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Album Review:

Ashes of the Wake

  • Release Date: 2004
  • Genre: Rock
  • Label: Epic

  • Artist: Lamb of God
  • Flags: Lyrics are included with the album, Contains explicit content, Enhanced CD-ROM
  • Rating: StarStarStarStar
  • Styles: Alternative Metal, Death Metal/Black Metal, Heavy Metal
  • Track Picks: "Ashes of the Wake," "Laid to Rest," "Now You've Got Something to Die For"

Review

Come now, let us all genuflect before Lamb of God, for to them we owe our metal souls. In the fat rat-infested, decrepit tenement called Heavy Rock Manor, the Virginia-based shock unit is one of the few groups striving to keep the power on and the hallways clear of gluttonous rap-rock/post-grunge False Marias. Yes, yes, Ashes of the Wake arrives via Epic Records, but this only will inflame the ire of the ignorant. For the rest of us, Lamb's ascendance to the majors melts a little more of the crap rock golden calf. Where previous efforts were fully automatic hot LZs, they were also slightly muddled for the very same reason. They fired in all directions. With Ashes, producer Machine has sharpened the corner of every riff and tightened the turns on classicist metal gallops. Best of all, Randy Blythe's furious yawp is more focused. Rather than simply being another scary voice shouter, Blythe becomes Lamb of God's threshold of pain conduit. "Laid to Rest" begins with his measured statements -- "If there was a single day I could live...I'd trade all the others away" -- flanked by the at-odds guitars of Willie Adler and Mark Morton. But then Blythe unleashes his demonic throat, and the guitars leap over and across one another like basilisks on a prowl for ibex kids. "Hourglass" offers more, its interlocking rhythms and breakdowns harking to the dark lands of Scandinavia. But it doesn't go all the way there. This is American metal, after all, meaning that, in the tradition of Pantera and Poison the Well, large-form grandiosity is sacrificed in favor of a muscularity derived from hardcore and hard living. The aptly named "Omerta" begins with that code's reading. "Whoever appeals to the law against his fellow man is either a fool or a coward." It proceeds to stalk slowly into gear, the sound of a wounded man coming after his would-be murderers. "Blood of the Scribe" refits death metal's cadence for a leaner, meaner era; the less than subtle "Now You've Got Something to Die For" offers the kids a new unifying chant, not to mention some spectacularly martial instrumental breaks. Drummer Chris Adler really shines here, with Machine ensuring his snare is a steely bullet fired by viscous double bass gunpowder. Instrumental freaks will swallow the title track whole. Guest soloists Alex Skolnick (Testament) and Chris Poland (Megadeth) each get a taste, alongside Morton and Adler -- their insane fretting sounds like a city exploding. That's what Lamb of God does for us, what it does for metal in the 21st century. With the genre getting clogged by PVC goofs and Alice in Chains impersonators, Lamb of God balances the equation of power, rage, tradition, and craft. It kills the filler. ~ Johnny Loftus, All Music Guide

Tracks

Track Title iTunes Composers Performers Time
Laid to Rest
Chris Adler, Randy Blythe, Mark Morton Lamb of God (3:50)
Hourglass
Chris Adler, Randy Blythe, Mark Morton Lamb of God (4:00)
Now You've Got Something to Die For
Chris Adler, Randy Blythe, Mark Morton Lamb of God (3:39)
The Faded Line
Chris Adler, Randy Blythe, Mark Morton Lamb of God (4:37)
Omerta
Chris Adler, Randy Blythe, Mark Morton Lamb of God (4:45)
Blood of the Scribe
Chris Adler, Randy Blythe, Mark Morton Lamb of God (4:23)
One Gun
Chris Adler, Randy Blythe, Mark Morton Lamb of God (3:59)
Break You
Chris Adler, Randy Blythe, Mark Morton Lamb of God (3:35)
What I've Become
Chris Adler, Randy Blythe, Mark Morton Lamb of God (3:28)
Ashes of the Wake [Instrumental]
...
Chris Adler, Randy Blythe, Mark Morton Lamb of God (5:45)
Remorse Is for the Dead
Chris Adler, Randy Blythe, Mark Morton Lamb of God (8:11)

Credits

Chris Poland (Soloist), Plato (Author), John Angello (Engineer), Alex Skolnick (Soloist), Jeremy Miller (Assistant), Kaz Utsunomiya (A&R), Todd Parker (Producer), Al Weatherhead (Assistant), Scott Greer (Product Manager), Lamb of God (Producer), Cam DiNunzio (Assistant), Casey Martin (Assistant), Greg Waterman (Photography), Machine (Producer), Machine (Engineer), Machine (Mixing), K3n Adams (Artwork), Ted Young (Assistant), Dan Korneff (Digital Editing), John McKeefrey Dolan Ian Campbell (Bass), John McKeefrey Dolan Ian Campbell (Group Member), Willie Adler (Guitar), Willie Adler (Guitar (Rhythm)), Willie Adler (Group Member), Chris Adler (Drums), Chris Adler (Soloist), Chris Adler (Group Member), Randy Blythe (Vocals), Randy Blythe (Group Member), Mark Morton (Guitar), Mark Morton (Guitar (Rhythm)), Mark Morton (Soloist), Mark Morton (Group Member), Tony Schloff (Digital Editing)
 
 
Wikipedia: Ashes of the Wake
Ashes of the Wake
Ashes of the Wake cover
Studio album by Lamb of God
Released August 31, 2004
Recorded  ???
Genre Groove Metal
Length 52:20 (With Bonus Track)
Label Epic Records
Producer Machine
Lamb of God
Professional reviews
Lamb of God chronology
As the Palaces Burn
(2003)
Ashes of the Wake
(2004)
Killadelphia
(2005)

Ashes of the Wake is Lamb of God's third full length studio recording, released in 2004, just one year after their previous release, As the Palaces Burn. It was rated by Guitar World as the 49th greatest Guitar Album of all Time[1]. The album is more political than their previous work, aimed at the war in Iraq, with songs such as "Ashes of the Wake" and "Now You've Got Something to Die For".

Track listing

  1. "Laid to Rest" – 3:50
  2. "Hourglass" – 4:00 (written by Willie Adler)
  3. "Now You've Got Something to Die For" – 3:39
  4. "The Faded Line" – 4:37
  5. "Omerta" – 4:45
  6. "Blood of the Scribe" – 4:23 (written by Willie Adler)
  7. "One Gun" – 3:59
  8. "Break You" – 3:35
  9. "What I've Become" – 3:28
  10. "Ashes of the Wake" – 5:45 (written by Willie Adler)
  11. "Remorse is for the Dead" – 5:41 (written by Mark Morton)
  12. "An Extra Nail for Your Coffin" – 4:37 (Japanese bonus track) [1]

The first pressing of the album came with a bonus CD entitled Pure American Metal with the following songs:

  1. "Bloodletting" – 1:58 (from Burn the Priest)
  2. "The Subtle Arts of Murder and Persuasion" – 4:10 (from New American Gospel)
  3. "11th Hour" – 3:43 (from As the Palaces Burn)
  4. "Black Label (Live)" – 4:37 (from Terror and Hubris)
  5. "Laid to Rest (Demo)" – 3:47

DualDisc

A DualDisc version was released in the U.S. The DVD side contained the album in LPCM 2.0, and AC3 5.1, as well as various video clips, including the promo videos for "Now You've Got Something To Die For" (intended to promote the Killadelphia release) and "Laid to Rest", a short on the New England Metalfest, a "Meet the Band", and a clip from the Terror and Hubris DVD.

Singles

Personnel

Notes

  • The song "Omerta" is about the Italian Mafia's code of honor, "omerta" or "manhood"- described as a code of silence, explaining the lines "Whoever appeals to the law against his fellow man is either a fool or a coward. Whoever cannot take care of himself without that law is both. For the wounded man shall say to his assailant, 'If I live, I will kill you; If I die, you are forgiven.' Such is the rule of honor." This is a quote from The Rise and Fall of the Cleveland Mafia: Corn Sugar and Blood by Rick Porrello.
  • A clean version of "Laid to Rest" is featured in the video games Guitar Hero II and Backyard Wrestling 2: There Goes the Neighborhood.
  • The track "Now You've Got Something to Die For" appeared in an advert for Wanadoo wireless broadband aired in the UK.
  • An edited version of the track "Laid to Rest" is also featured in the opening credits of the heavy metal documentary Metal: A Headbanger's Journey. An edited demo version can be found on the MTV2 Headbangers Ball Volume 2 cd, on disc 1.

References



 
 

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Album Review. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Ashes of the Wake" Read more

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