| 1879 | My Partner. Regarded as the Pittsburgh-born playwright and producer's best play, this drama concerns a man wrongfully accused of killing his partner in the waning days of the California gold rush. The play's success allows Campbell also to present The Galley Slave, a romantic melodrama in which a man is willing to be wrongfully charged as a thief rather than compromise a lady's honor. |
| 1882 | The White Slave. Campbell's biggest success is this slave drama in which a quadroon girl is threatened by her villainous master to work as a field hand with "a hoe in your hand, rags upon your back," unless she complies with his sexual desires. She responds with the line that brings the house down: "Rags are royal raiment when worn for virtue's sake." The play would be performed as late as 1918. |
Bartley Theodore Campbell (August 12, 1843 – July 30, 1888) was an American playwright of the latter 19th century.
|
Contents
|
Campbell was born in Pittsburgh, Pennsylvania on August 12, 1843 to parents who had emigrated from Ireland. His writing career began at the age of fifteen in 1858, when he took a job as a reporter for the Pittsburg Post. He later became a drama critic for the Pittsburg Leader and eventually founded the Pittsburg Evening Mail and the Southern Monthly Magazine.
Campbell's playwright career began in 1871 with the play Through Fire, which ran for four weeks and motivated him to quit journalism. He wrote numerous plays for Pittsburgh's theatres which garnered him national attention.[1] He was quite successful and is often noted as the first American to earn a living solely as a playwright; however, there is some debate about whether or not he was truly the first.
His other plays include: Peril, Fate, Risks, or Insure Your Life (written for John Dillon), The Virginian, The Big Bonanza, My Partner, The Galley Slave, The White Slave, Siberia, and his final play, Paquita.
Campbell was declared insane in September 1886 and died in the State Hospital for the Insane in Middletown, New York on July 30, 1888.
Although his works contain language and situations that would be considered politically incorrect today, theatre troops performing his plays can still be found over a century later.
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)