Anti-clerical art is an art movement portraying clergy (especially Roman Catholic clergy) in unflattering contexts. It was especially popular in France during the second half of the 19th century, at a time that the anti-clerical message suited the prevailing political mood. Typical paintings show cardinals in their bright red robes engaging in unseemly activities within their lavish private quarters.
Nineteenth and early twentieth century artists known for their anti-clerical art include Francesco Brunery, Georges Croegaert, Charles Édouard Delort, Jehan Georges Vibert, and Eduardo Zamacois y Zabala. Masami Teraoka is among the contemporary painters producing anti-clerical art.
References
- Hook, Philip and Mark Poltimore, Popular 19th century painting, a dictionary of European genre painters, Woodbridge, Suffolk, Antique Collectors’ Club Ltd, 1985.
Examples of anti-clerical art
 ’The Church in Danger’ by Jehan Georges Vibert |
 ’The Preening Peacock’ by Jehan Georges Vibert |
 'The Marvelous Sauce', painting by Jehan Georges Vibert, ca. 1890, Albright-Knox Art Gallery |
 'The Diet', painting by Jehan Georges Vibert, private collection |
 'The Fortune Teller', painting by Jehan Georges Vibert, private collection |
 'Non Abiate Paura', painting by Francesco Brunery |
 'Friday', painting by Charles Édouard Delort, private collection |
 'Game for the Cardinal', painting by Charles Édouard Delort |
 'A Quiet Smoke', painting by Georges Croegaert |
 'The Winning Hand', painting by Georges Croegaert |
 'Taming the Donkey', painting by Eduardo Zamacois y Zabala, 1868, private collection |
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