Appearing as it did in 1973, Area's debut album must have sounded to the average Italian pop critics like the end of the world. Issued on the Cramps label (and reissued by Arkarma as part of the Area box set), the album highlighted Area's early sound, which featured overt folk melodies, Canterbury Scene prog rock, acid psychedelia, and vanguard jazz all filtered through a particularly Italian sensibility. Those who came to love PFM later will not be able to handle the beautiful -- yet very disciplined -- weirdness of Area, at least on this disc. The Soft Machine comparisons are inevitable, especially in the free jazz sax blowing of Victor Eduardo Busnello. But in the deep funky guitarism of Paolo Trofani and rock-steady rhythmic invention of Patrick Djivasa on bass and Guido Capiozzo on drums, this band, fronted by keyboardist Patrizio Fariselli and vocalist-from-Mars Demetrio Stratos, Area was, at least in this early stage, a rock & roll band more than it was a jazz unit in the same way Soft Machine had evolved into one. Stratos is closest, sounding like Leon Thomas fronting Eno-era Roxy Music playing Mahavishnu Orchestra tunes, but Busnello's saxes are a close second. The rockish angles come from the guitars, while the bridge to progressivism comes from the rhythm section. Of the six tracks here, clocking in at just over 36 minutes, "Arbeit Macht Frei," the title track, is the one that brings all the pieces together most seamlessly. There are quotes from King Crimson's "21st Century Schizoid Man" and Jeff Beck's Beck-Ola album wrapped around towering rhythmic architectures and bleeding key changes that blur the boundaries between the various musics that made up the pursuit of Area. This is ambitious, strange, and ultimately very beautiful, an album that has dated very well into the new century. ~ Thom Jurek, Rovi
Arbeit macht frei is the debut album of the Jazz fusion band Area. It is notable for featuring Patrick Djivas (which is now known better for his work with Premiata Forneria Marconi) on bass and Eddie Busnello on saxophone, which parted after the release of the album. According to the booklet the lyrics were written by Frankestein (which is an alias for Gianni Sassi), and the music was written by Patrizio Fariselli. "Luglio, Agosto, Settembre (nero)" became Area's first hit (even if most of the 7" censored the word "nero", which was a reference to Black September). It was only released as a juke box only item, and the b-side was the song "Miña" by Italian prog band Aktuala. On the phostomous live release "Concerto Teatro Uomo", Demetrio Stratos says that "L'abbattimento dello Zeppelin" was composed after a pub on which they were playing asked them to perform "Whole Lotta Love". They didn't know the song and played that one instead, and they got fired. Guitarist Paolo Tofani can be heard quoting the main riff during his solo. "L'abbattimento dello Zeppelin" was also released as a 7", backed by the title track of the album, but failed to hit any charts.
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