Antwone Fisher

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Antwone Fisher

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Plot

The directorial debut of Academy Award-winning actor Denzel Washington, Antwone Fisher is an autobiographical drama written by the real-life Antwone Fisher. Played by newcomer Derek Luke, Antwone is a volatile young sailor in the Navy, getting into trouble for his constant fighting. When he gets appointed to see naval psychiatrist Dr. Jerome Davenport (Denzel Washington), he begins to reveal the emotional problems behind his rage. Through an introduction to anger management, Antwone is able to confront some secrets of his past and eventually search out his family for a confrontation. Also starring model-turned-actress Joy Bryant as Antwone's girlfriend, Cheryl, and Salli Richardson as Davenport's wife. Antwone Fisher's memoir, Finding Fish, was released to book stores right before the film's theatrical release. ~ Andrea LeVasseur, Rovi

Review

Based on a true story, with a screenplay written by its protagonist, Denzel Washington's directorial debut, Antwone Fisher is a competent tearjerker and self-composed hagiography that's sure to be overpraised for its subtle near-avoidance of racial issues. Talented neophyte Derek Luke stars in the title role, and he's supported by a strong, attractive cast, including director Washington, stolid as he's ever been, as the shrink who helps Fisher come to terms with his past, and the luminous Joy Bryant as the angel of a woman who improbably throws herself at Fisher's feet. Her apparent beatitude is part of the problem with the film. We see the horrific, if overly familiar, privations of Fisher's early life in flashback, but in later life, as the film begins, things seem to fall a bit too quickly and conveniently into place for the young man as he seeks out and battles his demons. The film also risks misinterpretation by accepting the societal racism responsible for many of Fisher's woes as a given. The film doesn't address race directly as an issue in Antwone's life. Of course, more thoughtful viewers will understand that Antwone's oppressors (who are all black) are themselves the products of an internalized racism, but less-thoughtful white viewers may appreciate feeling like they've been let off the hook in this instance because there are no racist, or even unpleasant, white people depicted in the film. Whether or not it's screenwriter Fisher's and/or director Washington's responsibility to explicate the sociopathology of its black oppressors is an interesting question. The fact remains that the film, with its postcard vistas and overblown score, works as drama on only the most rudimentary level. ~ Josh Ralske, Rovi

Cast

Kevin Connolly - Slim; Viola Davis - Eva; Rainoldo Gooding - Grayson; Novella Nelson - Mrs. Tate; Yolonda Ross - Elaine Pack; Kente Scott - Kansas City; Stephen Snedden - Berkley; Bob Banks - Horace; Lynne Charles - Spinoza's Wife; O.L. Duke - Uncle Duke; Ellis Williams - Reverend Tate; Michelle Davison - Johnny Mae; Charlie Robinson - Howard; Jascha Washington - Jesse Age 8; Kang Sung - Receptionist; Leonard Earl Howze - Pork Chop; Andreas Patton - Kenny; De'Angelo Wilson - Jesse Age 19; Linda Cevallos - Sexy Woman; Eddie Baccus - Blind Piano Player; Brandon Biggins - Eddie; Jason Dixon - Jason; Fran Dorsey - Owner; Na'tasha Marie Evans - Young Girl #2; Margaret Ford-Taylor - Eda; David Fowler - Chief Master-At-Arms; Angela Gillespie-Winborn - Woman In White; Lissy Gulick - Mona; Cory Hodges - Antwone Fisher Age 14; Teresa Hoefke - Case Worker; Doug Jewell - Spinoza; Kim Johnson - Disc Jockey; Vernée Watson Johnson - Annette; Malcolm David Kelley - Antwone Fisher Age 7; Sean'e La'dae - Edward; Brandon Lewis - Ray; Jada S. Louie - Jeannette; Mary Bradley Marable - Older Lady; Rebecca Morris - Anna; Leo Nepomuceno - SP #1; Rita Pearson - Cashier; John Pittman Jr. - Another Clerk; Timothy Reddick - Dwight Age 8; Edward C. Reynolds III - Man; Janaya Reynolds - Young Girl #1; Ruth Stehle - Snide Clerk; Cordell Stokes - Keith Age 5

Credit

David S. Lazan - Art Director, Gina White - Associate Producer, Marvin E. Lewis - Boom Operator, Robi Reed-Humes - Casting, Lillian Pyles - Casting, Steven Kutcher - Consultant/advisor, Laura J. DeRosa - Coordinator, Nicolas Dodd - Conductor, Chris Smith - Co-producer, Antwone Quenton Fisher - Co-producer, Sharen Davis - Costume Designer, Frank Rose - Costume Designer, Riki Sabusawa-Roach - Costume Designer, Randy Fletcher - First Assistant Director, Denzel Washington - Director, Conrad Buff - Editor, Nancy Paloian-Breznikar - Executive Producer, Larry Cherry - Hair Styles, Tanya Johnson - Hair Styles, Deborah Lily - Hair Styles, Molly Allen - Location Manager, Mychael Danna - Composer (Music Score), Carl Fullerton - Makeup, Amrita-Diane Ford - Makeup, Kathy Madison - Makeup, Nadia Zogby - Makeup, Neal Norton - Camera Operator, Pamela Rittelmeyer - Camera Operator, Nelson Coates - Production Designer, Philippe Rousselot - Cinematographer, Melissa "Stanley" Cohen - Production Manager, Denzel Washington - Producer, Todd Black - Producer, Randa Haines - Producer, Anne McCulley - Set Designer, Paul Sonski - Set Designer, Barbara Mesney - Set Designer, Marvin Felton - Special Effects, David Poole - Special Effects, Willie D. Burton - Sound Mixer, Brad Haehnel - Sound Mixer, Brad Haehnel - Sound/Sound Designer, Matt Patterson - Sound Recordist, John Rodd - Sound Recordist, Robert Powell - Stunts, Gail Monian - Stunts, Dain C. Turner - Stunts, Tom Waite - Stunts, Keith Butler - Stunts, Tierre Turner - Stunts Coordinator, Paul Hammer - Technical Advisor, Leigh Shanta - Unit Production Manager, Antwone Quenton Fisher - Screenwriter, Ronald Clarke - Production Assistant, Joan Andrews - Production Assistant, Kim Andrews - Production Assistant, Carolyn Bishop - Production Assistant, Adrienne Brown - Production Assistant, Matt Cahill - Production Assistant, Kenneth Clemmons - Production Assistant, Traci Easley-Williams - Production Assistant, Marquis Frost - Production Assistant, Cyrillynn P. Grospe - Production Assistant, Lashawn McCrary - Production Assistant, Keith Sam - Production Assistant, William Moore - Production Assistant, Cid Swank - Unit Publicist, Warren Paeff - Additional Editing, Tony Nagy - First Assistant Camera, Xiomara Comrie - First Assistant Camera, Jack English - Gaffer, Russ Faust - Grip, Billy Beaird - Grip, Joe Cassano - Grip, Greg Flores - Grip, Rick Linkowski - Grip, Joseph "Jo Jo" Presson - Grip, Joel A. Ruiz - Grip, Cameron Thorburn - Grip, Stuart M. Abramson - Key Grip, Adam Milo Smalley - Music Editor, Jeff Danna - Musical Performer, Blair MacKay - Musical Performer, Timothy Clément - Musical Performer, Bill Brennan - Musical Performer, Mark Duggan - Musical Performer, Paul Houle - Musical Performer, Paul Intson - Musical Performer, Richard Ruttenberg - Musical Performer, Pauletta Washington - Musical Performer, Ann Christman - Production Coordinator, Richard McGuire - Properties, Peter Meda - Properties, James Mize - Properties, Dean L. Alexander - Properties, Jeff Baxter - Properties, William Branch - Properties, Arnold Castaneda - Properties, David J. Easterling - Properties, Kevin Gustavson - Properties, Thomas Kaschade - Properties, Thomas S. Morris - Properties, Rick Myers - Properties, Thomas T. Nikitas - Properties, David Pixler - Properties, Michael Poolman - Properties, Scott Renner - Properties, Will Blount - Properties Master, Anna Behlmer - Re-Recording Mixer, James Bolt - Re-Recording Mixer, William Stein - Re-Recording Mixer, Annie Welles - Script Supervisor, Don Wilkerson - Second Assistant Director, David Kulczycki - Sound Effects Director, Marty Bresin - Special Effects Coordinator, Neal Norton - Steadicam Operator, Sidney Baldwin - Still Photographer, Donald Sylvester - Supervising Sound Editor, Murshel Lewis - Costume/Wardrobe, Charleen Richards - ADR Mixer, David Lucarelli - ADR Recordist, Heather Hudson - Art Department Assistant, Al Lewis - Art Department Assistant, Artis I. Gaines - Assistant Location Manager, Tricia Lynch - Assistant Location Manager, Kei Rowan Young - Assistant Location Manager, Mark Davies - Assistant Location Manager, Carrie Black Gallison - Assistant Production Coordinator, Jen O'Neal - Assistant Production Coordinator, Monica Castro - Assistant Properties, Lynn Kramer - Assistant Properties, James Babineaux - Best Boy Electric, Marc Leeger - Best Boy Grip, Melissa Elbaum - Buyer, Mindy Frank - Buyer, William Keily Cronin - Camera Loader, Renee Shuyten - Camera Loader, Donna R. Harrison - Casting Assistant, A. Doran Reed - Casting Associate, Lars Peterson - Construction Coordinator, Winnie Brown Willis - Costumes Supervisor, Mildred Iatrou Morgan - Dialogue Editor, Jason Newton - Dolly Grip, Glenn E. Moran - Electrician, Julie Lindstrom - Electrician, Erik A. Erichsen - Electrician, Jeff Fisher - Electrician, Lester Parker - Electrician, Chris B. Shaw - Electrician, Stephen Thorp - Electrician, Michael Walsh - Electrician, Tina Real Agency - Extra Casting, Carole A. Kenneally - First Assistant Editor, Alicia Stevenson - Foley Artist, Dawn Fintor - Foley Artist, Steve F. Price - Foley Editor, Kenneth Walker - Key Hairstylist, Troy Borisy - Leadman, Rocky Slaymaker - Leadman, Moses D. Isreal Jr. - Personal Assistant, Andrew Lockington - Personal Assistant, James E. Todd - Scenic Artist, Don Duffield III - Second Assistant Camera, Rod Sandoval - Second Assistant Camera, Karen Davis - Second Second Assistant Director, Hope R. Goodwin - Second Second Assistant Director, Brenda Garcia - Second Second Assistant Director, Manuel Castillo - Set Dresser, Rod Ledta - Set Dresser, Matt McGuire - Set Dresser, Daniel W. Roberts - Set Dresser, Leonard Rothstein - Set Dresser, Diego Sanchez - Set Dresser, J.D. Smith - Set Dresser, James W. Crawford - Set Production Assistant, Sean Duckworth - Set Production Assistant, Johnny Haddad - Set Production Assistant, Iris Huezo - Set Production Assistant, Levi James - Set Production Assistant, Karl Jefferson - Set Production Assistant, Toya Milawan Profit - Set Production Assistant, Audric Thompson - Set Production Assistant, Warren Drummond - Storyboard Artist, Antwone Quenton Fisher - Book Author, David Holmes - Cable Person, John S. Bukala - Construction Foreman, David Batancourt - Foley Mixer, Gary Burritt - Negative Cutter, Rebecca Kirkland - Production Secretary, C. Don DeBaun - Set Medic/First Aid, Jim Dresser - Set Medic/First Aid, Sheila Goldfarb - Set Medic/First Aid, Robert "Sarge" Hepburn - Set Medic/First Aid, Virginia Spaganlo - Set Medic/First Aid, Jon Nicholson - Swing Gang, James K. Butler - Swing Gang, Troy Flores - Swing Gang, Jack Gardener - Swing Gang, Dennis G. Knight - Swing Gang, Ken McCahan - Swing Gang, Frank McKeon - Swing Gang, Jason Truitt - Swing Gang, Kevin P. Boyd - Video Assist, Caitlin McKenna - Voice Casting, Jennifer Calbi - Assistant Editor, Daniel Kupresan - Assistant Editor, Bryan Lawson - Assistant Music Editor, George McDougall - Carpenter, William Biggerstaff - Painter, Bill K. Hoyt - Painter, Greg Musselman - Painter, Gregory Puchalski - Painter, Franklin Rodriguez - Painter, Bryan Wheeler - Painter

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Antwone Fisher (film)

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Antwone Fisher

Theatrical poster
Directed by Denzel Washington
Produced by Arnon Milchan
Todd Black
Randa Haines
Denzel Washington
Written by Antwone Fisher
Starring Derek Luke
Denzel Washington
Malcolm David Kelley
Joy Bryant
Salli Richardson
Music by Mychael Danna
Cinematography Philippe Rousselot
Editing by Conrad Buff
Studio Regency Enterprises
Distributed by Fox Searchlight Pictures
Release date(s)
  • December 19, 2002 (2002-12-19)
Running time 120 minutes
Country United States
Language English
Budget $12.5 million
Box office $23,367,586

Antwone Fisher is a 2002 American drama film directed by Denzel Washington, marking his directorial debut. He also stars in the film as the psychiatrist Jerome Davenport, alongside Hollywood newcomer Derek Luke, who plays the title role (and personally knew the real Antwone Fisher), and ex-model Joy Bryant, as Fisher's girlfriend.

The film is inspired by a true story, with the real Antwone Fisher credited as the screenwriter, and is based on his autobiographical book Finding Fish. The film was produced by Washington, Nancy Paloian, and Todd Black, and features a soundtrack by Mychael Danna.

Black was first inspired to make the film upon hearing the story from Fisher, who was then working as a security guard at Sony Pictures Studios.[citation needed]

Contents

Plot

The movie focuses on Antwone "Fish" Fisher (Derek Luke), a temperamental young man in the navy with a violent history. His father was killed before he was born and his teenage mother, Eva Mae Fisher, ended up arrested soon after and put in jail where she gave birth to him. He was then placed in an orphanage until she got out to claim him. When she never claimed him, Antwone was placed in a foster home at two years old ran by a religious couple Mr. and Mrs. Tate (Ellis Williams and Novella Nelson). There, Antwone faced abuse by Mrs. Tate mentally and physically for many years until he finally left the home at age fourteen. Living out on the streets for the next few years he decided to join the U.S. Navy to make something out of his life. However the rough life he had as child caused him to have a violent temper at this point.

After getting into a fight with a fellow sailor, Antwone is sentenced to be demoted, fined, and restricted to the ship for 45 days. His commanding officer also orders him to go to psychiatric treatment. Antwone goes in to meet Dr. Jerome Davenport (Denzel Washington). Davenport attempts to get him to open up, but Antwone is at first extremely resistant. During his sessions, Antwone develops feelings for a fellow Naval personnel, Cheryl (Joy Bryant). Still getting into altercations, Davenport tries to explore Antwone's feelings for Cheryl to channel Antwone's feelings into something positive. Antwone finally goes on a date with Cheryl and establishes a relationship with her.

While on leave in Mexico, Antwone's sexuality is called into question by a fellow personnel he had previously called an "Uncle Tom". The personnel's comments have an impact on Antwone and he gets into yet another fight. Antwone's thrown into jail. Davenport meets him in jail, where Antwone confided he was sexually abused as a child by Nadine Tate (Yolonda Ross), a member of the Tate household. Later on, Antwone eventually reveals to Cheryl that he sees a shrink and they share their first kiss.

At Thanksgiving dinner, Davenport advises Antwone to find his real family. Antwone refuses, but thanks Davenport before inviting him to a graduation ceremony. Following the graduation ceremony, Davenport tells Antwone he's ending the sessions and feels Antwone needs to progress on his own. Antwone breaks down and feels everyone has abandoned him. He reveals his best friend was killed during an attempted robbery and he resents his friend for leaving him behind. Realizing he needs to find his parents to find closure, Antwone asks Cheryl to go with him to Cleveland. After a dead end at social services Antwone decides to return to the Tate household. There he confronts an older Nadine and Mrs. Tate about their abuses toward him. Mrs. Tate ultimately reveals Antwone's father's name: Edward Elkins.

After looking through multiple telephone books, Antwone comes into contact with his Aunt Annette (Vernee Watson-Johnson) and visits her. Antwone learns his mother (Viola Davis) lives nearby, and goes to visit her. She sits in silence after he reveals to her that he's her firstborn. Antwone finds closure, forgives her, and leaves. When he returns to the Elkins household, he finds a feast prepared for him and finds the family he lost.

At the end of the film, Antwone visits Davenport and thanks him for everything. Davenport then replies that it is he who should be thanking Antwone. Davenport reveals to Antwone that he was slowly shutting down his life until the day he met Antwone. The movie draws to a close as Davenport and Antwone go to eat.

Finding Fish

Finding Fish is an autobiographical account written by Antwone Fisher upon which the movie was based. The film generally follows the plot of the novel. However the book proceeds in a linear fashion while the movie is explained through various flashbacks.. The movie stresses Antwone’s relationship with his doctor as opposed to the book which chronicles Antwone’s entire life.

Production

Antwone Fisher explains in his novel Finding Fish, that he took a free screen writing class at Bethel A.M.E. Church after a chance encounter with a limo driver. The class was taught by Chris Smith, who delivered an introduction to a producer named Todd Black. Black was impressed with Fisher’s story. Black reviewed the script for a week and told Fisher that though he couldn’t make a deal, he wanted to hire him full-time as a screenwriter. Fisher wrote 41 drafts until the script was sold by Black to 20th Century Fox. The film marks the directorial debut of Denzel Washington, the first screenwriting credit for Antwone Fisher, and the first feature film-role for Derek Luke. Washington was brought the script originally just to play the part of Jerome Davenport. But Washington’s agent called Black and told him he not only wanted to act in the film, he wanted it to be his directorial debut.

Fisher had known Luke as a young actor working at the Sony Pictures gift shop while he was writing the screenplay. Fisher encouraged Luke to try out for the part. Washington was impressed with Luke’s audition and asked that he personally deliver the good news. Washington (aware that he was working with an unknown) stated that he wanted to give a younger generation of black actors their chance to come alive on-screen. To prepare the cast, Washington required each actor to know his/her character's history and story inside out before coming to the set. This mandate included everyone from Luke in the title role to key cast members like Vernée Watson Johnson, who plays Fisher's long-lost Aunt Annette, Novella Nelson in the role of Fisher's foster mother Mrs. Tate, Viola Davis as Fisher's mother, newcomer De'Angelo K. Wilson, seen opposite Eminem in 8 MILE, as the grown-up Jesse, Malcolm David Kelley as the young Antwone, and Corey Hodges as the teenage Antwone. Washington repeatedly told the cast and crew “We’re doing it for Antwone.”

Inspired by the story of a man who found hope and love through the help of an outstretched hand. In turn, the filmmakers sought to give back to the communities that supported them during the shoot. In the Cleveland neighborhood where the scenes of Fisher's youth and homecoming were shot, the filmmakers went out of their way to leave the urban area and its people in a better place than when they arrived. Structures like the apartment building where Eva Mae Fisher lived in the film and the house that was shot as Fisher's foster home were renovated and/or reinforced. Members of the community were hired to work on the production or as part of its preparation, and always Washington was out and about meeting people, shaking hands and offering thanks for their help.[1]

Cast

Themes

Abandonment
Antwone demonstrates difficulty forming relationships to abandonment issues he developed as a child. Antwone’s father left him after being shot by an ex-girlfriend. His mother was incarcerated most of his childhood and did not take him back after being released. His best friend Jesse was killed in front of him after a botched robbery. Antwone states his feelings that Jesse is the lucky one for being dead and not having to fight anymore.
Abuse
Mrs. Tate, Antwone Fisher’s foster mother, verbally humiliates Antwone calling him and his brothers “nigguh” instead of their actual names. Antwone and his brothers buy into Tate’s view of their low self worth to the point they can tell who she is talking to by the way she says “nigguh”. Besides the verbal abuse, Tate regularly beats Antwone and locks him in dark rooms for hours on end. When Antwone finally demonstrated resistance to Tate’s beatings she used what Antwone calls “other ways” by playing upon Antwone’s pyrophobia (fear of fire). Tate’s cruelty is further exposed when she refuses to let Antwone go out and accuses him of stealing money (which he intended to use to go out to a concert). Antwone denies the unfounded accusation and states he got the money raking lawns. Tate demands he give the money to her explaining that “ a dumb nigguh like you wouldn’t know what to do with it.”Antwone is also sexually abused by Nadine Tate multiple times. He can only turn to his best friend Jesse to help him. The psychological effects demonstrate themselves as Antwone gets older by his inability to develop relationships with women (most particularly Cheryl). The abusive background leads to the rage Antwone feels as an adult who considers that the world conspires against him and that nothing good ever happens to him.
Race
The subject of race comes up multiple times in the film. The first is at the beginning of the film when Antwone feels a white sailor is mocking him for the way his face looks when he shaves. Another time is when Mrs. Tate points out that Antwone’s foster brother Keith is superior to him due to having a white man for a father and being lighter-skinned. The lesson stays with Antwone to the point that he tells Davenport the order of adoption begins with light-skinned girls, then light-skinned boys, then dark-skinned girls, and dark-skinned boys being left for last. While Antwone waits in social services to obtain information about his parents, he notices advertisements for adoption. The viewer is then shown various posters of children who want to be adopted absent any dark-skinned boys. Antwone even calls a fellow sailor “an Uncle Tom” for his fraternizing with both white and black people despite the fact Antwone has white friends of his own.
Psychiatry
At the beginning of the film, Antwone and his fellow sailors mock psychiatry and call the psych house “the nut house.” Antwone feels the profession is a foolish one and spends most of the first sessions refusing to acknowledge a problem and refusing to talk to Davenport. Eventually he relents and realizes the sessions are good for him. Antwone soon develops a dependence on the sessions and refuses to stop them because he believes Davenport is abandoning him just like everyone else had. Antwone also discusses his therapy sessions with Cheryl and understands if she wants to end their relationship because he’s “a nut.” Cheryl tells Antwone that her father (a Vietnam veteran) had also taken psychiatry and she felt there was nothing wrong with it.
Healing
The theme of healing is prevalent throughout the movie. Antwone feels enormous rage at being abandoned and feels that he is unwanted. He takes out this rage upon his fellow sailors in the Navy and is afraid to develop relationships (most notably with Cheryl). Davenport comments that Antwone is headed for a discharge, but Antwone seems largely indifferent. But through the guidance of Davenport, Antwone is able to open up and destroy the vicious cycle of self-destruction that he has fallen into. Antwone develops a bond of friendship with Davenport and a romantic relationship with Cheryl. At first, Antwone seems largely unconcerned with finding his family but eventually recognizes he needs to for closure to move on with his life. Finding his family brings the healing Antwone had sought and echoes his dream of sitting at a feast surrounded by loving family members (echoing the first scene of the film) with the little boy (referring to the poem "Who Will Cry For The Little Boy?") inside able to finally lay to rest.

Who will cry for the little boy?

"Who will cry for the little boy, lost and all alone?
Who will cry for the little boy, abandoned without his own?
Who will cry for the little boy? He cried himself to sleep.
Who will cry for the little boy? He never had for keeps.
Who will cry for the little boy? He walked the burning sand.
Who will cry for the little boy? The boy inside the man.
Who will cry for the little boy? Who knows well hurt and pain.
Who will cry for the little boy? He died and died again.
Who will cry for the little boy? A good boy he tried to be.
Who will cry for the little boy, who cries inside of me?"
- Antwone Fisher, Who Will Cry For The Little Boy?

The poem recited in the film joined other poems Fisher had written in a book called “Who Will Cry For the Little Boy?” Fisher states he was inspired to compile his poems after attending a lecture given by Maya Angelou. Angelou pointed out poetry as a way to pull ourselves from suffering and thus gave Fisher the push to create his book.

Fisher states in the Foreword section that no one had ever told him to write poetry but that he just did it for pleasure. He states

“... I find that writing poetry allows me to be whatever I want to be. Even when I had never been in love, I could write about what I hoped it would be once I found a love of my own. If I felt alone in the world, as I often did, I could write about how I had to be there for myself, because at the time the reality was that I was all I had. What poetry gives me is truth.”

- Antwone Fisher, Who Will Cry For the Little Boy?

Fisher says he drew the strength to write from his fellow sailors and wrote poems for them when they requested. But Fisher gives a special acknowledgement to Blue, a prisoner at Terminal Island where Fisher worked as a prison guard, for his inspiration to enroll his poems in a poetry contest.

The Slave Community

The book The Slave Community, written by American historian John W. Blassingame and referenced in the film, was one of the first historical studies of slavery in the United States. The book contradicted others who suggested that African American slaves were in large-part submissive. Blassingame used psychology to determine the mentality developed by slaves during the era and possibly passed on to generations after.

Davenport suggests Antwone read the book to explain Tate’s beatings of him. Davenport does not intend to justify her actions, but he seeks to let Antwone understand where her mentality of beatings and verbal abuse to keep the foster children subservient came from. Antwone is seen briefly reading the book in the next scene.

Reception

Author’s reaction to the film

“When I saw the film for the first time, I was overwhelmed by a mixture of feelings: fear, joy, pride and satisfaction - all of which still linger, and I am certain they will for the rest of my life. I hope others, too, walk away with those same feelings and the courage to do something to better the lives of children in general. I hope that after seeing the movie and reading my memoir that people will see that every child has value and boundless potential and that even if all one has to give is an encouraging word as a genuine gesture of care. .. that gift alone can save a child's life and give hope for the future.”[1]

- Antwone Fisher

Reviews

The film received favorable reviews from film critics, as review aggregate website Rotten Tomatoes reported that 79% of critics gave the film positive write-ups, based on 144 reviews. Praise was given especially towards Washington's directing and Luke's performance.[2]

Awards

Resources

  • Blassingame, John W. The Slave Community: Plantation Life in the Antebellum South. New York: Oxford UP, 1979.Print.
  • Fisher, Antwone Quenton., and Mim Eichler. Rivas. Finding Fish: a Memoir. New York: Morrow, 2001. Print.
  • Fisher, Antwone Quenton. Who Will Cry for the Little Boy?:Poems. New York: William Morrow, 2003. Print.

References

External links


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Derek Luke (Actor, Drama/Comedy Drama)
Viola Davis (Actor, Drama)
Joy Bryant (Actor, Drama)
Kevin Connolly (Actor, Director, Comedy/Drama)
Kang Sung (Actor, Drama/Comedy)