- For the constellation, see Antinous (constellation); for the
asteroid, see 1863 Antinous; for the mythological
figure, see Antinous son of Eupeithes
Antinoüs or Antinoös (Greek: Ἀντίνοος) born ca.
AD 110 or AD 111, died AD 130), was the
lover of the Roman Emperor Hadrian.
Bust of Antinous From
Patras, (National Archaeological Museum in Athens)
Biography
Antinous was born to a Greek family in Bithynion-Claudiopolis, in the Roman province of Bithynia in what is now north-west Turkey. It is thought he joined the entourage of the Emperor when Hadrian passed through Bithynia in about
124, and soon became his pederastic eromenos (lover) who accompanied him on his many journeys through the empire. Another version has it that
Hadrian had the empire searched for the most beautiful youth, and chose Antinous. Their relationship is understood to have
followed the pattern of traditional Greek pederastic love affairs.
In October 130, according to Hadrian, "Antinous was drowned in Nilus." This is the only
contemporaneous statement made - significantly by the one person in a position to "testify" at an "inquaestio" whose word was
above reproach - and the sentence structure and meaning are very precise, whether translated from Latin or Greek. Speculation
that Antinous drowned by accident, committed suicide or was "sacrificed" by Hadrian appeared later, and may have had a political
agenda. It is not known whether his death was the result of accident, suicide, murder, or religious sacrifice. Marguerite Yourcenar, whose book Memoirs of Hadrian, portrays the death as a likely suicide. The speculation concerning suicide
includes the possibility that Antinous sacrificed himself in an attempt to improve Hadrian's health. It seems very improbable
that Hadrian would have consented to the death of his companion, given the depth of his grief following the loss, so if Antinous
was murdered or committed suicide, Hadrian was taken by surprise.
Legacy
After his death, the grief of the emperor knew no bounds, causing the most extravagant respect to be paid to his memory.
Cities were founded in his name, medals struck with his effigy, and statues erected to him in all parts of the empire. Following
the example of Alexander (who sought divine honours for his lover, Hephaistion, when he died), Hadrian had Antinous proclaimed a god. Temples were built for his worship in
Bithynia, Mantineia in Arcadia, and Athens, festivals celebrated in his honour and oracles delivered in his name. The
city of Antinopolis or Antinoe was founded on the ruins of Besa where he died (Dio Cassius
lix.11; Spartianus, Hadrian). One of Hadrian's attempts at extravagant remembrance failed, when the proposal to create a
constellation of Antinous being lifted to heaven by an eagle (the constellation
Aquila) failed of adoption.
After deification, Antinous was associated with and depicted as the Ancient Egyptian
god Osiris, associated with the rebirth of the Nile.
Antinous was also depicted as the Roman Bacchus, a god related to fertility, cutting vine
leaves.
Worship, or at least acknowledgment, of the idealized Antinous was widespread, although mainly outside the city of Rome. As a
result, Antinous is one of the best-preserved faces from the ancient world. Many busts, gems and coins represent Antinous as the
ideal type of youthful beauty, often with the attributes of some special god. They include a colossal bust in the
Vatican (here), a bust in the Louvre (the Antinous Mondragone), a bas-relief from the Villa Albani (here), a statue in the Capitoline museum (the
so-called Capitoline Antinous, now accepted to be a portrayal of Hermes), another in Berlin, another in the Lateran and one in the Fitzwilliam Museum; and many more may be seen
in museums across Europe. There are also statues in many archaeological museums in Greece including the National Archaeological
Museum in Athens, the archaeological museums of Patras, Chalkis and Delphi. Although these may well be idealised images, they
demonstrate what all contemporary writers described as Antinous's extraordinary beauty. Although many of the sculptures are
instantly recognizable, some offer significant variation in terms of the suppleness and sensuality of the pose and features
versus the rigidity and typical masculinity. His representation in art was the subject of the Henry Moore Institute's 2006 summer exhibition. [1]
Gallery
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The Antinous Braschi type (Louvre)
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Sources and references
- This article incorporates text from the Encyclopædia
Britannica Eleventh Edition, a publication now in the public domain.
[2]
- Marguerite Yourcenar's 1951 historical novel,
Memoirs of Hadrian (Mémoires d'Hadrien) is a fictional account of the
relationship, as told by the Emperor
- Rousseau, George (2004). Marguerite Yourcenar: A Biography. London: Haus Publishing. ISBN
1-904341-28-4
- Dietrich, Antinoos (1884)
- Dynes, Wayne R. Antinous. 2Dynes, Wayne R. (ed.) Encyclopedia of Homosexuality. New York and London, Garland Publishing, 1990 pp.
67-68.
- Ebers, Der Kaiser (1881).
- Laban, Der Gemütsausdruck des Antinoos (1891)
- Lambert, R., Beloved and God: The Story of Hadrian and Antinous (New York, 1984)
- Levezow, Über den Antinous (1808)
Ancient Literary Sources
- Biography of Hadrian in the Augustan History (attributed to Aelius Spartianus)
- Cassius Dio, epitome of book 69
External links
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