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- Genres: Rock
- Representative Albums: "The Chthonic Chronicles", "Atlantis Ascendant
| Artist: Bal-Sagoth |
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| Discography: Bal-Sagoth |
| Wikipedia: Bal-Sagoth |
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| Bal-Sagoth | |
|---|---|
| Origin | Yorkshire, England |
| Genres | Symphonic black metal |
| Years active | 1993−present |
| Labels | Cacophonous (1995−1998) Nuclear Blast (1999−present) |
| Website | www.bal-sagoth.co.uk |
| Members | |
| Byron Roberts Jonny Maudling Chris Maudling Paul "Wak" Jackson Mark Greenwell |
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| Former members | |
| Jason Porter Vincent Crabtree Leon Forrest Alistair MacLatchy Dave Mackintosh Dan Mullins |
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Bal-Sagoth are a symphonic black metal band from Yorkshire, England, formed in 1993.
Originally formed as an epic/symphonic black metal band with strong death metal elements, vocalist/lyricist Byron Roberts took the name 'Bal-Sagoth' from the Robert E. Howard short story "The Gods of Bal-Sagoth". Their first demo was recorded in 1993, and Bal-Sagoth have since released three albums on Cacophonous Records, and three with Nuclear Blast.
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Bal-Sagoth was conceived in 1989 by Byron Roberts, in an attempt to form what he called "A sublimely symphonic black/death metal band swathed in a concept of dark fantasy/science fiction and ancient myths & legends."[1] Inspired by such writers and artists as Robert E. Howard, H. P. Lovecraft, Clark Ashton Smith, Edgar Rice Burroughs, J.R.R Tolkien and Jack Kirby, Byron set out to create his own dark fantasy universe, with tales told through epic lyrics and music.[1] After several unsuccessful attempts to launch the project, Byron was introduced to the brothers Chris and Jonny Maudling in 1993,[2] who were also looking to form a serious band. This formed what would become the writing core of the outfit. After several months of rehearsing, and following a line up reshuffle, the band recorded their first demo in late 1993.[2] The band roster at this point conisited of Byron on vocals, Chris on guitar, Jonny on drums, Jason Porter on bass and Vincent Crabtree on keyboards.[2] More of a straight ahead death metal effort with symphonic elements,[citation needed] the demo attracted the attention of Cacophonous Records, who signed the band[2] to a three album deal.[3]
The band entered Academy Music Studio in June 1994 and recorded their debut album, A Black Moon Broods Over Lemuria, in just two weeks. Due to label problems, the album was shelved for nearly a year, finally seeing the light of day in 1995. The album showcased more traditional black metal/death metal ideas, and fewer symphonic elements.[opinion] The vocal style of Byron is also slightly different from later efforts, using more traditional death metal and black metal grunts, as well as the spoken narrative passages which would become more prevalent on subsequent albums.
In 1996, Bal-Sagoth released Starfire Burning Upon the Ice-Veiled Throne of Ultima Thule, again recorded at Academy Music Studio in England. The album marked a key shift in the band's sound, now focusing more on the composition and arrangement skills of drummer (and studio keyboard player) Jonny Maudling, as well as the "storytelling" aspect of Byron's spoken-word vocals. Through keyboards, the band incorporated a virtual symphony orchestra as an equal fifth instrument, along with guitar, bass, drums and vocals. This new sound would be expanded and explored on all four of the band's later efforts.
Joined by touring keyboardist Leon Forrest and bassist Alistair MacLatchy, who had in fact been an original member of the band in its very earliest incarnation, Bal-Sagoth teamed up with Dark Funeral and Ancient in March 1997 for the "Starfire Engulfs Europe Tour" (AKA the "Satanic War Tour II"), a 23-date trek through Europe, followed by the second leg in October 1997 with the black metal band Emperor and Nocturnal Breed.
Bal-Sagoth spent much of 1997 writing and recording what would become the album Battle Magic. Again recorded at Academy Music Studio in England, this time the band were afforded nearly a full month to record the album. Released in March 1998, Battle Magic caught the attention of Nuclear Blast records, who signed Bal-Sagoth to a three album deal with worldwide distribution (a first for the band).
Rather than tour in support of Battle Magic, the band opted to immediately focus on the writing and recording of their Nuclear Blast debut. Frustrated with fill-in tour keyboard players, Jonny Maudling decided to focus full time on composition and live keyboards in 1999, handing drum duties over to Dave Mackintosh (later of DragonForce).
In 1999, Bal-Sagoth released their first album with Nuclear Blast, The Power Cosmic. Focusing on an intergalactic tale of war, cosmic empires, and celestial gods, the album pushed the band to new heights both artistically, and in popularity. After the release of The Power Cosmic, the band again disappeared, playing no shows until the release of 2001's Atlantis Ascendant.
The band resurfaced as a live act in 2001, embarking on "The Fifth Cataclysm Devours Europe: Phase 1" tour (AKA: No Mercy festival tour) with Mortician, Sinister, Vader, Amon Amarth, Marduk, God Dethroned, ...and Oceans, and Mystic Circle. Shortly after this, they embarked upon another European tour with Marduk. Later in 2002, the band played the Bloodstock indoor festival, which was followed by a short tour with Return to the Sabbat in the United Kingdom. In 2004, Dave Mackintosh left the band and joined DragonForce. He was replaced by drummer Dan Mullins, who made his debut with Bal-Sagoth at Wacken Open Air 2004.
In March 2006, Bal-Sagoth released their long awaited sixth album, The Chthonic Chronicles on Nuclear Blast records. The music was recorded entirely at Jonny Maudling's Waylands Forge Studios, while the vocals were recorded once again at the famed Academy Music Studio. The album was the band's first in five years, and is rumoured to be their last. Shortly after its release the band recruited a new drummer, Paul "Wak" Jackson, who also plays drums for Dyscaphia (formerly known as "Extreme Maggot Infestation").
In the summer of 2006, Bal-Sagoth played the Bloodstock Open Air festival, and in January 2007 they made their first trip to the USA to headline the "Heathen Crusade II" festival in St. Paul, Minnesota. In January 2008, they journeyed to Finland to play shows in Helsinki and Turku, and in November 2008 they played the Screamfest festival in Oslo, Norway. In May 2009, the band played two shows in Lisbon and Porto, Portugal.
The "Multiverse" is the alternate reality in which Byron's lyrics are set. Based on ideas similar in concept to H. P. Lovecraft, Edgar Rice Burroughs, and especially Robert E. Howard, the Multiverse is mostly past tense, wherein Byron describes ancient events that have already transpired. Worldwide floods, pan-galactic wars, rogue demigods, ancient empires and kingdoms, and sinister artifacts compose this alternate history of the earth. Mythical places such as Atlantis, Hyperborea, Ultima Thule, Ys, Mu and Lemuria feature prominently in the band's Antediluvian World. Additionally, many of the lyrics are set within the framework of recognizable history, with a cast of characters including historical barbarians, gladiators, corsairs and privateers, archaeologists and occult investigators whose exploits take place during recorded history from Roman times through the age of Reason, the late 1800s and early 1900s. Along with Byron's other, more science fiction oriented lyrics detailing a far future era of galactic struggle and interstellar war, the Bal-Sagoth lyrics span countless aeons and are truly epic in scope.
Many of Byron's lyrical stories are soon to be expanded into short stories and graphic novels (written by Byron and illustrated by fantasy artist Martin Hanford), and the forthcoming expanded Glossary will be the definitive A-Z of all the characters and events of the vast lyrical universe.
| Year | Title | Label |
|---|---|---|
| 1995 | A Black Moon Broods over Lemuria | Cacophonous |
| 1996 | Starfire Burning Upon the Ice-Veiled Throne of Ultima Thule | |
| 1998 | Battle Magic | |
| 1999 | The Power Cosmic | Nuclear Blast |
| 2001 | Atlantis Ascendant | |
| 2006 | The Chthonic Chronicles |
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