The Arri Alexa is a film-style digital motion picture camera system made by Arri first introduced in April 2010. The camera marks Arri's first major transition into digital cinematography after smaller previous efforts such as the Arriflex D-20 and D-21. It features modularity, PL mount lenses, and a Super 35 sized CMOS sensor shooting up to 2880 x 2160 resolution.[1]
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The camera is equipped with an onboard SxS card encoder that can record in either Rec709 or Log-C to ProRes 422 or ProRes 4444 codecs.[2] as well as DNxHD in 1080p resolution. For an additional 1,350 Euros, Alexa camera owners can purchase a software "key" that will unlock the camera's ability to record up to 120fps in ProRes 422 HQ.[3]
The camera is designed for use in high budget feature films, television shows, and commercials, and is widely seen as Arri's answer to the growing acceptance of using the Red One, along with lower resolution cameras like the Sony CineAlta (35 mm, 1080p), Panavision Genesis (35 mm, 1080p), Thomson Viper FilmStream (2/3", 1080p) to shoot feature films.
Currently there are four different models of the Alexa:
The first camera of the Alexa product family. Introduced in April of 2010.
The ALEXA Plus adds integrated wireless remote control, the ARRI Lens Data System (LDS), additional outputs, lens synchronization for 3D, and built-in position and motion sensors.
The Alexa M has its imaging and processing unit broken down in two parts to be small, compact and leightweight for 3D rigs and other uses where size is a concern.
The Alexa Studio features an optical viewfinder, mechanical shutter, and a 4:3 sensor making it ideal for anamorphic cinematography.
The Alexa's ALEV III sensor has 3392x2200 pixels that can be used for generating an image. There are more pixels than this, but those extra pixels are used for calibration and other purposes and not for generating an image.[4]
The Arri Alexa can record to SxS Cards or external recording devices
ArriRaw is a Raw codec similar to CinemaDNG that contains unaltered Bayer sensor information, the data stream from the camera can be recorded via T-link with certified recorders like those from Codex Digital.
According to cinematographer Roger Deakins, the Alexa’s tonal range, color space and latitude exceed the capabilities of film. Also, in terms of speed, resolution and clarity of image, the Alexa produces a better image than film cameras. "[T]his camera has brought us to a point where digital is simply better”, says Deakins.[5]
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