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Arthur Askey

 
Artist: Arthur Askey

Similar Artists:

Lale Andersen, Bruno Seidler-Winkler, Vera Lynn, Alan Breeze, Gracie Fields, Arthur Young, Alfred Piccaver
  • Active: '30s, '40s
  • Genres: Spoken Word
  • Instrument: Vocals
  • Representative Albums: "Hello, Playmates!", "Big Hearted Arthur", "The Busy Bee

Biography

A veteran of the classic British vaudeville scene would no doubt build up pretty thick skin, thus explaining comedian and songwriter Arthur Askey's courage in taking on as potentially menacing an adversary as the world's population of bees; accusing the sting-capable creatures of such faults as "building up the honey-comb that looks like tripe" or "stinging all the cows upon the parson's nose." The final insult in his frequently covered "Bee Song" is this couplet: "Bees are allright when alive you see/but when bees die you really should see 'em/pinned on a card in a dirty museum."

Perhaps Askey was just looking for someone smaller than he was to pick on. He was a short fellow who right from the beginning of his professional career was said to have compensated for his lack of height with a surfeit of manic energy. His career lasted a good four decades, overlapping the worlds of radio, television, variety, and pantomime, and he also did quite well writing songs for a newly developing market of children's' records in the '50s. Askey did not begin performing professionally until his early 20s, when his first job was as a kind of wandering goof in a concert hall, coming up with jokes, songs, and dances; all of them "really really silly" according to Askey's biographical notes. The radio comedy and variety show Band Waggon was the first ride he caught to a higher profile career, even though it originally was canceled after the third broadcast. Askey and fellow cast member Richard Murdoch nabbed a hold of the replacement time slot, coming up with a show based on their own wild sense of humor. This new version of Band Waggon was a big hit, one of the first shows satirizing the actual production of itself, leading to a film adaptation that was Askey's welcome mat into the film industry.

He worked in movies through the Second World War. The animosity toward buzzing insects perhaps began with his first flop, a film entitled Bees in Paradise. As a result, he retreated back to radio and live shows, inching toward television as that medium developed and coming up with his own program, entitled Before Your Very Eyes. This clicked with the audience, once again leading to a renewed interest in film roles, although this second stage of his movie career was marked by a milder, less surrealistic form of yucks. While his career wound down as he got older, Askey continued performing pantomime even in the '70s, halting these shows only because bad circulation led to the amputation of his legs. ~ Eugene Chadbourne, All Music Guide
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Arthur Askey
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Background information
Birth name(s): Arthur Bowden Askey
Date of birth: 6 June 1900(1900-06-06)
Birth location: Liverpool, Lancashire, England
Date of death: 16 November 1982 (aged 82)
Death location: London, England
Genre(s): Comedian
Spouse(s): Elizabeth May Swash (m.1925–1974)

Arthur Bowden Askey CBE (6 June 1900 – 16 November 1982) was a prominent English comedian.

Contents

Life and career

He was born at 29 Moses Street, Liverpool, Lancashire, he was the elder child and only son of Samuel Askey (d.1958), secretary of the firm Sugar Products of Liverpool, and his wife, Betsy Bowden (d.1949), of Knutsford, Cheshire. Six months after his birth the family moved to 90 Rosslyn Street, Liverpool. Askey was educated at St. Michael's Council School (1905–11) and the Liverpool Institute for Boys (1911–16) famed for winning an egg and spoon race at a school sports day. He was very small at 5' 2" (1.6m), with a breezy, smiling personality, and wore distinctive horn-rimmed glasses. He served in the forces in World War I and performed in army entertainments. After work as a clerk for Liverpool Corporation, Education Department, he was in a touring concert party and the music halls, but he rose to stardom in 1938 through his role in the first regular radio comedy series, Band Waggon on the BBC, prior to which radio comedy had consisted of broadcast stand-up routines. It had begun as a variety show, but had been unsuccessful until Askey and his partner, Richard Murdoch, took on a larger role in the writing. Askey's humour owed much to the playfulness of the characters he portrayed, his improvising and his use of catchphrases, as parodied by the Arthur Atkinson character in The Fast Show. His catchphrases included "Hello playmates!", "I thank you" (pronounced "Ay-Thang-Yew"), and "Before your very eyes".

In the early 1930s, Askey appeared on an early form of BBC television — the spinning disc invented by John Logie Baird that scanned vertically and had only thirty lines. Askey had to be heavily made up for his face to be recognisable at such low resolution. When television became electronic, with 405 horizontal lines, Askey was a regular performer in variety shows.

During World War II, Askey starred in several Gainsborough Pictures comedy films, including Band Waggon (1940), based on the radio show, Charley's (Big-Hearted) Aunt (1940), The Ghost Train (1941), I Thank You (1941), Back Room Boy (1942), King Arthur Was a Gentleman (1942), Miss London Ltd. (1943), and Bees in Paradise (1944) as well as the popular West End musical Follow the Girls. When television arrived, he made the transition well — his first TV series was Before Your Very Eyes! (1952), named after his catchphrase. In 1957 writers Sid Colin and Talbot Rothwell revived the Band Waggon format for Living It Up, a series that reunited Askey and Murdoch after 18 years. He also made many stage appearances as a pantomime dame.

His recording career included "The Bee Song", The Thing-Ummy Bob[1] and his theme tune, "Big-Hearted Arthur", (which was also his nickname). During the 1950s and 1960s he appeared in many sitcoms including Love and Kisses, Arthur's Treasured Volumes and The Arthur Askey Show. However, in 1940 a song he intended to record "It's really nice to see you Mr Hess" (after Hitler's deputy fled to Scotland) was banned by the War Office.

He continued to appear frequently on television in the 1970s, notably as a panellist on the ITV talent show New Faces, where his usually sympathetic comments would offset the harsher judgments of fellow judges Tony Hatch and Mickie Most. He also appeared on the comedy panel game Joker's Wild.

His last film was Rosie Dixon - Night Nurse (1978), starring Debbie Ash. Soon afterwards, he was forced to give up performing, and had both legs amputated owing to circulatory problems. His daughter, Anthea, by his marriage to Elizabeth May Swash (m. 1925, d. 1974), was also an actress and often starred with him. For many years, he was an active member of the Savage Club (a London Gentlemen's club).

Private Eye magazine in the 1970s regularly made the comment that he and the Queen Mother had "never been seen in the same room together" - referring to the fact that they were both of about the same height, and suggesting that he was the Queen Mother in drag.

Askey is buried in Putney Vale Cemetery.

Biographies

  • Arthur Askey (autobiography). Before Your Very Eyes (London: Woburn Press, 1975) ISBN 0713001348
  • Kurt Ganzl. The Encyclopedia of the Musical Theatre (New York: Shirmer Books, 2001) pp. 75 ISBN 0028649702

References

External links


 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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