Timeline of audio formats

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Following is a list of popular speech, audio and video codecs. A codec is the circuit that performs the conversion from analog to digital or digital to digital (see codec).

Speech is a Subset of Audio

Audio codecs cover all sound whether spoken words or music. However, in order to create the most compressed digital data, speech codecs look for sound patterns commonly heard in a spoken language.

 SPEECH CODECS
 Name         Purpose

 A-Law        PCM telephony in Europe
 µ-Law        PCM telephony in U.S.

 DV Audio     MiniDV audio

 GSM 6.10     GSM cellphone

 G.711        A/V conferencing (ITU)
 G.722        A/V conferencing (ITU)
 G.723.1      VoIP, A/V conferencing (ITU)
 G.728        A/V conferencing (ITU)
 G.729        A/V conferencing (ITU)

 AMR-NB       GSM, 3GPP (ETSI narrowband)
 AMR-WB       GSM, 3GPP (ETSI wideband)
 ACELP.net    General speech (VoiceAge)
 ACELP.wide   High quality (VoiceAge)



 SOUNDTRACK CODECS
 Name            Origin

 MP2             MPEG-2
 Dolby Digital   Dolby Labs
 DTS             DTS, Inc.



 MUSIC CODECS
 Name            Origin

 MP3             MPEG

 AAC             MPEG
 AAC Protected   MPEG with DRM

 WMA             Windows
 WMA Protected   Windows with DRM
 WMA Lossless    Windows high quality

 RA, RAM         RealNetworks
 AIFF            Macintosh
 AU              Sun
 ACELP.live      VoiceAge
 Ogg Vorbis      Open source high quality
 FLAC            Open source high quality
 Apple Lossless  High quality

 DSD             High quality (SACD)
 DVD-Audio       High quality


 VIDEOCONFERENCING CODECS
 Name            Origin

 H.261           ITU
 H.263           ITU


 MOVIE CODECS
 Name            Origin

 MPEG-1          Video CD
 MPEG-2          DVD/TV standard
 MPEG-4          Enhanced MPEG-2
 H.264           Enhanced MPEG-4

 FLV             Flash video

 VC-1            SMPTE

 AVI             Windows
 WMV             Windows
 RM, RV          RealNetworks
 Indeo           Intel
 Cinepak         SuperMac Technologies
 Sorenson        Sorenson Media

Conversion and Compression
Compressing audio and video is a two-stage process. The first stage converts the signals from the source into an uncompressed digital format. At that point, one of several compression algorithms is used to further compress the digital code.

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Timeline of audio formats

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An audio format is a medium for storing sound and music. The term is applied to both the physical recording media and the recording formats of the audio content – in computer science it is often limited to the audio file format, but its wider use usually refers to the physical method used to store the data.

Music is recorded and distributed using a variety of audio formats, some of which store additional information.

Timeline of audio format developments

Year Media formats Recording formats
1877 Phonograph cylinder Mechanical analog; "hill-and-dale" grooves, vertical stylus motion
1883 Music roll Mechanical digital (automated musical instruments)
1895 Gramophone record Mechanical analog; lateral grooves, horizontal stylus motion
1898 Wire recording Analog; magnetization; DC "bias"
1925 Electrical cut record Mechanical analog; electrically cut from amplified microphone signal, lateral grooves, horizontal stylus motion, discs at 7", 10", 12", most at 78 rpm
1930s Reel-to-Reel, Magnetic Tape Analog; magnetization; AC "bias" dramatically increases linearity/fidelity, tape speed at 30 ips, later 15 ips and other refined speeds: 7½ ips, 3¾ ips, 1⅞ ips
Electrical transcriptions Mechanical analog; electrically cut from amplified microphone signal, high fidelity sound, lateral or vertical grooves, horizontal or vertical stylus motion, most discs 16" at 33⅓ rpm
1948 Vinyl Record Analog, with preemphasis and other equalization techniques (LP, RIAA); lateral grooves, horizontal stylus motion; discs at 7" (most 45 rpm), 10" and 12" (most 33⅓ rpm)
1957 Stereophonic Vinyl Record Analog, with preemphasis and other equalization techniques. Combination lateral/vertical stylus motion with each channel encoded 45 degrees to the vertical.
1962 4-Track (Stereo-Pak) Analog, 14-inch-wide (6.4 mm) tape, 3¾ in/s, endless loop cartridge.
1963 Compact Cassette Analog, with bias. 0.15-inch-wide (3.8 mm) tape, 1⅞ in/s. 1970: introduced Dolby noise reduction.
1965 8-Track (Stereo-8) Analog, ¼ inch wide tape, 3¾ in/s, endless loop cartridge.
1969 Microcassette Analog, ⅛ inch wide tape, used generally for notetaking, mostly mono, some stereo (developed in the early 80's). 2.4 cm/s or 1.2 cm/s.
Minicassette Analog, ⅛ inch wide tape, used generally for notetaking, 1.2 cm/s
1970 Quadraphonic 8-Track (Quad-8) (Q8) Analog, ¼ inch wide tape, 3¾ in/s, 4 Channel Stereo, endless loop cartridge.
1971 Quadraphonic Vinyl Record (CD-4) (SQ Matrix) Analog.
1975 Betamax Digital Audio Dolby Stereo cinema surround sound
1976 Elcaset Analog.
1978 Laserdisc Digital/Analog.
1982 Compact Disc (CD-DA) Digital. PCM
1985 Audio Interchange File Format (AIFF)
1985 Sound Designer (by Digidesign)
1986 High Definition Compatible Digital (HDCD) Digital. Redbook compatible physical CD containing 20–24 bit information.
1987 Digital Audio Tape (DAT) Digital.
1991 MiniDisc (MD) Digital. Adaptive Transform Acoustic Coding (ATRAC)
1992 Digital Compact Cassette (DCC) Digital.
WAVEform (WAV)

Dolby Digital surround cinema sound

1993 Digital Theatre System (DTS)

Sony Dynamic Digital Sound (SDDS) MPEG-1 Audio Layer III

1997 DVD Dolby Digital, Digital Theatre System (DTS)
DTS-CD DTS Audio
1999 DVD-Audio Digital.
Super Audio CD (SACD) Direct Stream Digital
Windows Media Audio (WMA)
The True Audio Lossless Codec (TTA)
2000 Free Lossless Audio Codec (FLAC)
2001 Advanced audio coding (AAC)
2002 Ogg Vorbis
2003 DualDisc Digital.
2004 Apple Lossless (ALE or ALAC)
2005 HD DVD Dolby TrueHD, DTS-HD Master Audio
OggPCM
2006 Blu-ray Disc Dolby TrueHD, DTS-HD Master Audio
2008 slotMusic Usually at 320kbit/s MP3 on microSD or microSDHC
Blu-spec CD Digital. PCM

See also

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