Similar Artists:
- Born: 1900, Wayne County, KY
- Died: 1966
- Genres: Folk
- Instrument: Guitar, Vocals, Arranger
| Artist: Emry Arthur |
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| Wikipedia: Arthur (Or the Decline and Fall of the British Empire) |
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| Arthur (Or the Decline and Fall of the British Empire) | |||||
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| Studio album by The Kinks | |||||
| Released | 10 October 1969 | ||||
| Recorded | May - July, 1969 at Pye Studios, London | ||||
| Genre | Rock | ||||
| Length | 49:18 | ||||
| Label | Pye (UK), Reprise (US), Sanctuary (2004 reissue) |
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| Producer | Ray Davies | ||||
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| The Kinks chronology | |||||
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Arthur (Or the Decline and Fall of the British Empire) is a concept album by the English rock band The Kinks, released in late 1969. The album followed a rough period for the band, with the commercial failure of the critically acclaimed concept album The Kinks Are the Village Green Preservation Society and its follow-up single, "Plastic Man", and the departure of founding member Pete Quaife. Songwriter Ray Davies constructed the album as the soundtrack to a planned television play which was never produced, but whose storyline had been developed in collaboration with Julian Mitchell. Mitchell recently recalled: "Arthur had a most unhappy history... we got as far as casting (excellent director and actors) and finding locations and were about to go when the producer went to a production meeting without a proper budget, tried to flannel his way through it, was immediately sussed and the production pulled. I have never been able to forgive the man."
The story is somewhat inspired by Davies' brother-in-law Arthur Anning's emigration from England to Australia with his wife Rose—Ray and Dave's older sister, and the subject of the song "Rosie Won't You Please Come Home" from the album Face to Face—in the early 1960s. The lead character in the album, the fictional Arthur Morgan, is a carpet layer whose family's plight in the opportunity-poor setting of post-war England is depicted. The songs describe the England that Arthur once knew, the promise of life in Australia for one of his sons, the emptiness of his superficially comfortable life in his home, "Shangri-La", the resolve of the British people in World War II, and the death of his brother in World War I, among other things. Many of the songs (such as "Victoria" and "Brainwashed") represent a strong return to rock and roll, which The Kinks had largely forgone during the 1966–68 period.
The album was critically acclaimed at the time of release, especially in the U.S. rock press. It was very favourably compared to Tommy by The Who, the highly successful rock opera, and Hair: The American Tribal Love-Rock Musical, released earlier in the year. Mike Daly in the Rolling Stone, for example, called it "an album that is a masterpiece on every level: Ray Davies' finest hour, the Kinks' supreme achievement".[1] Arthur was a moderate commercial success and was seen as something of a turnaround from The Kinks' commercial failures of 1968. It also set the stage for their return to touring the United States in late 1969 (after a five-year ban) and for even greater commercial success with the hit song "Lola" the following year.
Contents |
All songs written by Ray Davies, except as noted.
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