| Art Gallery of New South Wales | |
|---|---|
 |
|
| Established | 1871 |
| Location | The Domain, Sydney, New South Wales |
| Director | Edmund Capon |
| Website | http://www.artgallery.nsw.gov.au/ |
The Art Gallery of New South Wales (AGNSW) located in The Domain in Sydney, in the state of New South Wales, Australia, is the most important public gallery in Sydney and the fourth largest in Australia. Admission is free to the general exhibition space, which features Australian (from settlement to contemporary), European and Asian art; admission is charged to feature exhibitions in closed areas. The gallery has the usual range of facilities for visitors, including easy access for the disabled, restaurants and coffee shops, and one of Australia's leading arts bookshops.
Contents |
Building
The exhibits in the fine arts display at Sydney’s great International Exhibition of 1879-80, became the nucleus of a government collection when the exhibition closed. The first purpose built gallery building was opened in 1884. It has since been demolished.
The present building was designed by the New South Wales Government Architect Walter Liberty Vernon (1846-1914). Although the majority of Vernon's buildings are in the Arts and Crafts style, this building was in the classical tradition. The Gallery's design was conservative and was the penultimate example of the neo-Greek temple as a portico for a major public institution in Sydney (the final application in Sydney of the Greek Temple front was the State Library of NSW).
In 1968 the New South Wales Government decided that the Gallery would be extended and form a major part of the Captain Cook Bicentenary celebrations.[1] This extension was opened to the public in November 1970. The new gallery space provided five stories behind the original classical façade, increased the racking space to 1.25 linear kilometres, included a new café, a sculpture courtyard and administrative offices.[2] Grey toned rough concrete was used to "blend" with the sandstone of the old building.
As part of the Bicentenary celebrations in 1988, a further eastern extension doubled the size of the Gallery.[1] Both extensions were the responsibility of Government architect Andrew Anderson.[1] More recently, as part of the "Open Museum" project, sculptures have been positioned along the entry road and on 23 October 2003 a new Asian Arts wing was opened.
Works
Established in 1874, the gallery early on bought some large works from Europe such as Ford Madox Brown's Chaucer at the Court of Edward III. Later they bought work from Australian artists such as Streeton's 1891 Fire's on, Roberts' 1894 The Golden Fleece and McCubbin's 1896 On the wallaby track.
The gallery holds works by many Australian artists, including 19th Century Australian artists such as John Glover, Arthur Streeton, Eugene von Guerard, John Russell, Tom Roberts, David Davies, Charles Conder, W. C. Piguenit, E. Phillips Fox, Frederick McCubbin, Sydney Long and George W. Lambert.
20th Century Australian artists represented include Hugh Ramsay, Rupert Bunny, Grace Cossington Smith, Roland Wakelin, Margaret Preston, William Dobell, Sidney Nolan, Russell Drysdale, James Gleeson, Arthur Boyd, Lloyd Rees, John Olsen, Fred Williams, Brett Whiteley and Imants Tillers.
Exhibitions
The Gallery hosts the long running Archibald Prize, the most prominent Australian art prize, along with the Sulman Prize, Wynne Prize and Dobell art prizes, among others. It also exhibits Artexpress, a yearly showcase of Higher School Certificate Visual Arts Examination artworks from across New South Wales.
 Vive L'Empereur (1891) by Édouard Detaille |
 The Anatomy Class at the Ecole des Beaux Arts (1888) by François Sallé |
 Interior of Gallery |
2007 Art Theft
On 10 June 2007 a 17th century work by Frans van Mieris, entitled A Cavalier (Self Portrait) was stolen from the gallery.[3] The painting, valued at AU$1.4 million and donated by John Fairfax, was "swiftly and expertly" removed from its wall amidst a crowd of 6,000. Police have not ruled out an inside job and have speculated the painting could have been carried out under the culprit's coat.
Following the incident security at the gallery has been reviewed. There were no cameras in the room nor were guards stationed in it, none of the paintings in the gallery are protected by alarms and patrons are not checked upon leaving the building. Furthermore the theft was not reported to police until late Monday.
Some experts believe the painting would be hard to sell in Australia, however fear it may already have been smuggled overseas. In light of this Australian Customs and Interpol have been notified.[4][5]. Inquiries are continuing.
Popular culture
At the start of the movie, Sirens, Hugh Grant walks past paintings in the Art Gallery of NSW, including Spring Frost by Elioth Gruner, The Golden Fleece (1894) by Tom Roberts, Still Glides the Stream and Shall Forever Glide (1890) by Arthur Streeton, Bailed Up by Tom Roberts, and Chaucer at the Court of Edward III (1847-51) by Ford Madox Brown.
External links
 |
Wikimedia Commons has media related to: Art Gallery of New South Wales |
- AGNSW site
- "Art Gallery of New South Wales". History and Archives: Historic Buildings. City of Sydney. 2004. http://www.cityofsydney.nsw.gov.au/AboutSydney/HistoryAndArchives/SydneyHistory/HistoricBuildings/ArtGalleryNewSouthWales.asp. Retrieved 2006-01-25.
- Art Gallery of New South Wales Artabase page
- Art Gallery of New South Wales is at 33°52′07″S 151°13′02″E / 33.868687°S 151.217143°ECoordinates: 33°52′07″S 151°13′02″E / 33.868687°S 151.217143°E
References
- ^ a b c "The Building". Art Gallery of New South Wales. http://www.artgallery.nsw.gov.au/aboutus/history/building. Retrieved 2009-07-28.
- ^ Park, Ruth (1999). Ruth Park's Sydney. Duffy & Snellgrove. ISBN 1875989455.
- ^ Art Gallery of New South Wales, 'Police investigate theft of 17th century art work, media release, 14 July 2007, retrieved November 2007
- ^ Stolen Painting 'would fit in coat', by staff and writers at News.com.au [1], accessed on 14/06/2007
- ^ NSW Gallery Defends Security System after theft of 17th century artwork, by Karen Barlow [2], accessed on 14/06/2007
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)
