Themes: Culture Clash, Fish Out of Water, Opposites Attract
Main Cast: Gary Cooper, Barbara Stanwyck, Oscar Homolka, Dana Andrews, Dan Duryea, S.Z. Sakall, Henry Travers
Release Year: 1941
Country: US
Run Time: 120 minutes
Plot
Ball of Fire is a delightful retelling (by Billy Wilder and Charles Brackett) of the "Snow White and the Seven Dwarfs" legend -- though strictly for grownups. Gary Cooper is the youngest of eight bookish professors authoring an encyclopedia. They find a perfect "research associate" in the curvaceous form of stripteaser Barbara Stanwyck, who (chastely) hides on the professors' domicile to escape her gangster boyfriend (Dana Andrews). As Stanwyck interprets various slang expression, she and the professors grow quite fond of one another; she brings out their sentimental sides, while they revive her essential decency. Naturally, Cooper is the one most smitten, though he hides his true feelings until the inevitable clinch. When gangster Andrews and his torpedo Dan Duryea show up to claim Stanwyck (Andrews wants to marry her so she can't testify against him), the professors save the day and it is Cooper who ends up with the beautiful Stanwyck. For the record, two of the "ancient" professors are Richard Haydn and O.Z. Whitehead, still in their mid-thirties (the others are S.Z. Sakall, Tully Marshall, Oscar Homolka, Leonid Kinskey and Aubrey Mather). Producer Sam Goldwyn later remade Ball of Fire as a Danny Kaye musical, A Song is Born (1948). ~ Hal Erickson, All Movie Guide
Review
This broad, farcical burlesque on Snow White and the Seven Dwarfs features Barbara Stanwyck (in a part originally considered for Ginger Rogers) as a stripper who hides out with a group of professors when she's being chased by gangsters. The professors are compiling a dictionary, and she helps them with slang and other matters. Gary Cooper as a dorky professor is something of a stretch, but the entire movie specializes in absurdity. This slapstick comedy was co-written by Billy Wilder and Charles Brackett, based on a story that Wilder had co-written much earlier, in Germany. Producer Samuel Goldwyn wanted Wilder to do the screenplay, a request that set off a fascinating sequence of events. Wilder and his writing partner Charles Brackett were under contract to Paramount Pictures, and when he requested to borrow them, the studio replied that they didn't loan out writers, only actors and occasionally directors. Samuel Goldwyn, however, had Gary Cooper under contract, and Paramount had been trying to come up with a leading man for its planned adaptation of Ernest Hemingway's book For Whom The Bell Tolls; Cooper seemed perfect for the role. A deal was worked out by which Goldwyn got the services of Wilder and Brackett, and Paramount got Gary Cooper. Ball of Fire, directed by Howard Hawks, turned out to be a huge box-office and critical hit, garnering three Oscar nominations, including one for Wilder. A year later, he began his Hollywood directorial career, in which he would gain fame for such witty comedies as Some Like It Hot. Hawks was only at the midpoint of a directorial career that ran from 1926 to 1970. ~ Bruce Eder, All Movie Guide
McClure Capps - Art Director, Perry Ferguson - Art Director, Edith Head - Costume Designer, William Tummel - First Assistant Director, Howard Hawks - Director, Dan Mandell - Editor, Alfred Newman - Composer (Music Score), Gene Krupa - Songwriter, Gregg Toland - Cinematographer, Samuel Goldwyn - Producer, Howard Bristol - Set Designer, Julia Heron - Set Designer, Thomas T. Moulton - Sound/Sound Designer, Thomas Monroe - Screen Story, Charles Brackett - Screenwriter, Billy Wilder - Screenwriter, Thomas Monroe - Short Story Author
A group of professors have lived together, isolated for years in an urban residence, compiling an encyclopedia of all human knowledge. The youngest, Professor Bertram Potts (Cooper), is a scholar of grammar and language who is researching modern American slang. They are accustomed to working in relative seclusion at a leisurely pace, but their impatient financial backer suddenly demands that they finish their work soon.
Venturing out to do some independent research, Bertram becomes interested in the slang vocabulary of saucy burlesque performer "Sugarpuss" O'Shea (Stanwyck). She is reluctant to assist him in his research until she needs a place to hide from the police, who want to question her about her boyfriend, mob boss Joe Lilac (Andrews). Sugarpuss takes refuge in the house where the professors live and work, despite Bertram's objections.
The professors soon become enamored of her insouciance, and she unexpectedly begins to become quite fond of them. She teaches them to conga and demonstrates to Bertram the meaning of the phrase "yum yum" (kisses). She becomes attracted to Bertram, who reciprocates with a vengeance by awkwardly (and inadvertently) proposing to her. She accepts, but before they can do anything, she is taken away by Lilac's henchmen. Lilac also wants to marry her, but only so she cannot testify against him.
The professors eventually outwit Lilac and his henchmen and rescue Sugarpuss. She decides she is not good enough for Bertram, but his forceful application of "yum, yum" convinces her to change her mind.
Martha Tilton provided Barbara Stanwyck's singing voice for the "Drum Boogie" performance.
Drummer and bandleader Gene Krupa performed the song "Drum Boogie" with his band. In an unusual twist, he also plays it on a matchbox with matches for drumsticks.
Krupa band member and legendary trumpeter Roy Eldridge receives a brief on-camera spell during "Drum Boogie."
Production
The script was written by Charles Brackett, Thomas Monroe, and Billy Wilder from a short story written by Wilder while he was still in Europe, and based in part on the fairy tale Snow White. The professors themselves were based on the dwarfs from Walt Disney's animated film Snow White and the Seven Dwarfs. Although Ball of Fire was directed ably by Howard Hawks, Wilder had already decided that he needed to direct his screenplays to protect them from studio and other director's interference. Hawks was happy to let Wilder study his directing on the set and Wilder thereafter directed his own films. The film was the second feature of 1941 to pair Cooper and Stanwyck, following Meet John Doe.
Wilder reveled in poking fun at those who took politics too seriously. At one point, 'Sugarpuss' points to her sore throat and complains "Slight rosiness? It's as red as the Daily Worker and just as sore." Later, she gives the overbearing and unsmiling housekeeper the name 'Franco'.
