Another Woman

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Another Woman

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Plot

Grad-school administrative head Marion Post (Gena Rowlands) is in the midst of writing a book. The walls are thin in the apartment she's taken for work purposes, and soon Marion begins listening to the sessions conducted by her neighbor, an analyst. One of the patients is Hope (Mia Farrow), whose marriage is in tatters. As Hope prattles on, Marion begins flashing back to highlights (and lowlights) of her own marriage. Her musings are constantly interrupted by the memory of the man (Gene Hackman) she'd once ardently loved. Later on, chance encounters with old friends force Marion to face the fact that she has lived her life sheltering herself from her true emotions. Director Woody Allen's career-long indebtedness to Ingmar Bergman is underlined in Another Woman via Bergman's frequent cinematographer Sven Nykvist. ~ Hal Erickson, Rovi

Cast

Betty Buckley - Kathy; Martha Plimpton - Laura Post; John Houseman - Marion's Dad; Sandy Dennis - Claire; David Ogden Stiers - Young Marion's Dad; Philip Bosco - Sam; Harris Yulin - Paul; Frances Conroy - Lynn; Bruce Jay Friedman - Mark; Kathryn Grody - Cynthia Franks; Josh Hamilton - Laura's Boyfriend; Dana Ivey - Engagement Party Guest; Michael Kirby - Psychiatrist; Jacques Levy - Jack; Stephen Mailer - Young Paul; Fred Melamed - Engagement Party Guest/Patient's Voice; Alice Spivak - Engagement Party Guest; Kenneth Welsh - Donald; Bernie Leighton - Piano Player; Heather Sullivan - Little Marion; Jack Gelber - Birthday Party Guest

Credit

Speed Hopkins - Art Director, Helen Robin - Associate Producer, Thomas A. Reilly - Associate Producer, Juliet Taylor - Casting, Jeffrey Kurland - Costume Designer, Thomas A. Reilly - First Assistant Director, Woody Allen - Director, Susan E. Morse - Editor, Charles H. Joffe - Executive Producer, Jack Rollins - Executive Producer, Fern Buchner - Makeup, Dick Mingalone - Camera Operator, Santo Loquasto - Production Designer, Sven Nykvist - Cinematographer, Joseph Hartwick - Production Manager, Robert Greenhut - Producer, James J. Sabat - Sound/Sound Designer, Woody Allen - Screenwriter, George De Titta, Jr. - Set Decorator

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Another Woman

Theatrical release poster
Directed by Woody Allen
Produced by Robert Greenhut
Written by Woody Allen
Starring Gena Rowlands
Ian Holm
Mia Farrow
Cinematography Sven Nykvist
Editing by Susan E. Morse
Distributed by Orion Pictures
Release date(s) November 18, 1988 (1988-11-18)
Running time 84 minutes
Country United States
Language English
Box office $1,562,749

Another Woman is a 1988 film written and directed by Woody Allen. It stars Gena Rowlands as a philosophy professor who accidentally overhears the private analysis of a stranger but finds the woman's regrets and despair awaken in her something personal.

Contents

Plot

Marion Post (Gena Rowlands) is a New York philosophy professor past the age of 50, married to Ken (Ian Holm), a doctor, and on a leave of absence to write a new book. Due to construction work in their building, she sublets a furnished flat downtown to have peace and quiet.

Her work there is interrupted by voices from a neighboring office in the building where a therapist conducts his analysis. She quickly realizes that she is privy to the despairing sessions of another woman (Mia Farrow) who is disturbed by a growing feeling that her life is false and empty. Her words strike a chord in Marion, who begins to question herself in the same way.

She learns from her sister-in-law that her brother may idolize her, but he also hates her. She comes to realise that, like her father (John Houseman), she has been unfair, unkind and judgmental to many of the people closest to her: her brother Paul (Harris Yulin) and his fragile wife Lynn (Frances Conroy), her best friend from high school Claire (Sandy Dennis), her first husband Sam (Philip Bosco), and her stepdaughter Laura (Martha Plimpton).

She also realises that her current marriage to Ken is unfulfilling and that she missed her one chance at love with his best friend Larry (Gene Hackman). She finally manages to meet the woman in therapy as she contemplates a Klimt painting called 'Hope' and, although she wants to know more about her, she ends up talking more about herself, realizing that she made a mistake by having an abortion years ago and that at her age there are many things in life she will not have anymore.

By the end of the film, Marion resolves to change her life for the better.

Cast

Background

This film borrows heavily from the films of Allen's idol, Ingmar Bergman, particularly Wild Strawberries, where the main character is an elderly professor who learns from a close relative that his family hates him. Allen also recreates some of the dream sequences from Wild Strawberries, and puts Marion Post into a similar situation as Isak Borg, where both characters reexamine their life after friends and family accuse them of being cold and unfeeling. This film has many of Allen's signature features, particularly the New York City stamp of the film, only a few scenes are shot outside the city, in the Hamptons. It also uses classical music- Gymnopedie No. 3 by Erik Satie, and poetry- Archaic Torso of Apollo by Rainer Maria Rilke, to serve its narrative, as earlier and later films such as Hannah and Her Sisters, Crimes and Misdemeanors, and Husbands and Wives. It also focuses primarily on upper-middle class intellectuals, as nearly all of Allen's 1980s films do.

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