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Antoine Héroët

Héroët, Antoine (1492-1568). Poet, courtier of Marguerite de Navarre, and bishop of Digne from 1552. He is the author of a ‘blason de l'œil’ (1535). L'Androgyne (1535, published 1542) is a decasyllabic poetic adaptation of part of Plato's Symposium, following Ficino's translation and commentary. La Parfaite Amie (1542) is a personal meditation on love, yet within the Platonist tradition, influenced by Castiglione and Italian treatises: love is divinely inspired, mutual, and leads to self-knowledge and virtue, but perfect union is achieved only after death. Praised by both Sebillet and the Pléiade, Héroët is a sensitive and urbane poet.

[Peter Sharratt]

 
 
Wikipedia: Antoine Héroet

Antoine Héroet, surnamed La Maison-Neuve (d. 1568), French poet, was born in Paris of a family connected with the famous chancellor, François Olivier.

His poetry belongs to his early years, for after he had taken orders he ceased to write profane poetry, no doubt because he considered it out of keeping with his calling, in which he attained the dignity of bishop of Digue. His chief work is La Parfaicte Amye (Lyons, 1542) in which he developed the idea of a purely spiritual love, based chiefly on the reading of the Italian Neo-Platonists.

The book aroused great controversy. La Borderie replied in L'Amie de cour with a description of a very much more human woman, and Charles Fontaine contributed a Contr'amye de court to the dispute, Héroet, in addition to some translations from the classics, wrote the Complainte d'une dame nouvellement surprise d'amour, an Epistre a François Ier, and some pieces included in the now very rare Opuscules d'amour par Héroet, La Borderie et autres divins poetes (Lyons, 1547). Héroet belongs to the Lyonnese school of which Maurice Scève may be regarded as the leader. Clement Marot praises him, and Ronsard was careful to exempt him with one or two others from the scorn he poured on his immediate predecessors.

See HF Cary, The Early French Poets (1846).

This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.


 
 

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