Johann Adam Bernhard von Bartsch (1757 - 1821, both Vienna) was an Austrian scholar and artist. His catalogue of Old master prints is the foundation of the Art History of printmaking, and he was himself a printmaker in engraving and etching.
Bartsch joined the staff of the Royal Court Library in Vienna in 1777, after studying engraving at the Vienna Kupferstecheracademie, and became Head curator of the print collection in 1791. He was also an advisor to Duke Albert of Saxe-Teschen, who founded the collection of the Albertina, Vienna, then as now the world's finest collection of old master prints. In the twentieth century the two collections were merged in the Albertina.
Between 1803 and his death in 1821 Bartsch published in French in 21 volumes Le Peintre Graveur, a pioneering catalogue of old master prints by Dutch, Flemish, German, and Italian painter-engravers from the 15th to the 17th century. References to "Bartsch" normally mean this work. It has been reprinted five times, most recently in 1982.
"The Illustrated Bartsch" (Abaris Press, New York) is an English language illustrated version (the original was unillustrated by technological necessity) which has been underway since 1978, and is projected to include at least 164 volumes. Most of the picture volumes are published; the accompanying text volumes, in effect complete new catalogues raissonés, are taking longer. In fact only Bartsch's numbering is retained in full, although his original is often quoted. It is often abbreviated to "TIB" in references. It (currently the images only) is available online to colleges and other institutions subscribing to ARTstor- essentially in US & Canada only.
Bartsch established what has become the definitive numbering system, bearing his name (eg "Bartsch 17" or "B17"), for Rembrandt etchings and the prints of many other artists, which is still used or at least referred to most subsequent and standard works in this field. In his lifetime, Bartsch executed over 500 plates from his own designs and from those of other masters.
His term peintre-graveur or painter-engraver is also still in use to distinguish original from reproductive printmakers, especially in the period of the old master print (to about 1830).
In 1821 he also published the Kupferstichkunde (The Art of Engraving) in German.
He produced around 500 prints himself, including some copies of older prints. Many are attractive but he is not a major artist.
References
- Dossi, Barbara; Albertina, The History of the Collection and its Masterpieces, Prestel, 1999, ISBN 3791323407
External links
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