Autoamerican

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  • Artist: Blondie
  • Rating: StarStarStarHalf Star
  • Release Date: 1980 11
  • Total Time: 46:39
  • Genre: Rock

Review

The basic Blondie sextet was augmented, or replaced, by numerous session musicians (including lots of uncredited horn and string players) for the group's fifth album, Autoamerican, on which they continued to expand their stylistic range, with greater success, at least on certain tracks, than they had on Eat to the Beat. A cover of Jamaican group the Paragons' "The Tide Is High," released in advance of the album, became a gold-selling number one single, as did the rap pastiche "Rapture," but, despite their presence, the album stalled in the lower half of the Top Ten and spent fewer weeks in the charts than either of its predecessors. One reason for that, admittedly, was that Chrysalis Records pulled promotion of the disc in favor of pushing lead singer Debbie Harry's debut solo album, KooKoo, not even bothering to release a third single after scoring two chart-topping hits. But then, it's hard to imagine what that third single could have been on an album that leads off with a pretentious string-filled instrumental ("Europa"), and also finds Harry crooning ersatz '20s pop on "Here's Looking at You" and tackling Broadway show music in a cover of "Follow Me" from Camelot. Though more characteristic, the rest of the tracks are weak compositions indifferently executed. Thus Autoamerican was memorable only for its hits, which would be better heard when placed on a hits compilation. ~ William Ruhlmann, Rovi

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Autoamerican
Studio album by Blondie
Released November 1980
Recorded 1980, United Western Studios, Hollywood
Genre New wave, hip hop
Length 46:39
50:49 (cassette)
Label Chrysalis Records
Producer Mike Chapman
Blondie chronology
Eat to the Beat
(1979)
Autoamerican
(1980)
The Hunter
(1982)
Professional ratings
Review scores
Source Rating
Allmusic 3/5 stars[1]
Robert Christgau B−[2]
Rolling Stone 3/5 stars[3]

Autoamerican is the fifth studio album by the US new wave band Blondie. It was released in November 1980 and reached #3[4] in the UK charts, #8 in Australia and #7 in the US.

The album proved to be a radical departure for the band, with opening track "Europa" setting the pace. The track was a dramatic instrumental overture featuring orchestral arrangements and ending with vocalist Debbie Harry reciting a poem about the importance of the car in American society. Besides rock and pop tracks, the band explored a wide range of other musical genres: "Here's Looking At You" and "Faces" show jazz and blues influences, the reggae hit "The Tide Is High" was a cover of The Paragons' 1965 Jamaican ska hit, whereas "Rapture" combined funk, rock, jazz, and even saw them embracing the then budding genre of rap. The closing track, "Follow Me", was a cover of a torch song from Alan Jay Lerner and Frederick Loewe's 1960 Broadway musical Camelot, based on the King Arthur legend.

The band released two singles from this album, "The Tide Is High" and "Rapture". "The Tide Is High" hit #1 in several countries, including the U.S. and the UK. "Rapture" became the first rap song not only to be released from the band but also the first ever to reach #1 on the singles chart in the U.S. (it also reached #5 in the UK). The first edition of the US pressing of the album had a sticker on the cover stating Including "The Tide Is High", "Rapture" and "T-Birds", suggesting that the track was planned as the third single release.

Autoamerican was digitally remastered and reissued with two bonus tracks by Chrysalis Records in the UK in 1994 which included extended "special disco mix" versions of "Rapture" and "Live It Up". The album was again remastered and re-released by EMI-Capitol in 2001, again featuring the extended version of "Rapture" along with the extended version of their #1 hit "Call Me" (from the film soundtrack to American Gigolo), and also "Suzy & Jeffrey" which was originally the B-side to "The Tide Is High" single.

Producer Mike Chapman insisted the band record in Los Angeles, of which Chris Stein lamented: "Every day we get up, stagger into the blinding sun, [and] drive past a huge Moon-mobile from some ancient sci-fi movie." But Blondie insisted on a cover from their hometown, posing on a roof at Broadway and Eighth. The photo was treated to look like a painting.

Contents

Track listing

Side A:

  1. "Europa" (Chris Stein) – 3:31
  2. "Live It Up" (Stein) – 4:09
  3. "Here's Looking at You" (Debbie Harry, Stein) – 2:58
  4. "The Tide Is High" (Howard Barrett, Tyrone Evans, John Holt) – 4:39
  5. "Angels on the Balcony" (Laura Davis, Jimmy Destri) – 3:47
  6. "Go Through It" (Harry, Stein) – 2:40
  7. "Suzy & Jeffrey" a.k.a. "Susie & Jeffrey" (Harrison, Harry) – 4:10 (cassette only)

Side B:

  1. "Do the Dark" (Destri) – 3:51
  2. "Rapture" (Harry, Stein) – 6:30
  3. "Faces" (Harry) – 3:51
  4. "T-Birds" (Nigel Harrison, Harry) – 3:56
  5. "Walk Like Me" (Jimmy Destri) – 3:44
  6. "Follow Me" (Alan Jay Lerner, Frederick Loewe) – 3:01

Bonus Tracks (1994 UK CD reissue)

  1. "Rapture" (Special Disco Mix) (Harry, Stein) – 9:59
  2. "Live It Up" (Special Disco Mix) (Stein) – 8:13

Bonus Tracks (2001 CD reissue)

  1. "Call Me" (Original Long Version) (Harry, Giorgio Moroder) – 8:06
  2. "Suzy & Jeffrey" (Harrison, Harry) – 4:10
  3. "Rapture" (Special Disco Mix) (Harry, Stein) – 9:59

Personnel

Additional personnel

Production

  • Mike Chapman - record producer
  • Recorded at United Western Studio, Hollywood, California in 1980. Originally released on Chrysalis (1290).
  • Kevin Flaherty - 2001 reissue producer

Chart peaks

Year Country Position
1980 United Kingdom #3
United States #7
Australia #8
Sweden #11
Norway #12
Austria #18
Germany #42

References


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Mentioned in

Autoamerican [Bonus Tracks] (2001 Album by Blondie)
The Hunter [Bonus Tracks] (2001 Album by Blondie)
The Curse of Blondie [Australia] (2003 Album by Blondie)
The Curse of Blondie [Bonus Track] (2003 Album by Blondie)