Wikipedia:

Antoni Lange

Antoni Lange

Portrait of Antoni Lange by Stanisław Wyspiański, 1899
Pseudonym: Antoni Wrzesień, Napierski
Born: 1861 or 1863
Warsaw, Poland
Died: 17 March, 1929
Warsaw, Poland
Occupation: Poet, Philosopher, Novelist, Translator
Nationality: Polish
Writing period: 19th-20th century
Genres: poem, epic poem, narrative poem, novel, short story, essay, drama, frame story
Literary movement: Modernism, Symbolism, Young Poland
Debut works: The Hour, Funeral of Shelley
Influences: Gustav Meyrink, Mikołaj Sęp Szarzyński, Edgar Allan Poe, Stéphane Mallarmé, Juliusz Słowacki, Sir Arthur Conan Doyle, Guy de Maupassant, Edward Young
Influenced: Bolesław Leśmian, Antoni Słonimski, Leopold Staff, Jerzy Żuławski, Stefan Grabiński, Tadeusz Miciński, Mieczysław Smolarski, Stanisław Baliński, Jerzy Hulewicz

Antoni Lange (1863 - 17 March 1929) was a Polish poet, philosopher, polyglot (15 languages), writer, novelist, science-writer, reporter and translator. A representative of Polish Parnassianism and symbolism, he is also regarded as belonging to the Decadent movement. He was an expert on Romanticism, French literature and a popularizer of culture of Eastern cultures. He is famous for his novel Miranda.

He translated English, French, Hungarian, Italian, Spanish, Indian, American, Serbian, Egyptian and Oriental writers into Polish and Polish poets into French and English. He was also one of the most original poets of the Young Poland movement.

Lange was an uncle of the poet Bolesław Leśmian.

Life

Little is known about Lange's personal life, even the date of his birth is doubtful. He was born into a strongly patriotic Jewish family who were influenced by the ideals of Romanticism. His father Henri Lange took part in the November Uprising. Young Antoni studied at Warsaw University but he was expelled for his patriotic activity by the Russian authorities who ruled Poland. For this reason he decided to study in Paris where he encountered new trends in literature, philosophy and art. In France he became familiar with the theories of Jean Martin Charcot, as well as spiritualism, parapsychology, the philosophy of Arthur Schopenhauer and Friedrich Nietzsche, oriental religions, European and Eastern literature and modern literary criticism. He took part in the literary meetings of Stéphane Mallarmé.

He soon returned to his homeland, having become a dandy, and he became one of the best known members of Polish Bohemian life. Bolesław Prus, Julian Ochorowicz and Lange were the first Polish spiritists. In the 1890s he lived in Nowy Świat Street together with Władysław Reymont, a Polish writer and the winner of the Nobel Prize of 1924. Stanisław Brzozowski called Lange a real and not frequently European mind[1] and Julian Tuwim called him a master of reflective poetry[2]. During this time Lange was a member of the Polish Academy of Literature. However, with the sharp growth of his popularity as a poet his poems became more sceptical, pessimistic and hermetic. The main theme of the poems of this period was the feeling of being isolated and misunderstood by the crowd.

Przychodzę do was z daleka...

I come to you from far away

Przychodzę do was z daleka,
Przychodzę z nieznanych stron.
[...]
Dusza twa była samotną
Jako barka bez kotwicy.
I come to you from far away,
I come to you from unknown places.
[...]
Your soul was as lonely
As a barge without an anchor[3][4].

At the beginning of the 20th century he withdrew from public life and became lonely and forgotten. He collected his last poems in notebooks and never allowed anyone to publish them[5].

Lange's prestige as a writer was undermined by a new generation of avant-gardists. He died in isolation, destitution and obscurity in Warsaw in 1929. He never married and had no children.

Antoni Lange was a friend of Stéphane Mallarmé, Jan Kasprowicz and Stanisław Przybyszewski.

There are only two portraits of Lange, one of them was painted by Stanisław Wyspiański in 1890.

Władysław Podkowiński, Nowy Świat Street (1900), a town where Lange lived
Enlarge
Władysław Podkowiński, Nowy Świat Street (1900), a town where Lange lived

Writing

Lange was a prolific and versatile writer. He wrote many novels (Miranda), short stories (Zbrodnia, Amor i Faun), dramas (Malczewski, Wenedzi), essays and poems. Lange's poetry is contemplative and erudite. It connects the traditions of European culture with Buddhism. The overriding theme of Lange's existential concerns was 'extremity' and the 'cycle' of death. In order to form of the poetry Lange connect to contradictory points of impressionism, romantic sentimentality and experimentary theories of Stéphane Mallarmé. Lange was fond of rare poetic forms: acrostics, dactyls, pantoums, praeludiums, scherzos, canticles and triolets. He was also the author of many pastorals concerning the metaphysical side of village life; historiosophical songs inspired by the genesis philosophy of Juliusz Słowacki; and exotic genesis mythologies from all over the world (from Mexico to Japan).

Lange was also the author of many lyrical essays presenting original views about the relationship between poet and reader concerning eschatological issues (Thoughts, The Grave).

In the first phase of his writing he was a lover of esthetism, formal innovation and the theories of Stéphane Mallarmé. However, later he faced to primitivism, anonymity, writings of folk poets and XVI century poets and blank verse.

Front cover for Lange's "In the Fourth Dimension" (1912)
Enlarge
Front cover for Lange's "In the Fourth Dimension" (1912)

Both Lange and Jerzy Żuławski are often referred to as "The Pioneers of Polish Science-Fiction". Lange's short stories from the book W czwartym wymiarze (In the Fourth Dimension, 1912) such as Babunia (Grandma), Rozaura, Lenora, Rebus (Puzzle) or Nowe mieszkanie (The New House) are regarded as early examples of science fiction and weird fiction in Poland. The main themes of the stories are: hypnosis, the elixir of youth, eternal love and the materialization of phantoms.

Lange's works influenced many poets of the next generation, for example: Bolesław Leśmian, Antoni Słonimski, Julian Tuwim, Julian Przyboś, Jan Lechoń, Leopold Staff. Paradoxically, most of these poets criticized Lange for his anachronism, eccentricity and overintellectualism.

Lange was also a left wing journalist. He wrote for many important Polish newspapers such as Pobudka, Tygodnik Illustrowany or Przegląd tygodniowy. He created an original way of cultural assimilation for Jews via mixed marriage.

Lange's numerous translations of classic 19th century literature from all over the world are still highly regarded. His translations of The Golem by Gustav Meyrink and poems by Charles Baudelaire, Edgar Allan Poe and George Gordon Byron are masterpieces of Polish translation. He also edited many anthologies of his own translations of Egyptian, Syrian, Persian, Arabian, Indian and Hebrew poems.

His main sources of inspiration were: the poetry of the Three Bards,; the theories of Stéphane Mallarmé; the writings of Charles-Marie-René Leconte de Lisle; Sanskrit epics of ancient India such as Mahabharata or Savitri; and the poetry of the Polish Baroque era, especially metaphysical poets such as Mikołaj Sęp Szarzyński and Józef Baka because of their obsession with death.

Thoughts

In many critics' view Thoughts is Lange's key work. It is a long poem in two volumes: the first, Thoughts, was published as a cycle of fifty-six poems in 1906; it was followed by The New Series of Thoughts, written in 1928. Thoughts is a work about the loneliness and alienation of the artist whose existence has been alternating between a sense of the absurdity of life and a belief in an ideal world since the moment he was born. The poem ends with a mysterious and disturbing vision of the artist's contact with the other world and consoling reflections about life and death, good and evil while sitting in the garden at evening. Thoughts explores the subjects of Nirvana, suicide, mare tenebrarum and the life of an artist, but the main theme of the poem is death and searching for understanding from others.

Vita Nova and other love poems

Lange was the author of many love poems influenced by Romanticism, spiritualism and Indian mythology.

Gdzie ty jesteś, bogini?

Where are you goddess?

Gdzie jesteś, czarodziejko, bogini, królewno,
Życiodawczy, uwodny duchu ty krwiożerny,
Cudotwórcza, stugłowa, wieczna hydro Lerny,
Syreno, co mię nęcisz w Scyllę grobów śpiewną?
Where are you wizard, goddess, queen?
You are vitality, deluding and bloodthirsty phantom.
You are thaumaturgus, you have a hundred heads.
You are immortal Hydra of Lerna and a Siren
who calls me to Scilla singing the graves[6].

Other love poems by Lange, for example Vita Nova (A New Life) written in 1898, present an original vision of a decadent and melancholy poet who momentarily becomes an Übermensch thanks to the illusion of requited love. Unfortunately, there is always a conflict between the vision of ideal love and its realisation. Lange takes also notes the "painful impossibility" of the absolute and eternal union of lovers' souls; he creates a pesimistic vision of the relationship between man and woman, which is always burdened by the certainty that complete fulfilment is impossible.

Lady Lilith by Dante Gabriel Rossetti. The symbol of Lilith was frequently used by Lange
Enlarge
Lady Lilith by Dante Gabriel Rossetti. The symbol of Lilith was frequently used by Lange

In Lange's verses love always makes the subject feel as if he has been exiled from and deprived of a latent part of his own existence, but simultaneously he believes that lovers can communicate and feel the same by transmitting their pain and the power of their affection in defiance of metaphorical distance.

Deuteronomion, The Hour, Logos and Sonnets of Veda

The most characteristic feature of Lange's writings is the strong influence of Eastern traditions, religions and philosophies such as Veda, Brahminism and Buddhism.

Written in 1887, the cycle of seven sonnets entitled The Sonnets of Veda shows the seven stages of human existence[7] on its way to Nirvana.

The writing similar to Sonnets of Veda in order to form is Logos. It is a cycle of ten sonnets which discuss with ten points of view on logos of history by ten outstanding representatives of historiosophy of Polish Romanticism[8]. The poems are strong influenced by ideas of messianism.

The Hour written in 1894 was the first prose of Lange, but the short symbolic novel was published in 1895 in the first volume of Poems. It is a story of Artemis and Auora, the two ancient goddesses who descends to Earth to bear witness to problems of human life. In some points The Hour is similar to the drama A Dream Play written by August Strindberg in 1901 and The Woman without a Shadow written by Hugo von Hofmannsthal in 1919. The novel contains many mystical fragments stylized on some kind of religious texts, psalms, manifesto, the greek tragedy and the ode. It also connects prose with elements of poetry and drama.

One of the most representative Lange's writing is Deuteronomion, a mystical occultic poem written in Paris in 1902. It is very hermetic and hard to interpret because of its many allusions to Bible, Kabbalah, Sanscrit and ancient Slavic legends. The poem tells about a person of a Poet who travels his soul to hammer a great initiation of himself and universe out. It is meaningful that Deuteronomion begins with the Epilogue to myself and ends with the Prologue to the unknown god.

Exotica and The Book of Prophets

Lange is also an author of Exotica, an original epic poem which tells about the beginning of the other world, creation of woman and the end of the history in connection to legends of primitive folks of New Zealand, Mexico, Guatemala and Polynesia. The poem takes a look on the main irresolutions of decadent in way of exotic mithologies.

Other exotic poem of Lange is The Book of Prophets which contains six chapters: Unity or the book of Moses, Greatness or the book of Brahma, Fight or the book of Zoroaster, Love or the book of Jesus, Determinity or the book of Muhammad and Manumission or the book of Buddha.


Narrative poems

  • The Oracle
  • Ilya Muromets
  • The Vision of Catherine of Alexandria
  • Song of Płanetnik


An autograph of Antoni Lange
Enlarge
An autograph of Antoni Lange

Philosophy

In Lange's cosmogony-philosophy, he announced that evolution of the soul is parallel to evolution of a nation. Capitalism is the enemy of this principle because it acts against individualism, so capitalism is the ideology of the anonymous crowd. If there is no individualism among the people, then there is also not a problem of "bad" versus "good". Then the world comes to disturb its own logic. According to Lange, a world that 'was borning' from ideal space, is still coming to the highest stage of evolution; sometime, it will return to its primary stage. Every step to evolution is a step to the ideal primary. An exception of this "rule of time-line" is the person of genius, who is between the times. In Lange's philosophy he referred to Giambattista Vico and Georg Wilhelm Friedrich Hegel.

Lange was interested in spiritualism and parapsychology to contain his own philosophy.

Critic of Romanticism

An important part of Lange's writing was criticism of legacy of romanticism in modern poetry. In 1924 he founded Astrea, a science-magazine and the first forum about the Polish and European romanticism. Lange throw romantic illumination and brainwave out. In his point of view only erudition, intellect and afterthought tells the truth about God. Lange criticized also importance of individualism which concentrate on a person of poet. He tried to get thought to eidos of poem, poem's own existence and clear idea of creation, therefore he disagreed with cult of individualism.

Literary theories

Lange's original literary speculations were collected in books such as Rzuty ("Projections"), O poezji współczesnej ("On Contemporary Poetry") and Studia i wrażenia ("Studies and Impressions").


Selected works

  • Vox Posthuma - a philosophical treatise about an archetypical enfant du siècle
  • Godzina ("The Hour") - an occult novel about the connections between the ideal and the material world, estheticism in poetry and real life etc.
  • Pogrzeb Shelleya ("The Funeral of Shelley") - an ode to Percy Bysshe Shelley
  • Księgi proroków ("Books of the Prophets") - a collection of cosmogonical poetry referred to Buddhism, Zoroastrianism and Islam
  • Exotica - an historiosophical poem about the genesis of the world, God, Man and Woman
  • Pogrobowcy ("Posthumous Verses") - a collection of early poems strongly influenced by positivism
  • Rozmyślania ("Contemplations" or "Thoughts") - a philosophical poem about the dead, strongly influenced by Romanticism, Baroque poetry and decadentism
  • Ballady pijackie ("Drunken Ballads") - a lyrical essay about the drugs and alcohol enjoyed by decadent poets
  • Stypa ("Meeting") - a frame story about the suicide of young man after a tragic love affair
  • Widzenie świętej Katarzyny ("The Vision of Saint Catherine of Alexandria") - a lyrical story about the social and metaphysical consequences of the death of God
<poem>Call me Eternity in the time's turnstile, because there isn't the end of the moment when I will knock  at your door[9]</poem>
Enlarge
<poem>Call me Eternity in the time's turnstile, because there isn't the end of the moment when I will knock at your door[9]</poem>
  • W czwartym wymiarze ("In the Fourth Dimension") - one of the first science-fiction books in Polish literature
  • Miranda - an occult novel about tragic love and the vision of an ideal woman in an ideal civilisation of Brahmins
  • Róża polna ("The Wild Rose")
  • Atylla ("Attila")
  • Malczewski - a play about the life of the Polish Romantic poet Antoni Malczewski
  • Vita Nova - a cycle of 11 philosophical poems about an ideal vision of love, pain and loneliness
  • Pieśni dla przyjaciół ("Odes to Friends") - a collection of odes to Polish poets such as Jan Kasprowicz and Zenon Przesmycki

Selected translations

References

  1. ^ S. Brzozowski The Legend of Young Poland (Legenda Młodej Polski): http://univ.gda.pl/~literat/legenda/012.htm
  2. ^ Note from Władca czasu (The Master of Time), edited by Julian Tuwim, Warsaw 1983
  3. ^ A faithful translation from Poland
  4. ^ Lange believed that being on the road is similar to feeling existentional loneliness
  5. ^ The poems were published posthumously in 1931 in the appendix to Lange's play Malczewski
  6. ^ A faithful translation from Poland
  7. ^ They are: Rupa (the stage of the stone); Jiv-Atma (the stage of the plant); Linga-Sharira (the stage of the stars); Kama-Rupa (Anima bruta); Manas (human spirit); Buddhi (Anima spiritualis); Atma (the Great Soul)
  8. ^ There are: Józef Hoene-Wroński, Józef Gołuchowski, Adam Mickiewicz, Andrzej Towiański, Juliusz Słowacki, Zygmunt Krasiński, Henryk Cieszkowski, Bronisław Ferdynand Trentowski, Karol Libelt, Józef Kremer
  9. ^ A faithful translation from Poland

See also

External links

Works


Wikiquote has a collection of quotations related to:
Wikimedia Commons has media related to:


 
 
 

Join the WikiAnswers Q&A community. Post a question or answer questions about "Antoni Lange" at WikiAnswers.

 

Copyrights:

Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Antoni Lange" Read more

Search for answers directly from your browser with the FREE Answers.com Toolbar!  
Click here to download now. 

Get Answers your way! Check out all our free tools and products.

On this page:   E-mail   print Print  Link  

 

Keep Reading

Mentioned In: