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Antonio Maria Abbatini

 
Music Encyclopedia: Antonio Maria Abbatini

(b Città di Castello, 1609-10; d there, c1678). Italian composer. He held several positions as maestro di cappella, mainly in Rome (notably at St John Lateran and S Maria Maggiore) but also at Orvieto Cathedral and the Santa Casa, Loreto. His most important work is the comic opera Dal male il bene (1653 - Acts 1 and 3; Act 2 by Marazzoli), which includes much secco recitative and two early ensemble finales. He wrote two further operas, but his output consisted mainly of sacred music. Most of the surviving works are small-scale concertato sacre canzoni, but he also cultivated the massive polychoral style.



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Antonio Maria Abbatini (26 January 1595 – ? after 15 March 1679) was an Italian composer, active mainly in Rome.

Abbatini was born in Città di Castello. He served as maestro di cappella at the Basilica of St. John Lateran from 1626 to 1628, and thereafter successively at four other Roman churches. He composed a good deal of church music, and published three books of Masses, four of Psalms, various 24-part Antiphons (1630, 1638, 1677), five books of Motets (1635), and a dramatic cantata, Il Pianto di Rodomonte (1633). He also worked with Athanasius Kircher on the Musurgia Universalis.

In addition, he produced three operas: Dal male il bene (Rome, 1654; in collaboration with Marco Marazzoli), which was one of the earliest comic operas, and historically important as it introduced the final ensemble; Ione (Vienna, 1666); and La comica del cielo, also called La Baltasara (Rome, 1668).

References

Note

  • This article or an earlier version incorporates text from the 3rd edition (1919) of Baker's Biographical Dictionary of Musicians, a publication now in the public domain.



 
 

 

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