Art Paul

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  • Genres: Folk

Biography

Four years before Paul Simon and Art Garfunkel (who would have been "Paul and Artie" in any case) brought their folk-based vocalizing to Columbia Records, the label was host to a rather different duo with the same given names: Art & Paul. Art Podell and Paul Potash were young denizens of the middle-late 1950's NY-folk scene when they decided to start performing together in Greenwich Village. Both Potash and Podell were skilled guitarists and talented songwriters, and Podell was a particularly talented arranger. One of the more distinctive duos working out of NY, they were signed to Columbia Records in 1960, at a time when record companies were starting to look for the next Kingston Trio, and Columbia was hoping for lightning to strike again, as it had for Terry Gilkyson and the Easy Riders with "Marianne." They cut two albums for Columbia, of which the first, Songs of Earth and Sky, is regarded as a "lost" classic of the late '50s/early '60s folk boom. Highlighted by their adaptation of John Lomax and Alan Lomax's version of "All The Pretty Horses," the album achieved a minor cult following on the East Coast and sold well enough to justify a second LP, Hangin', Drinkin' and Stuff, in 1961. That same year, the duo left NY for California to test the waters of the West Coast folk scene, but they'd broken up the team before the year was out. A few months later, in early 1962, Art Podell joined the early, studio-bound version of the New Christy Minstrels, whose debut (and only album in that incarnation) created enough of a splash to justify a second album and the creation of a performing group. Podell became part of that active group of Christies, by some estimates the dominant member along with founder Randy Sparks. Meanwhile, Paul Potash became a member of Sparks' New Christy Minstrels farm-team, the Back Porch Majority and, two years later, in 1964, joined the Christies, working alongside his former partner for a year. Art Podell later worked with Jim Helms, recording Jim and Art Sing and Play A Folk Song, which featured the traditional number "Careless Love," and also appeared (with Jim Rosmini, among others) on Mason Williams' The Banjo Story album. He became a producer and, in collaboration with Nick Woods, was responsible for recording Biff Rose's The Thorn In Mrs. Rose's Side for the Tetragrammaton label, which contained the original version of "Fill Your Heart," a song that David Bowie covered on Hunky Dory. Paul Potash continued performing, even sharing a stage with Captain Beefheart & His Magic Band in 1967 in California, and also appears to have done some acting. He remained active in music at least into the 1980's. ~ Bruce Eder, Rovi

Art (Arthur) Paul (born January 18, 1925 in Chicago, Illinois) is an American graphics designer, Art Director of Playboy through its first 30 years of publication, and the designer of the Playboy rabbit-head logo.

Contents

Early life and education

Art Paul was born in the Southwest Side of Chicago, but his family later moved to Rogers Park. There, while attending Roger C. Sullivan High School, an art teacher recognized that he was talented enough to earn a scholarship at the School of the Art Institute of Chicago, which he attended from 1940-1943. After World War II service in the Army Air Corps, he attended the Institute of Design, known as the "Chicago Bauhaus" and now part of Illinois Institute of Technology, where he studied with László Moholy-Nagy.[1][2]

Playboy Magazine

Paul was working as a freelance graphic designer and illustrator in a small office under the Chicago 'L' tracks when in 1953 he was contacted by Hugh Hefner. Hefner needed an art director for a magazine he was developing, and learned of Paul through a mutual acquaintance. At the time, Hefner planned to call the magazine "Stag Party". The initial dummy, designed by cartoonist Arv Miller, resembled movie star/screen magazines of the time. Hefner wanted a different, more innovative and sophisticated look. Together, Paul and Hefner created the first issue of Playboy, with Paul creating the look of the magazine.[2]

The name of the magazine was changed to Playboy shortly before the first issue went to print, after Hefner was threatened with a trademark dispute over the "Stag Party" name. The cartoon mascot designed by Miller, originally intended to be a stag, was quickly changed to a rabbit by replacing the head, although the stag's hoofs remained visible in the altered drawings. The magazine's famous rabbit-head logo with cocked ear and tuxedo bow tie was developed by Paul for Playboy's second issue. Initially intended as an endpoint for articles, Paul sketched the logo in about an hour. Soon, however, the decision was made to use the logo as the symbol of Playboy's corporate identity.[1][2]

As Art Director, Paul supervised the design of the magazine for 30 years. Early on, he commissioned many local Chicago artists and photographers to illustrate the magazine. These included Franz Altschuler, Leon Bellin who illustrated Playboy’s continuing ‘Ribald Classic’ feature, Roy Schnakenberg, Ed Paschke, Seymour Rosofsky, printmaker Mish Kohn and photographer Arthur Siegel.[1]

During Paul's years at Playboy, the magazine won hundreds of awards for excellence in graphic design and illustration. Paul has been credited for helping create a revolution in illustration (what Print Magazine called the "Illustration Liberation Movement") by insisting that graphic design and illustration need not be "low" arts but could, when approached with integrity and emotional depth, and in a spirit of experimentation, be as "high" an art as any.[1][2][3]

Career Post-Playboy

After leaving Playboy in 1982, Paul did graphic design, posters, and logos for a number of clients in magazines, advertising, television and film. For the last ten years he has concentrated primarily on drawing and painting, exhibiting most recently at the Chicago Cultural Center and at Columbia College in Chicago. He has served on boards of the Chicago Museum of Contemporary Art, the Association of Art Curators in Chicago, and the Illinois Summer School of the Arts. At present he is working on two books of his drawings. Paul currently lives in Chicago.[1][2]

Awards, Publications and Exhibitions

Awards

In 1980, Paul was elected a member of the Alliance Graphique Internationale. The Institute of Design, IIT, honored him with its professional achievement award in 1983, and in 1986 he was elected to the Hall of Fame of the Art Directors Club.[3] He received the Herb Lubalin Lifetime Achievement Award from the Society of Publication Designers, and in 2008 was made a Fellow of the Chicago Chapter of the American Institute of Graphic Artists.[4] The Society of Typographic Arts gave him a special award for outstanding achievement in trademark design for the Playboy rabbit head symbol. The Art Directors Club of Boston gave him an award for "inspiring, encouraging, and creating an outstanding showcase for contemporary artists". The Art Directors of Philadelphia awarded him the Polycube Award for "consistent excellence in communications". The City of Milan, Italy, awarded him its Gold Medal for the exhibition, Beyond Illustration. Art Direction Magazine gave Paul the first award in its publishing history for "interest and support of illustration and illustrators and the tremendous range of illustrative styles that run in Playboy magazine.[3]

Books

Two books have been published on Paul's work,Vision: Art Paul,[5] and The Art of Playboy[6] surveying many years of his art direction at Playboy.

International Exhibitions

Paul organized many years of Playboy illustrations and special projects he'd directed into the exhibition Beyond Illustration: The Art of Playboy, which toured museums in North America, Europe and Japan between 1971 and 1974. An updated version of the exhibition, The Art of Playboy: From the First 25 Years, opened at Chicago's Cultural Center in 1978, and toured North and South American museums and universities. The exhibitions included artists such as Andy Warhol, Larry Rivers, Salvador Dalí, LeRoy Neiman, James Rosenquist, and Tom Wesselmann. The Hyde Park Art Center hosted the 2004 exhibit I Read It for the Art: Chicago, Creativity, and Playboy, featuring Paul’s works, along with the works of many of the Chicago artists he helped to establish.[1][2][3]

References


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Frankie Teardrop (197z Visual Arts Film)
Three Colors Cezanne (1996 Visual Arts Film)
Dau al Set (art)
Canvas of Blood (1997 Horror Film)
Objects of Desire (1982 Album by Michael Franks)