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August Rush

 
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August Rush

  • Director: Kirsten Sheridan
  • AMG Rating: starstar
  • Genre: Drama
  • Movie Type: Musical Drama, Childhood Drama
  • Themes: Orphans, Mysterious Strangers, Brief Encounters
  • Main Cast: Freddie Highmore, Keri Russell, Jonathan Rhys-Meyers, Terrence Howard, Robin Williams
  • Release Year: 2007
  • Country: US
  • Run Time: 113 minutes
  • MPAA Rating: PG

Plot

Estranged from his parents by circumstance and nudged toward a foster family, a young boy seeks out his long-lost folks and discovers prodigious musical talent in this family-oriented drama from Disco Pigs director Kirsten Sheridan. In the aftermath of a passionate night together above New York's Washington Square, a charismatic Irish guitarist named Louis (Jonathan Rhys-Meyers) and a reserved cellist named Lyla (Keri Russell) are forced apart by fate. Despite the fact that they do not remain together, however, their fleeting union has created something amazing that neither could have ever anticipated -- a baby. Unfortunately, just after the child's birth, the mother is misinformed that the infant has died. Cut to 11 years later, when the child, Evan, is living in a Gotham-area boys' home and has developed an acute ability to listen to the sounds of the outside world -- hoping against all hope that his biological mother and father will turn up to claim him, while those in charge try to encourage him to open himself up to the possibility of adoption. Unduly rejecting these bids, Evan runs away into the city. Out on the streets, the child falls into the clutches of a manipulative, untrustworthy street person named Wizard (Robin Williams), who renames Evan "August Rush" and opens the boy up to the depth and breadth of his own musical talent even as he smells the opportunity to grow rich off of the foundling. Meanwhile, Evan/August's hope persists that he will be reunited with his folks, and Louis and Lyla, unable to forget their initial night of love, feel themselves being drawn back together by fate. ~ Nathan Southern, All Movie Guide

Review

Kirsten Sheridan knows a thing or two about being the offspring of creativity. The director and co-screenwriter of August Rush is also the daughter of acclaimed Irish director Jim Sheridan, and her second film focuses on a musical prodigy born of a concert cellist and a rock singer. What it doesn't have is the gritty realism present in most of her father's work, instead opting for a fairytale approach that is intermittently charming, but more often saccharine. The approach is most effective when demonstrating the ways young Evan Taylor (Freddie Highmore) -- later rechristened August Rush -- discovers his talents. In a couple memorable sequences, Evan hears music in the rustling of grass and the humming of electrical wires, which reaches a veritable symphony when he first takes in New York City's blast of unfamiliar street sounds. But the movie wanders into precious territory when it develops the structure of Oliver Twist, as Evan falls in with a band of homeless pre-teen buskers being exploited by a Fagin-like character named The Wizard (Robin Williams). Bothersome from the start is the parallel story of Evan's parents, Lyla (Keri Russell) and Louis (Jonathan Rhys-Meyers), whose music supposedly "calls out to him," granting him the certitude that they never intended to abandon him. Since these characters are portrayed as unambiguously saintly, of course that's true -- Louis never saw Lyla again after their one-night stand, since her father prevented their intended meeting, then the same wicked father (William Sadler) forged her signature on Evan's adoption papers, telling Lyla he didn't survive the delivery. The events that bring all three on an inevitable path toward reunion, which rely on a psychic awareness of one another's actions and a gooey dollop of serendipity, will try the patience of all but the most forgiving fans of soppy inspirational movies. ~ Derek Armstrong, All Movie Guide

Cast

William Sadler - Thomas Novacek; Marian Seldes - The Dean; Mykelti Williamson - Reverend James; Leon III Thomas - Arthur; Aaron Staton - Arthur; Alex O'Loughlin - Marshall; Jamia Simone Nash - Hope; Ronald Guttman - Professor; Bonnie McKee - Lizzy; Emelie Jeffries; Michael Drayer - Mannix; Jamie O'Keefe - Steve; Becki Newton - Jennifer; Tyler McGuckin - Peter; Megan Gallagher - Megan; Anais Martinez - Backbeat; Bilal Bishop - Roller Ball; Michael Roderick Hammonds III - Feedback; Timothy T. Mitchum - Joey; Henry Caplan - Bill; John Knox - Club Manager; Amy V. Dewhurst - Receptionist; Victor Verhaeghe - Cop; Darrie Lawrence - Old Neighbor; Sean Haberle - Frank; Jamal Joseph - Driver; Robert Aberdeen - Record Executive; Georgia Creighton - Apartment Owner; Joshua Jaymz Doss - Orphanage Kid; Craig Johnson - Orphanage Boy; Dominic Colón - Policeman; Zach Page - Child Guitar Player; Charles Mack - Gospel Solist; Amma Agyapon - Gospel Singer; Adia Beckford - Gospel Singer; Dietrice A. Bolden - Gospel Singer; Dina Gardener - Gospel Singer; Luther Isler - Gospel Singer; Raymond Johnson - Gospel Singer; Joyce Walker Jospeh - Gospel Singer; Willana Mack - Gospel Singer; Lamar Antwon Robinson - Gospel Singer; Talif Showers - Gospel Singer; Taylor Carlton - Gospel Singer; Yvette Bodrick - Street Sound Circle Member; Crystal A. Elliott - Street Sound Circle Member; Jindai Joseph - Street Sound Circle Member; Jacquelen Singleton - Street Sound Circle Member; Travis Veada - Street Sound Circle Member; Jasmine Pauline Wigfall - Street Sound Circle Member

Credit

Mario R. Ventenilla - Art Director, Gabrielle Jerou - Associate Producer, Frank Graziadei - Boom Operator, Cathy Sandrich Gelfond - Casting, Amanda Mackey - Casting, Don Harper - Conductor, Mike Nowak - Conductor, Frank Fleming - Costume Designer, Michael Lerman - First Assistant Director, Kirsten Sheridan - Director, William Steinkamp - Editor, Robert Greenhut - Executive Producer, Richard Barton Lewis - Executive Producer, Lionel Wigram - Executive Producer, Ralph Kamp - Executive Producer, Louise Goodsill - Executive Producer, Miky Lee - Executive Producer, Cheri Minns - Hair Styles, Richard F. Esposito - Hair Styles, Nick Bernstein - Location Manager, Mark Mancina - Composer (Music Score), Hans Zimmer - Composer (Music Score), Jeffrey Pollack - Musical Direction/Supervision, Anastasia Brown - Musical Direction/Supervision, Julia Michels - Musical Direction/Supervision, Cheri Minns - Makeup, Felice Diamond - Makeup, David M. Dunlap - Camera Operator, Jim McConkey - Camera Operator, Michael Shaw - Production Designer, John Mathieson - Cinematographer, Richard Barton Lewis - Producer, Steve Kempster - Recording, Jason Oliver - Sound/Sound Designer, Jess Rosen - Sound Editor, John Cenatiempo - Stunts, Douglas Crosby - Stunts, Bob Colletti - Stunts, William Cote - Stunts, Stephen Pope - Stunts, Chris Barnes - Stunts, Tim Smith - Stunts, Courtney Rains-Loo - Stunts, Blaise Corrigan - Stunts Coordinator, Robert Greenhut - Unit Production Manager, Nick Castle, Jr. - Screen Story, Paul Castro - Screen Story, Jim V. Hart - Screenwriter, Kirsten Sheridan - Screenwriter, Nick Castle, Jr. - Screenwriter, James V. Hart - Screenwriter, David M. Dunlap - Second Unit Director Of Photography, Bradley North - Sound Effects Editor, Eric A. Norris - Sound Effects Editor, Rick Hromadka - Sound Effects Editor, Patti Hawn - Unit Publicist, Brett Lavinthal - Additional Editing, Stanley Fernandez Jr. - First Assistant Camera, Eric Swanek - First Assistant Camera, Mitchell Lillian - Key Grip, Zig Gron - Music Editor, George Doering - Musical Performer, Heitor Pereira - Musical Performer, Doug Smith - Musical Performer, Kaki King - Musical Performer, William Galison - Musical Performer, Scott Gordon - Musical Performer, Mark Hagerman - Production Coordinator, Bonnie Hlinomaz - Production Supervisor, David H. Allen - Properties Master, Jessica Lichtner - Script Supervisor, Peter Thorell - Second Assistant Director, Connie Brink - Special Effects Coordinator, Abbot Genser - Still Photographer, Scott A. Hecker - Supervising Sound Editor, Mei Lai Hippisley Coxe - Costume/Wardrobe, Melissa Chusid - Additional Casting, Allen Hartz - ADR Editor, Jeff Rosen - ADR Editor, Douglas Murray - ADR Mixer, Dan Brennan - ADR Mixer, Paul Robinson - Assistant Art Director, Lisa R. Frucht - Assistant Costumer Designer, Joe Grimaldi - Assistant Chief Lighting Technician, Ronnie Kupferwasser - Assistant Location Manager, Jean Pesce - Assistant Location Manager, Syndey Huynh - Assistant Production Coordinator, Ann Edgeworth - Assistant Properties, Eric Cheripka - Assistant Properties, Roy Seeger - Assistant Sound Editor, Joe Schiff - Assistant Sound Editor, Paul Candrilli - Best Boy Grip, Farrah Fox-Collis - Casting Associate, Kate Bulpitt - Casting Associate, Billy O'Leary - Chief Lighting Technician, Danny Rovira - Construction Coordinator, Susan Wright - Costumes Supervisor, Pam Aaron - Costumes Supervisor, Jeff Rosen - Dialogue Editor, Rick R. Marroquin - Dolly Grip, Andrew Sweeney - Dolly Grip, Sylvia Fay - Extra Casting, Lee Genick - Extra Casting, Jason Joseph - First Assistant Editor, Gary A. Hecker - Foley Artist, Michael Broomberg - Foley Artist, Thom Brennan - Foley Artist, Mark Pappas - Foley Artist, Lizz Scalice - Key Hairstylist, Lori Hicks - Key Make-up, Peter Dunbar - Leadman, Diana Jackson - Personal Assistant, Rebecca Erwin Spencer - Personal Assistant, Thomas Bianco - Production Accountant, Caesar S. Carnevale - Second Assistant Camera, Mike Cambria - Second Assistant Camera, Matthew Gordon - Second Second Assistant Director, Susan Ogu - Set Dresser, Jeffrey Rollins - Set Dresser, John F. Davis - Storyboard Artist, Stephen Daly - Storyboard Artist, Pete Tavis - Transportation Captain, Richard Friedlander - Visual Effects, Aaron Pozzer - Visual Effects, Brainstorm Digital - Visual Effects, Noel Hooper - Visual Effects, Scott Minter - Visual Effects, David Piombino - Visual Effects, Andrew Scwartz - Visual Effects, Carol Silverman - Set Decorator, Brad Brock - Foley Mixer, Jamie Buckner - Production Secretary, Tom Nelson - Production Sound Mixer, Devin Donegan - Video Playback, Kevin Raper - Graphic Design, yU+Co - Title Design, Amy V. Dewhurst - Assistant to the Director, Andrew Jack - Dialect Coach, Brooks Baldwin - Dialect Coach, Howard Samuelson - Dialect Coach, Amy Shatsky-Gambrill - Producer's Assistant, Lisa Barrett - Producer's Assistant

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Wikipedia: August Rush
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August Rush

Promotional poster
Directed by Kirsten Sheridan
Produced by Richard Barton Lewis
Written by Nick Castle
James V. Hart
Paul Castro
Starring Freddie Highmore
Keri Russell
Jonathan Rhys Meyers
Robin Williams
Terrence Howard
William Sadler
Marian Seldes
Alex O'Loughlin
Music by Mark Mancina
Cinematography John Mathieson
Editing by William Steinkamp
Distributed by Warner Bros.
Release date(s) November 21, 2007
Running time 113 min.
Country United States
Language English
Budget $25 million
Gross revenue $66,118,953 (worldwide)[citation needed]

August Rush is a 2007 drama film directed by Kirsten Sheridan and written by Paul Castro, Nick Castle, and James V. Hart, and produced by Richard Barton Lewis. It has been called an up-to-date reworking of the Oliver Twist story by Charles Dickens.[1]

Contents

Plot

A boy named Evan Taylor (Freddie Highmore) grows up an outcast in a home for boys, all the while believing that his parents are alive. He can hear music in everything: the light, the wind, the air. He believes that he can hear the music from his parents. He thinks that they always wanted him and would come and get him someday.

He meets a social service worker, Richard Jeffries (Terrence Howard), of the New York Child Services Department. Evan tells him he does not want to be adopted. Mr. Jeffries likes Evan and gives him his card. He wants Evan to confide in him if the need should ever arise.

Through a series of flashbacks, his parents are revealed to be named Lyla Novacek, (Keri Russell), a famous teenage concert cellist, and Louis Connelly (Jonathan Rhys Meyers), an Irish guitarist and lead singer of a rock band. His parents met at the same party and spent the romantic night together. Due to Lyla's strict father, Lyla was unable to meet Louis where she'd agreed to and they parted, apparently never to see each other again.

Lyla became pregnant with their child. Her father did not approve of this, he wanted Lyla to have a successful career without the obstacle of a child. After an argument with her father, Lyla ran out of a restaurant and was hit by a car. While in the hospital, she gave birth to a son. The last thing she was aware of was the nurses telling her that the baby's heartbeat was falling. She wakes. Her father tells her that her son died. Little did she know, her father forged her signature on the adoption papers. Her baby was fine. Both Louis and Lyla gave up their musical careers after losing each other, and neither was aware of their son's existence.

Evan has a very strong faith that if he could learn to play the music he will have a chance to be found by his parents. He believes that they will hear him. So he runs away to New York City. He meets Aurthur, a boy who was playing the guitar on a street corner for money. He follows Aurthur and is taken in by Maxwell Wallace, a.k.a. "Wizard" (Robin Williams), who houses various orphans and runaways, employing them to play music on the streets and taking a large cut of their tips. Evan immediately proves to be a musical child prodigy. Wizard enlists him and gives him the name "August Rush", convincing him he will be sent back to the orphanage if his real name is ever discovered.

Lyla only discovers that her son is alive when her father, knowing that he is dying, confesses what actually happened. Lyla immediately sets out to New York to look for her 12-year-old son. Meanwhile, she begins playing the cello again, having been called back to the New York Philharmonic. At about the same time, Louis reconciles with his bandmates.

After a raid by the police, Evan takes refuge in a church, where he again impresses with his natural musical talent and is enrolled at the Juilliard School as "August Rush." He proves to be excellent, better than the college students there, and a work he composes is chosen to be performed by the New York Philharmonic in Central Park. Unfortunately, Wizard barges into the dress-rehearsal, and Evan reluctantly follows him back to his life of performing music on the streets.

Meanwhile, Lyla has discovered Evan's identity and has decided to stay in New York while searching for her son. While there, she decides to resume her cello career. She is then chosen to play in the same concert, which features Evan's piece. Louis, being wrongly told that Lyla has since married, also returns to New York to resume playing with his former band. He has a chance meeting with Evan in Washington Square Park and they play music together, although neither knows who the other is.

The night of the concert, Evan finally chooses to run from Wizard in favor of performing at his concert. In the meantime, Louis races to the park when he sees Evan's pseudonym along with Lyla's name on a sign billing the concert. Evan conducts his piece, and at its conclusion, when he turns around to see Lyla and Louis standing hand in hand, he knows that he is reunited with his mother and father at last.

Cast

Music

The final number with Lyla and Louis begins with Lyla playing the Adagio-Moderato from Edward Elgar's Cello Concerto in E Minor.

Except for "Dueling Guitars", all of August's guitar pieces were played by American guitarist-composer Kaki King, performing as her hands for the movie.

Composer Mark Mancina spent over 18 months composing the film's musical score. "The heart of the story is how we respond and connect through music. It's about this young boy who believes that he's going to find his parents through his music. That's what drives him."[3] The final theme of the movie was composed first. "That way I could take bits and pieces of the ending piece and relate it to the things that are happening in (August's) life. All of the themes are pieces of the puzzle, so at the end it means something because you've been subliminally hearing it throughout the film."[cite this quote] The score was recorded at the Todd-AO Scoring Stage and the Eastwood Scoring Stage at Warner Brothers.[4]

Reception

In a review by USA Today, Claudia Puig commented that "August Rush will not be for everyone, but it works if you surrender to its lilting and unabashedly sentimental tale of evocative music and visual poetry."[5] The Hollywood Reporter reviewed the film positively, writing "the story is about musicians and how music connects people, so the movie's score and songs, created by composers Mark Mancina and Hans Zimmer, give poetic whimsy to an implausible tale."[6]

On the review aggregator Rotten Tomatoes, 36% of critics gave the film positive reviews, based on 110 reviews. "Consensus: Though featuring a talented cast, August Rush cannot overcome the flimsy direction and schmaltzy plot."[7] On Metacritic, the film had an average score of 38 out of 100, based on 27 reviews.[8]

Pam Grady of the San Francisco Chronicle called the film "an inane musical melodrama." Grady said "the entire story is ridiculous" and "Coincidences pile on, behavior and motivations defy logic, and the characters are so thinly drawn that most of the cast is at a loss." She adds "the ending of the movie certainly did not impress me at all. They worked so hard on the rest of it but it came to a sudden end that left the movie unfinished."[9] Edward Douglas of comingsoon.net said it "doesn't take long for the movie to reveal itself as an extremely contrived and predictable movie that tries too hard to tug on the heartstrings."[cite this quote]

Roger Ebert gave the movie three stars, calling it "a movie drenched in sentimentality, but it's supposed to be."[10]

Jamila Gavin compared the film to Dickens' Oliver Twist and Coram Boy.[11][12]

Awards

The soundtrack has songs from new and established acts. The film was nominated for an Academy Award for Best Original Song (Raise It Up).

Young Artist Award

2008 Won Category/Recipient(s)

  • Best Family Feature Film (Comedy or Drama)
  • Best Performance in a Feature Film - Supporting Young Actor - Fantasy or Drama (Leon Thomas III)

Academy of Science Fiction, Fantasy & Horror Films, USA

2008 Won Saturn Award Best Performance by a Younger Actor
Freddie Highmore

References

  1. ^ http://seattlepi.nwsource.com/movies/340444_august21q.html
  2. ^ "August Rush-music from the motion picture". starpulse.com. http://www.starpulse.com/news/index.php/2007/11/14/august_rush_music_from_the_motion_pictur. Retrieved 2009-09-11. 
  3. ^ Crisafulli, Chuck and Graff, Gary. "And The Best Original Song Oscar Nominees Are...". Billboard. http://www.billboard.com/bbcom/specials/article_display.jsp?vnu_content_id=1003713801&inp=true. Retrieved 2008-11-09. [dead link]
  4. ^ Dan Goldwasser. "Scoring Session Photo Gallery from August Rush". ScoringSessions.com. http://www.scoringsessions.com/sessions/1517/. Retrieved 2008-02-29. 
  5. ^ Puig, Claudia. "Lilting 'August Rush' is poetry in emotion". USA Today. http://www.usatoday.com/life/movies/reviews/2007-11-20-august-rush_N.htm. Retrieved 2008-02-29. 
  6. ^ Honeycutt, Kirk (November 8, 2007). "August Rush". The Hollywood Reporter. http://www.hollywoodreporter.com/hr/imdb/reviews/article_display.jsp?rid=10174&vnu_special_account_code=thrsiteimdbpro. Retrieved 2008-02-29. 
  7. ^ "August Rush — Rotten Tomatoes". Rotten Tomatoes. http://www.rottentomatoes.com/m/august_rush/. Retrieved 2007-11-27. 
  8. ^ "August Rush (2007): Reviews". Metacritic. http://www.metacritic.com/film/titles/augustrush. Retrieved 2007-11-27. 
  9. ^ Pam Grady (2007-11-21). "Review: Orphan has a song in his heart in 'August Rush'". San Francisco Chronicle. http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/11/21/DD7GTFC2K.DTL&type=movies. Retrieved 2007-11-27. 
  10. ^ Roger Ebert (2007-11-21). "August Rush". Chicago Sun-Times. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20071120/REVIEWS/711200301/1023. Retrieved 2007-11-26. 
  11. ^ Smith, Sid (2007-11-21). "August Rush (Oliver Twist reset in N.Y.) — 2 stars". Chicago Tribune. http://www.chicagotribune.com/entertainment/movies/chi-071121august-story,1,4894841.story. Retrieved 2007-12-15. "Turn to the master, Charles Dickens, or better yet, update and recycle him. Such must have been the thinking behind August Rush, a thinly disguised retelling of Oliver Twist, transplanted to contemporary New York and sweetened by a theme of the healing magic of music." [dead link]
  12. ^ Covert, Colin (2007-11-20). "Movie review: Romanticism trumps reason in Rush". Star Tribune. http://www.startribune.com/entertainment/movies/11915801.html. Retrieved 2007-12-15. "If Charles Dickens were alive today, he might be writing projects like August Rush, the unabashedly sentimental tale of a plucky orphan lad who falls in with streetwise urchins as he seeks the family he ought to have. Come to think of it, Dickens did write that one, and called it Oliver Twist." 

External links


 
 
Learn More
Freddie Highmore (Actor, Fantasy/Children's/Family)
Kaki King (Rock Artist, 2000s)
Rick Bain (Rock Artist, '90s, 2000s)

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