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Archie Bleyer

 
Artist: Archie Bleyer
  • Born: June 12, 1909, Corona, NY
  • Died: March 20, 1989, Sheboygan, WI
  • Genres: Vocal Music
  • Instrument: Producer, Arranger, Conductor Representative Album: "Golden Classics"

Biography

Archie Bleyer had a long career in the music business as a bandleader, recording artist, producer, and label owner. He will be principally remembered as the founder of Cadence Records, which had hits in the 1950s and early 1960s with Andy Williams, the Chordettes, Johnny Tillotson, Lenny Welch, and Bleyer himself. He'll be most remembered, though, as the man who produced the Everly Brothers in the late 1950s, when the duo had most of their biggest and most famous hit singles.

Bleyer's roots were in the big band era. He was leading his own dance band by 1934, which recorded for Brunswick in the 1930s, and featured Johnny Mercer, who went on to be an important label entrepreneur himself (at Capitol Records). He worked in radio and television in the 1940s and 1950s, leading the orchestra on Arthur Godfrey's TV programs. At the end of 1952 he started Cadence Records, primarily to record one of the Godfrey television stars, singer Julius LaRosa. Cadence recorded other regulars from the Godfrey series, and also put out records by Bleyer himself. One of those, the tango "Hernando's Hideaway" (from the musical Pajama Game), made #2 in 1954, and Bleyer also had a small hit in 1956 with the Steve Allen song "The Rockin' Ghost."

With Andy Williams and the Chordettes, Bleyer edged toward a more contemporary sound that, while not quite rock'n'roll, at least used material that was rock-influenced (or covers of songs by more genuine rock artists). In 1956 Bleyer had rejected a demo tape for the Everly Brothers, who had already recorded unsuccessfully for Columbia. A few months later, however, he signed them to a contract after a recommendation from heavyweight music publisher Wesley Rose. From the Everlys' first hit ("Bye Bye Love") to the end of the 1950s, Bleyer was their producer, overseeing a classic body of work both on the hit singles and their B-sides and albums. Credit is due to many other people besides the Everlys and Bleyer for this music, including songwriters Boudleaux Bryant & Felice Bryant, and session musicians like Chet Atkins. Bleyer deserves kudos, though, for producing end results that emphasized the Everlys' innovations, but did not try to add too much to what was already there, with a sound that was clean and uncluttered.

In 1960, the Everlys' contract with Cadence expired, and they decided to move to Warner Brothers. Some critics feel that they never regained the purity of their Cadence material, and after a strong start at Warner Brothers with hit singles like "Cathy's Clown," they stopped visiting the Top Ten after 1962. Although it is true that by 1962 the Everlys' material and recordings were more erratic than they had ever been at Cadence, it's also true that their best Warner Brothers songs were outstanding, sometimes boasting a fullness (as on "Cathy's Clown" and "Walk Right Back") that the Cadence sessions didn't match. Bleyer was unable to keep the Everly Brothers primarily because, as a small label, Cadence was unable to match the packages offered to one of the hottest pop recording acts of the era by bigger concerns like Warners. The Everlys were also tiring of being caught in the middle of differences between Bleyer and Wesley Rose, particularly in regards to the material selected for their discs.

The Everlys themselves have offered mixed appraisal of the Bleyer era. Don Everly has criticized Bleyer's musical taste as being out of date with where the Everlys were headed. Phil Everly and others involved with the Cadence sessions, however, note that Bleyer had an excellent ear for what was commercial. Phil Everly also married Bleyer's stepdaughter, Jackie Ertel (daughter of Chordettes singer Janet Ertel Bleyer), in 1963, which must have made for some interesting awkwardness at family get-togethers.

Cadence continued to have some hits in the early 1960s with teen idols such as Johnny Tillotson and Eddie Hodges, as well as the massive pop ballad "Since I Fell For You" by Lenny Welch in 1963 (which Bleyer produced) and the huge selling President Kennedy satire by comedian Vaughn Meader, The First Family. Bleyer lost several of his biggest acts besides the Everly Brothers to bigger labels, though, and shut down Cadence in 1964, selling the masters to Andy Williams. ~ Richie Unterberger, All Music Guide
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Archie Bleyer (June 12, 1909 - March 20, 1989) was an American song arranger and bandleader.

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Early life

He was born in the Corona section of the New York City borough of Queens. He began playing the piano when he was only seven years old. In 1927 he went to Columbia College, intending to become an electrical engineer, but as a sophomore switched to a music major. Without graduating, he left to become an arranger. In the early 1930s, he wrote a number of songs that got recorded; all 'hot' novelty numbers, including "Mouthful O'Jam" and "Business In F".

In 1934 he started leading a band of his own at Earl Carroll's club in Hollywood, California. Bleyer's orchestra recorded for Brunswick Records, and one of the vocalists who worked with this orchestra was Johnny Mercer, who became better known as a songwriter and co-founder of Capitol Records.

The Godfrey Years

He became musical director for Arthur Godfrey in 1946, serving in this role until 1953. Many close to Godfrey considered Bleyer's creativity and understanding of music to be pivotal to the success of Godfrey's radio and TV programs. And while Godfrey was known to be short-fused and controlling, he often deferred to Bleyer's judgment in the areas of presentation and production.

In 1952 he founded Cadence Records, whose first artist was Godfrey alumnus Julius La Rosa. Along with several instrumental hit singles of his own, Bleyer went on to sign many other artists who had performed on Godfrey's programs (including The Chordettes, one of whose members, Janet Ertel, became his wife).

In the fall of 1953, Godfrey dismissed La Rosa on the air and later claimed the young singer "lacked humility," doing his own popularity considerable damage. That same day, Godfrey fired Bleyer, claiming he was offended when Bleyer recorded Chicago radio personality Don McNeill, host of Don McNeill's Breakfast Club. This Godfrey-like show was based in Chicago and broadcast nationally, but its popularity was mainly in the Midwest and tailored to that audience. Always insecure, Godfrey felt McNeill, whose show had once been a competitor, was still in competition though Godfrey was the dominant personality of his generation. Godfrey later claimed when he confronted Bleyer and threatened to fire him from at least one of the three shows Godfrey hosted, the conductor shrugged and told him to do what he had to do.

Radio historian John Dunning has suggested, in On the Air: The Encyclopedia of Old-Time Radio, that Bleyer's relationship with Janet Ertel was also a factor in Godfrey's decision to fire him; Godfrey tried to enforce a no-dating policy among his cast and fired several who dated each other. After leaving the show, Bleyer never made a public comment about his days with Godfrey. The public furor that surrounded LaRosa's firing and, to a lesser extent, Bleyer's, began the unraveling of Godfrey's seemingly unstoppable dominance of radio and TV as Bleyer's career was just beginning to blossom. The loss of Bleyer's expertise in staging and production matters, where he served as an informal mentor to Godfrey despite their age differences, was detrimental to Godfrey's programs.

Cadence Records

While LaRosa was unable to sustain his early successes, later Cadence artists included Andy Williams and the label's biggest act of all, The Everly Brothers whose hits such as "Bye Bye Love" and "Wake Up Little Susie" were produced by Bleyer in Nashville with country studio musicians led by Chet Atkins. Bleyer at one point was also the father-in-law of Phil Everly. He had his own instrumental recording hits on the Cadence label as well. Don Shirley, who appeared on the label in 1955 with "Tonal Expressions". It became a Top 15 album in the spring of that year, reportedly selling more than 20,000 copies, a respectable debut for a jazz artist. Ironically, it was the only chart album Shirley was to enjoy, but his sales remained steady enough that he was with the label until it closed in 1964, cutting around a dozen long-play releases Don Shirley Discography.

Bleyer also had his limits to his tolerance for rock and roll. While he clearly, and correctly, viewed the Everlys as a commercially appealing, clean-cut act whose country-influenced harmonies could reach a vast following, he was not so tolerant of pioneer garage-rock guitarist Link Wray. In 1957, Bleyer reluctantly agreed to release his no-frills, roaring instrumental "Rumble" on Cadence in part due to his daughter's fascination with the song. Wray had a contract with Cadence, but in 1958 after he submitted a newly recorded album of similarly raw material recorded in Nashville, Bleyer was genuinely (if spuriously) convinced the instrumental music was morally and musically inappropriate and shelved the album and canceled Wray's contract. The material wouldn't see the light of day for decades until it was acquired by the British Rollercoaster label.

Cadence had another major hit in 1962 with comic Vaughn Meader's album The First Family, which featured Meader's comedic sketches and his peerless impersonations of President John F. Kennedy. The album was an enormous seller, as was a followup, until Kennedy was assassinated in 1963.

In 1964, Bleyer, who was unable to accept the changing pop music market at the dawn of the British Invasion era, sold the Cadence label and all its recordings (except for certain material—like the Link Wray album—he kept to himself) to Andy Williams. Today the Cadence material is owned by Sony Music Entertainment.

He moved with his wife Janet to her hometown of Sheboygan, Wisconsin where he died of the effects of Parkinson's disease in 1989.

Hit records

External links


 
 
Learn More
Original Jukebox Hits (1998 Album by Various Artists)
Close Harmony (1957 Album by The Chordettes)
The Chordettes (1957 Album by The Chordettes)

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