Ars poetica, title by which Horace's poetic Epistle to the Pisos soon became known (see EPISTLES). The poem takes the form of a letter of advice on the pursuit of literature, addressed to a father and two sons whose identity is as uncertain as the date of composition, which is perhaps about 19 BC. It is in the same tradition as Aristotle's Poetics and perhaps owes something to earlier Latin didactic poems, but the purpose of the Ars poetica in the form Horace gave it has always puzzled critics. First, as a treatise it is far from systematic. Where Aristotle is analytical and descriptive Horace is impressionistic, personal, and allusive. Transitions from one subject to another are abrupt and the arrangement seems haphazard. Secondly, its concentration on epic and drama seems irrelevant to the contemporary Roman literary scene. An ancient commentator said that Horace selected his material from the similar treatise of Neoptolemus of Parium, a Hellenistic Greek writer of the third century BC, but the structure of the Ars poetica and Horace's practice elsewhere suggest rather that he used no one Greek source but selected from among several sources those precepts which agreed with his own views on poetic style and were suitable for imaginative poetic treatment.
The lively autobiographical approach of the Ars poetica and its expression of personal standards in literature make it unique as a work of criticism in the ancient world. Many of its apt phrases, the ridiculus mus (‘ridiculous mouse’) of bathos, in medias res (‘in the middle of things’), of an abrupt beginning, the ‘purple patch’ (purpureus pannus) and the reference to ‘Homer nodding’ (dormitat Homerus), have passed into common literary parlance. It exercised a great influence in later ages on European literature, notably on French drama through Nicholas Boileau's L'Art poétique (1674), written in imitation, and was translated into English (1640) by Ben Jonson.




