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At Fillmore East

 
Album Review: At Fillmore East

Review

Whereas most great live rock albums are about energy, At Fillmore East is like a great live jazz session, where the pleasure comes from the musicians' interaction and playing. The great thing about that is, the original album that brought the Allmans so much acclaim is as notable for its clever studio editing as it is for its performances. Producer Tom Dowd skillfully trimmed some of the performances down to relatively concise running time (edits later restored on the double-disc set The Fillmore Concerts), at times condensing several performances into one track. Far from being a sacrilege, this tactic helps present the Allmans in their best light, since even if the music isn't necessarily concise (three tracks run over ten minutes, with two in the 20-minute range), it does showcase the group's terrific instrumental interplay, letting each member (but particularly guitarist Duane and keyboardist/vocalist Gregg) shine. Even after the release of the unedited concerts, this original double album (single CD) remains the pinnacle of the Allmans and Southern rock at its most elastic, bluesy, and jazzy. [In 2004, Mercury reissued At Fillmore East as a hybrid SACD, playable in both regular CD players and Super Audio CD players. On each of the layers, the remastered sound is spectacular, a considerable upgrade from the initial CD pressings.] ~ Stephen Thomas Erlewine, All Music Guide

Tracks

Track TitleComposersPerformersTime
Statesboro Blues (Lyrics) Blind Willie McTell The Allman Brothers Band (4:17)
Done Somebody Wrong (Lyrics) Elmore James, Morris Levy, Clarence Lewis The Allman Brothers Band (4:33)
Stormy Monday (Lyrics) T-Bone Walker The Allman Brothers Band (8:44)
You Don't Love Me Willie Cobbs The Allman Brothers Band (19:15)
Hot 'Lanta (Lyrics) Gregg Allman, Dickey Betts, Duane Allman, Jaimoe Johnson, Berry Oakley, Butch Trucks The Allman Brothers Band (5:17)
In Memory of Elizabeth Reed Dickey Betts The Allman Brothers Band (13:04)
Whipping Post (Lyrics) Gregg Allman The Allman Brothers Band (22:56)

Credits

Gregg Allman (Organ), Gregg Allman (Piano), Gregg Allman (Keyboards), Gregg Allman (Vocals), Gregg Allman (?), The Allman Brothers Band (Main Performer), Dickey Betts (Guitar), Dickey Betts (Vocals), Dickey Betts (?), Duane Allman (Guitar), Duane Allman (Slide Guitar), Duane Allman (?), Aaron Baron (Engineer), Larry Dahlstrom (Engineer), Tom Dowd (Producer), Tom Dowd (Liner Notes), Jaimoe Johnson (Percussion), Jaimoe Johnson (Conga), Jaimoe Johnson (Drums), Jaimoe Johnson (Timbales), Jaimoe Johnson (?), Berry Oakley (Bass), Berry Oakley (Guitar (Bass)), Berry Oakley (?), Butch Trucks (Percussion), Butch Trucks (Drums), Butch Trucks (Tympani [Timpani]), Butch Trucks (?), Dennis M. Drake (Mastering), Jim Marshall (Photography)
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Wikipedia: At Fillmore East
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At Fillmore East
Live album by The Allman Brothers Band
Released July 1971 (1971-07)
Recorded March 12, 1971 (1971-03-12)–March 13, 1971 (1971-03-13) Fillmore East, New York
Genre Blues-rock, southern rock
Length 76:26
Label Capricorn
Producer Tom Dowd
Professional reviews
The Allman Brothers Band chronology
Idlewild South
(1970)
At Fillmore East
(1971)
Eat a Peach
(1972)

At Fillmore East is a double live album by The Allman Brothers Band. The band's breakthrough success, At Fillmore East was released in July 1971. It ranks Number 49 among Rolling Stone magazine’s 500 Greatest Albums of All Time[1] and remains among the top-selling albums in the band’s catalogue.

Contents

History

Recorded at the Fillmore East concert hall, the storied rock venue in New York City, on Friday and Saturday March 12, 1971March 13, 1971, it showcased the band's mixture of blues, Southern rock and jazz. The cover of Blind Willie McTell's "Statesboro Blues" which opens the set showcases Duane Allman's slide guitar work in open E Tuning. "Whipping Post" became the standard for a long, epic jam that never lost interest (opening in 11/8 time, unusual territory for a rock band), while the ethereal-to-furious "In Memory of Elizabeth Reed", with its harmonized melody, Latin feel and burning drive invited comparisons with John Coltrane (especially Duane's solo-ending pull-offs, a direct nod to the jazz saxophonist).

The album was produced by Tom Dowd, who condensed the running time of various songs, occasionally even merging multiple performances onto one track. At Fillmore East peaked at #13 on Billboard's Pop Albums chart.

Two other songs recorded during the same set of shows, "Trouble No More", and the memorable "Mountain Jam", were later released on Eat a Peach, the latter spanning two sides of the double album.

Those songs were later included in their entirety, along with uncut versions of some, re-edited versions of others, and some previously omitted tracks, on a new release of the Fillmore material entitled The Fillmore Concerts (1992). "Stormy Monday" gained back a harmonica solo; "Don't Keep Me Wonderin'" and "Drunken Hearted Boy" were included as well.

In 1998 a 5.1 DTS mix of the original version was released with Duane Allman in the left rear channel, Dickey Betts in the right rear channel, Jai Johanny Johanson in the front left channel, Butch Trucks in the right front channel and Gregg Allman and Berry Oakley both spread out over the front and center channels.

2003 saw the release of a two-disc edition entitled At Fillmore East Deluxe Edition. It compiled all the released versions of the Fillmore material, some material from the collection Duane Allman: An Anthology and the Dreams box set, and remixed the material with a better "soundstage" than the 1992 release.

In 2003 the TV network VH1 named At Fillmore East the 59th greatest album of all time. That same year, it was also ranked #49 by Rolling Stone on their list of the 500 Greatest Albums of All Time. It was one of 50 recordings chosen in 2004 by the Library of Congress to be added to the National Recording Registry. The song "Whipping Post" is part of the The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list.[2] None of the pictures for the cover of the band was actually taken at the Fillmore East. The photographer Jim Marshall took the cover shot near the band's headquarters in Macon, Georgia, where the band had relocated from Florida to be near manager Phil Walden's new Criteron Studios.

Normally the band hated being photographed; the cover of The Fillmore Concerts shows them displaying terminal boredom. However, during the session, Duane spotted a dealer friend, raced over and grabbed a bag of contraband, then returned to his seat, discreetly clutching the stash in his lap. This cracked up all the members, resulting in a memorable image.[citation needed]

The back cover shows their road crew gathered in the same spot with 16 oz. cans of Pabst Blue Ribbon beer provided by the photographer as a reward to the roadies for lugging out and stacking the band's heavy equipment for the photo shoot. Their expressions clarify their thoughts about the brand.[3]

Track listing

At Fillmore East

Side one

  1. "Statesboro Blues" (Will McTell) – 4:17
  2. "Done Somebody Wrong" (Clarence L. Lewis, Bobby Robinson, Elmore James) – 4:33
  3. "Stormy Monday" (T. Bone Walker) – 8:44

Side two

  1. "You Don't Love Me" (Willie Cobbs) – 19:15 ("Soul Serenade"/"Joy to the World" medley in the ending portions)

Side three

  1. "Hot 'Lanta" (Gregg Allman, Duane Allman, Dickey Betts, Butch Trucks, Berry Oakley, Jai Johanny Johanson) – 5:17
  2. "In Memory of Elizabeth Reed" (Betts) – 13:04

Side four

  1. "Whipping Post" (G. Allman) – 23:03

The Fillmore Concerts

Disc one

  1. "Statesboro Blues" (Willie McTell) (March 12 second show) – 4:15
  2. "Trouble No More" (McKinley Morganfield) (March 12 second show) – 3:46
  3. "Don't Keep Me Wonderin'" (G. Allman) (March 13 first show) – 3:20
  4. "In Memory of Elizabeth Reed" (Betts) (March 13 first show/March 13 second show) – 12:59
  5. "One Way Out" (Marshall Sehorn, Sonny Boy Williamson, James) (June 27) – 4:55
  6. "Done Somebody Wrong" (Lewis, Robinson, James) (March 13 second show) – 4:11
  7. "Stormy Monday" (Walker) (March 13 second show) – 10:19
  8. "You Don't Love Me" (Cobbs) (March 13 first show/March 12 second show) – 19:24

Disc two

  1. "Hot 'Lanta" (D. Allman, G. Allman, Betts, Oakley, Johanson, Trucks) (March 12 second show) – 5:11
  2. "Whipping Post" (G. Allman) (March 13 second show) – 22:37
  3. "Mountain Jam" (Donovan Leitch, D. Allman, G. Allman, Betts, Oakley, Johanson, Trucks) (March 13 second show) – 33:47
  4. "Drunken Hearted Boy" (Elvin Bishop) (March 13 second show) – 7:33

At Fillmore East Deluxe Edition

Disc one

  1. "Statesboro Blues" (McTell) – 4:17
  2. "Trouble No More" (Morganfield) – 3:43
  3. "Don't Keep Me Wonderin'" (G. Allman) – 3:27
  4. "Done Somebody Wrong" (Lewis, Robinson, James) – 4:33
  5. "Stormy Monday" (Walker) – 8:48
  6. "One Way Out" (Sehorn, Williamson, James) – 4:56
  7. "In Memory of Elizabeth Reed" (Betts) – 13:04
  8. "You Don't Love Me" (Cobbs) – 19:24
  9. "Midnight Rider" (G. Allman) – 2:55

Disc two

  1. "Hot 'Lanta" (D. Allman, G. Allman, Betts, Oakley, Johanson, Trucks) – 5:20
  2. "Whipping Post" (G. Allman) – 22:53
  3. "Mountain Jam" (Leitch, D. Allman, G.Allman, Betts, Oakley, Johanson, Trucks) – 33:39
  4. "Drunken Hearted Boy" (Bishop) – 7:33

Credits

Special Guests

  • Thom Doucette – Harmonica on "Don't Keep Me Wonderin'", "Done Somebody Wrong", "Stormy Monday" and "You Don't Love Me"

Jim Santi - Tamborine

Special Guests (The Fillmore Concerts)

Production (At Fillmore East)

  • Tom Dowd – Producer, Liner Notes
  • Aaron Baron – Engineer
  • Larry Dahlstrom – Engineer
  • Dennis M. Drake – Mastering
  • Jim Marshall – Photography

Production (The Fillmore Concerts)

  • Tom Dowd – Producer
  • Jay Mark – Mixer
  • Dan Kincaid – Digital Mastering
  • Bill Levenson – Executive Producer
  • Kirk West – Associate Producer
  • Terri Tierney – Project Coordination
  • Richard Bauer – Art Direction
  • Jim Marshall – Graphic Concept
  • Jimmy Guterman – Liner Notes
  • John Perkins - Best Boy

References

  1. ^ "At Fillmore East - The Allman Brothers". The Rolling Stone 500 Greatest Albums of All Time. Rolling Stone. 2003-11-01. http://www.rollingstone.com/news/story/6598732/49_at_fillmore_east. Retrieved 2007-04-28. 
  2. ^ Rock and Roll Hall of Fame "500 songs that shaped rock and roll" [1]
  3. ^ Randy Poe, Skydog: The Duane Allman Story, (Backbeat Books)

External links


 
 
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