Themes: Life Under Occupation, Innocence Lost, Boarding School Life
Main Cast: Gaspard Manesse, Raphaël Fejtö, Francine Racette, Stanislas Carre de Malberg, Philippe Morier-Genoud
Release Year: 1987
Country: FR/WG
Run Time: 104 minutes
Plot
Gaspard Manesse plays Julien, an 11-year-old Catholic boarding-school resident during the Nazi occupation of France. He is witness to the courage of his instructors, who defy the German's anti-Semitic policies and quietly enroll Jewish children into the school under assumed names. Manesse befriends Jean (Raphael Fejto), one of these "instant Catholics." The refugee children are betrayed by a hostile ex-employee of the school, forcing Julien once more to be a bystander to history as Jean and the teachers are arrested. For this return to the French film industry after several years in the US, Louis Malle purged himself of his own bitter memories of life under the thumbs of the Nazis. ~ Hal Erickson, All Movie Guide
Review
Au Revoir, Les Enfants accepts the weighty challenge of making a Holocaust movie and acquits itself proudly. This was Louis Malle's first French film in a decade, and one gets the sense that it's a story he long felt compelled to bring to the screen. He based Au Revoir, Les Enfants on his own experiences in a Catholic boarding school in World War II and his remembrances of the frequent cowardice, and occasional defiant bravery, of the occupied French. This is not the world of Eastern Europe's constant horrors or England's interminable blitz, but an equally surreal place, where day-to-day life ostensibly continues as normal when the reality is anything but. The film does not explore the violence of the Holocaust directly; rather, it follows the somewhat uneventful lives of two boys who are, above all, just boys. They are children -- wide-eyed, curious, scared, kind, and spiteful -- like children everywhere, except unwitting parties to history's greatest drama. In this respect, the finale -- and in turn, the lasting impact -- of Malle's subtle, measured story is all the more devastating. ~ Matthew Doberman, All Movie Guide
