Arthur Whetsol

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  • Genres: Jazz

Biography

Arthur Whetsol, one of the original members in Duke Ellington's Washingtonians, had an attractive tone, impressive technique, and a very lyrical style that set a standard for Ellington; in future years Harold "Shorty" Baker filled a similar role with Duke. A childhood friend of Ellington, Whetsol came to New York with Duke to join Elmer Snowden's group in 1923 but left a year later to study medicine at Howard University. He eventually returned to music and was a fixture in Duke's orchestra during 1928-1936 until a brain disorder forced him to permanently retire. Featured prominently in Ellington's 1929 film short Black and Tan, Whetsol took many fine solos in the late '20s when his melodic style was a contrast to that of Bubber Miley and (a little later) Cootie Williams, most notably on "Mood Indigo," "Black and Tan Fantasy," and "Black Beauty"; his role became less prominent in the 1930s. ~ Scott Yanow, Rovi
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Arthur Whetsel
Origin Washington D.C
Genres Jazz, Dixieland
Instruments trumpet
cornet
Associated acts Duke Ellington

Arthur Whetsel was an early "sweet" trumpeter for Duke Ellington's Washingtonians.[1] Leaving the band in 1923 to study medicine, he returned in 1928 to perform on a number of Ellington's most recognizable pieces during Ellington's stint at the Cotton Club, including "Black Beauty", "Black and Tan", and "Mood Indigo". His sound provided a contrast with Bubber Miley, Ellington's other trumpeter during the period.

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Mentioned in

The Beginning, Vol. 1 (1926 Album by Duke Ellington)
The Brunswick Recordings, Vol. 1 (1926-1929) (1926 Album by Duke Ellington)
Cotton Club Stomp [Biograph] (1929 Album by Duke Ellington)
Duke Ellington Film Shorts (1929 Album by Duke Ellington)