately loses to Frank to soothe his ego, and they finally reconcile, deciding to marry and merge the shows.
- Notes
- This description is based on the 1966 revised book.
- ° written for 1966 Revival and included in 1999 Revival; not in the original production
- § omitted from the 1999 Broadway Revival
Characters
- Annie Oakley—a sharpshooter in the Wild West show
- Frank Butler—the Wild West show's star
- Foster Wilson—hotel owner
- Chief Sitting Bull—Sioux warrior; Annie's protector, but used by Pawnee Bill's competing show
- Tommy Keeler—knife-thrower in the Wild West show; Winnie's boyfriend; part Native American
- Charlie Davenport—manager of the Wild West show
- Winnie Tate—Dolly's daughter (sister in the 1999 revival); Tommy's girlfriend and his assistant in the knife-throwing act
- Col. William F. Cody (Buffalo Bill)-owner of the Wild West show
- Dolly Tate—Frank's assistant; Winnie's mother (sister in the 1999 revival)
- Pawnee Bill—owner of a competing western show
- Annie's brothers and sisters: Nellie, Jessie, Little Jake and Minnie (Minnie was written out of the 1999 revival[4])
Musical numbers
Original 1946
(Note: Based on original Broadway production, 1946)
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- Notes
- § omitted from the 1950 film version
- "Let's Go West Again" was written by Berlin for the 1950 film but was not used. However, there are recordings by both Betty Hutton and Judy Garland
1999 Revival
(Note: Based on the 1999 Broadway revival)
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"An Old-Fashioned Wedding" was written by Berlin for the 1966 revival, sung by Annie and Frank, and was also included in the 1999 revival
Productions
Original Broadway (1946) and 1947 productions
Annie Get Your Gun was first staged on Broadway at the Imperial Theater on May 16, 1946 and ran for 1,147 performances. It was directed by Joshua Logan, Ethel Merman starred as Annie Oakley, and Ray Middleton played Frank Butler. Foster Wilson was played by Art Barnett, Chief Sitting Bull was Harry Bellaver, Tommy Keeler was Kenneth Bowers, Charlie Davenport was Marty May, and Buffalo Bill Cody was William O'Neal.
The show opened on the West End at the London Coliseum on June 7, 1947 and ran for 1,304 performances. Dolores Gray played Annie with Bill Johnson as Frank.
The first Australian production opened at His Majesty's Theatre in Melbourne, Australia, on July 19, 1947. It starred Evie Hayes as Annie with Webb Tilton as Frank. Later Australian productions have featured Gloria Dawn, Nancye Hayes, Toni Lamond, Bunny Gibson and Rhonda Burchmore as Annie.
Mary Martin starred as Annie Oakley in a U.S. national tour that started on October 3, 1947 in Dallas, Texas. The touring company also played in Chicago and Los Angeles. Martin left the tour in mid-1948.[5]
1966 Broadway revival
The 1966 Broadway revival starred Ethel Merman reprising her role as "Annie", with Bruce Yarnell as "Frank Butler" and Jerry Orbach as "Charles Davenport". The secondary romance between Tommy Keeler and Winnie Tate was completely eliminated, and "An Old Fasioned Wedding" was added to the second act. It opened first at the Music Theater of Lincoln Center on May 31, 1966 for a limited run through July 9, followed by a short 10-week US tour (Detroit, Washington, and Philadelphia), [6] and finally transferred to the Broadway Theatre on September 21 for 78 performances.
This production was telecast in an abbreviated ninety-minute version by NBC on March 19, 1967 and is the only musical revived at Lincoln Center during the 1960s to be telecast.[7]
1999 Broadway revival
With a revised book (by Peter Stone) and new orchestrations, the 1999 revival had a pre-Broadway engagement from December 29, 1998 to January 24, 1999 at the Kennedy Center in Washington, D.C. Previews began on Broadway on February 2, 1999 at the Marquis Theatre, with an official opening date of March 4, 1999, and closed on September 1, 2001 after 35 previews and 1,046 performances.
This revival starred Bernadette Peters as "Annie" and Tom Wopat as "Frank Butler", with direction by Graciela Daniele and choreography by Jeff Calhoun. Peters won the 1999 Tony Award for Best Actress (Musical) and the production won the 1999 Tony Award for Best Revival of a Musical.
This production was structured as a "show-within-a-show", set as a Big Top travelling circus. "Frank Butler" is alone on stage and introduces the main characters, singing "There's No Business Like Show Business", which is reprised when "Annie" agrees to join the traveling Wild West show. The production dropped several songs (including "Colonel Buffalo Bill", "I'm A Bad, Bad Man", and "I'm an Indian Too"), but included "An Old-Fashioned Wedding". There were several major dance numbers added, including a ballroom scene.[8] A sub-plot, which had been dropped from the 1966 revival, involving the romance between Winnie, the young sister of Frank Butler's assistant and Tommy, her part-Native-American boyfriend was also included, and Winnie is Dolly's sister rather than her daughter. In this version, the final shooting match between Annie and Frank ends in a tie.[9]
- Notable replacements
While Peters was on vacation, All My Children star Susan Lucci made her Broadway debut as Annie from December 27, 1999 until Jan. 16, 2000. Peters and Wopat left the show on September 2, 2000. Cheryl Ladd took over the lead role on September 6, 2000, with Patrick Cassidy as Frank Butler. Country music superstar Reba McEntire made her Broadway debut in the role from January 26, 2001 to June 22, 2001 opposite Brent Barrett as Frank Butler.[10] Crystal Bernard left the national tour on June 23, 2001 to join the Broadway cast.[11]Nick Jonas, who would later rise to fame playing with brothers (Joe Jonas and Kevin Jonas) in the Jonas Brothers, played as Little Jake in 2001.[12][13]
- US tour
The US national tour started in Dallas on July 25, 2000 with Marilu Henner as Annie and Rex Smith as Frank.[14]
2009 London revival - Young Vic
Jane Horrocks, Julian Ovenden and multi prize-winning director Richard Jones are re-uniting to mount a major London revival at the Young Vic, Waterloo.
Horrocks plays "Annie", while Ovenden plays "Frank" in a production opening at the Off-West End venue on 03 October 2009. The production features new arrangements by Jason Carr, whose credits include La Cage aux Folles in the West End.[15]
Other major productions
Lucie Arnaz starred in a production of the musical in the summer of 1978 at the Jones Beach Theater. This was the first major production of the musical done in the New York area after the 1966 revivial. The Paper Mill Playhouse produced a well-reviewed production in June 1987 starring Judy Kaye as Annie and Richard White as Frank.[16]
In 2004, Marina Prior and Scott Irwin starred in an Australian production of the 1999 Broadway rewrite of the show.
In 2006, the Prince Music Theater, in Philadelphia, PA, revived the 1966 Lincoln Center Theater version, running for one month. This production starred Andrea McArdle (the original Annie of the 1977 Broadway musical Annie), Jeffrey Coon as Frank Butler, John Scherer as Charlie Davenport, Chris Councill as Buffalo Bill, Mary Martello as Dolly Tate and Arthur Ryan as Sitting Bull. The production was well received by both critics and audience. The production was directed by Richard M. Parison, Jr. and choreographed by Mercedes Ellington with music direction by Eric Barnes.[17]
Film and television versions
In 1950, Metro Goldwyn Mayer made a well-received movie version of the musical. Although MGM purchased the rights to the film version with an announced intention of starring legendary singer-actress Judy Garland as Annie, early work on the film was plagued with difficulties, some attributed to Garland. Garland was fired and replaced by the brassier, blonde Betty Hutton.
In 1957, a production starring Mary Martin as Annie and John Raitt as Frank Butler was broadcast on NBC. In 1967, the Lincoln Center production described above, starring Ethel Merman and Bruce Yarnell, was broadcast on NBC.
Recordings
There are recordings of the Original Broadway (1946) cast, the 1966 revival, and the 1999 Broadway revival. The Original (1946) recording was released on July 8, 1946 by Decca U.S. (ASIN: B00004VVZX). The 1999 revival recording was released on April 20, 1999 by Angel Records (ASIN: B00000ID42). This recording won the Grammy Award for Best Musical Show Album. Additionally, there is a 1963
Awards and nominations
- 1966 Broadway revival
- Tony Award Best Choreography—Danny Daniels (nominee)
- Tony Award Best Direction of a Musical—Jack Sydow (nominee)
- 1999 Broadway revival
- Tony Award Best Revival of a Musical (WINNER)
- Tony Award Best Actor in a Musical—Tom Wopat (nominee)
- Tony Award Best Actress in a Musical—Bernadette Peters (WINNER)
- Drama Desk Award Outstanding Revival of a Musical (nominee)
- Drama Desk Award Outstanding Actor in a Musical—Tom Wopat (nominee)
- Drama Desk Award Outstanding Actress in a Musical—Bernadette Peters (WINNER)
- Grammy Award Musical Show Album (WINNER)
- 2001 Drama Desk Award Special Award—Reba McEntire (WINNER)
- 2001 Theatre World Award—Reba McEntire (WINNER)
Notes
- ^ A number of Internet sources claim that the musical is based on Walter Havighurst's book Annie Oakley of the Wild West, but the book was written in 1954, eight years after the musical was first produced.
- ^ a b R&H Theatricals background information
- ^ The World of Musical Comedy:The Story of the American Musical (1984), Stanley Green, pp. 79-80, Da Capo Press, ISBN 0306802074
- ^ In the 1999 revival, Annie had three siblings rather than four.
- ^ New York Times, October 4, 1947 and April 26, 1948
- ^ New York Times, Sam Zolotow, July 1, 1966, page 40
- ^ Internet Movie database trivia
- ^ Sommer, Elyse and Davidson, Susan."Review:Annie Get Your Gun", Curtain Up, January 10, 1999 and March 9, 1999
- ^ Kissel, Howard."Annie’s’ High-Caliber Star Bernadette Peters Is Back On B’way To Get Her ‘Gun’ And Her Guy", New York Daily News, February 28, 1999
- ^ Jones, Kenneth. Reba, a New Force of Nature, Blows Out of Annie Get Your Gun June 22", playbill.com, June 22, 2001
- ^ Jones, Kenneth."Crystal Bernard Wings Her Way Into Bway's Annie Get Your Gun June 23", playbill.com, June 23, 2001
- ^ Internet Broadway Database listing for 1999 revival, see Replacements
- ^ Clubhouse Magazine
- ^ Article on 2000 tour
- ^ Shenton, Mark.Horrocks and Ovenden to Star in Young Vic Revival of Annie Get Your Gunplaybill.com, June 5, 2009
- ^ New York Times article, Alvin Klein, May 31, 1987, "THEATER; A RIP-ROARING 'ANNIE GET YOUR GUN'" Retrieved 04-27-08
- ^ http://www.playbill.com/news/article/103883.html 2006 article on McArdle
- ^ Information from Amazon.com
References
- Annie Get Your Gun plot summary & character descriptions from StageAgent.com
- The Judy Garland Online Discography "Annie Get Your Gun" pages.
- information from the R&H Theatricals site
- R&H Theatricals, 1999 revival information
- Annie Get Your Gun at nodanw
External links
- Annie Get Your Gun at the Internet Broadway Database
- Annie Get Your Gun (1957) (TV) at the Internet Movie Database
- Annie Get Your Gun (1967) (TV) at the Internet Movie Database
- Curtain Up reviews from 2/8/01 and 3/9/99
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This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)
 | Merman, Ethel (American musical comedy actress) |
| Berlin, Irving (Russian-born American songwriter) |
| Oakley, Annie (History) |
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Copyrights:
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 | American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved. Read more |
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| Classical Work. Copyright © 2009 All Media Guide, LLC. All rights reserved. Read more |
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| Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Annie Get Your Gun (musical)". Read more |
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Mentioned in
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- Berlin, Irving (Russian-born American songwriter)
- Oakley, Annie (History)
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- Herbert Fields (Author)
- Joshua Logan (American dramatist, filmmaker & writer)
- Mary Martin (American entertainer, filmmaker & actress)
- Ted Royal [Dewar] (American Theater)
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- Leonard Stokes (Vocal Music Artist, '50s, '60s)
- Singles 45's and Under (1982 Album by Squeeze)
- Golden Cinema Classics: Hollywood Musical, Vol. 3 (1992 Album by Various Artists)
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