["When you are suffering know that I have betrayed you","Cut the head off","Our Antichrist is almost here","Cut the head off","I shed the skin to feed the fake","The moon has now eclipsed the sun","","I am the Hydra","Angel has spread it's wings","","Now you'll see your star","The time has come for bitter things","Cut the head off","","You threw your money in the pissing well","When you are suffering know that I have betrayed you","The moon has now eclipsed the sun","I am the Hydra","Prick your finger it is done","Time has come it is quite clear","","When you are suffering know that I have betrayed you","I didn't have to sell you","Our Antichrist is almost here","When you are suffering know that I have betrayed you","Now you'll see your star","Our Antichrist is almost here","When you are suffering know that I have betrayed you","Grows back hard","Whose mistake am I anyway?","Prick your finger it is done","When you are suffering know that I have betrayed you","Now you'll see your star","I am the Hydra","Time has come it is quite clear","Repent, that's what he's talking about","Repent, that's what I'm talking about","","Whose mistake am I anyway?","I shed the skin to feed the fake","","Repent, that's what he's talking about","","","You built me up with your wishing hell","You do just what they tell you","When you are suffering know that I have betrayed you","When you are suffering know that I have betrayed you","Repent, that's what I'm talking about","Grows back hard","Grows back hard","The time has come for bitter things","Angel has spread it's wings","Time has come it is quite clear",""]
Performed by: Marilyn Manson Written by: Stephen Jr Bier; Ramirez; Brian Warner; Jeordie White
Credits: Bier, Stephen Jr (Songwriter); Ramirez (Songwriter); Warner, Brian (Songwriter); White, Jeordie (Songwriter); DINGER & OLLIE MUSIC (Publisher)
"Antichrist Superstar" is a promotional-only single from Marilyn Manson's second studio album of the same name. The song itself is symbolic of the climax of the album's story, the point where the abused and wretched victim at the center of the tale takes on the identity of the Antichrist, rampaging the world and destroying anything in his path. This image can be conveyed by the song's triumphal and ominous tone, which is reminiscent of horns and trumpets in a totalitarian rally, in which Manson sings, and could be an allusion to how his critics see him (as a threat to Christian morality and, therefore, the world).
It is interesting to note as well that in concert Marilyn Manson usually sings the song atop a podium in a stage filled with banners embellished with the album's distinctive "shock" symbol, much like the Nazi Nuremberg Rallies and sings the song with highly exaggerated body movements and postures that is meant to mock and parody Dictators and Televangelists.