Born: Jan 01, 1911 in Westcliffe-on-Sea, England, UK
Died: Mar 23, 1971 in London, England, UK
Occupation: Director, Writer
Active: '40s-'60s
Major Genres: Drama, Comedy
Career Highlights: Condemned to Life, The League of Gentlemen, My Learned Friend
First Major Screen Credit: Penny Paradise (1938)
Biography
Initially an actor with the Ben Greet repertory company, Briton Basil Dear later became a stage manager for director Basil Dean. To avoid being confused with Dean, Dear added a "den" to his professional name. When Dean became a staff director at Ealing films, Dearden went along as a scriptwriter, production manager and associate producer. He co-directed several comedies featuring such major stars as George Formby and Will Hay, finally getting a chance to solo with the morale-boosting wartimer The Bells Go Down (1942). From 1949 through 1971, Dearden was associated with producer Michael Relph; the team won British Film Academy Awards for the quasi-documentary The Blue Lamp (1951) and the racially charged romantic melodrama Sapphire (1959). Dearden's efficient if impersonal technique enabled him to direct comedies (Smallest Show on Earth), psychological dramas (Victim) and murder mysteries (Woman of Straw) with equal success. He also helmed the 1966 historical epic Khartoum, starring Charlton Heston and Laurence Olivier. In 1959, Dearden directed several half-hour installments of the internationally produced TV series The Four Just Men. Basil Dearden died in an auto crash at the age of 60; he was survived by his son, writer/director James Dearden. ~ Hal Erickson, All Movie Guide
Dearden graduated from theatre direction to film, working as an assistant to Basil Dean. He later changed his own name to Dearden to avoid confusion with his mentor.
He first began working as a director at Ealing Studios, co-directing comedy films with Will Hay, including The Goose Steps Out (1942) and My Learned Friend (1943). He worked on the influential chiller compendium Dead of Night (1945) and directed the linking narrative and the "Hearse Driver" segment. He also directed The Captive Heart starring Michael Redgrave, a 1946 British war drama, produced by Ealing Studios. The film was entered into the 1946 Cannes Film Festival. The Blue Lamp (1950), probably the most frequently shown of Dearden's Ealing films, is a police drama which first introduced audiences to PC George Dixon, later resurrected for the long-running Dixon of Dock Green television series. His last Ealing film, Out of the Clouds, was released in 1955.
In later years he became associated with the writer and producer Michael Relph, and the two men made films on subjects generally not tackled by British cinema in this era. These included homosexuality (Victim, 1961) and race relations (Pool of London, 1951; Sapphire, 1959). In the late 1960s Dearden also made some big-scale epics including Khartoum (1966), with Charlton Heston, and the Victorian era black comedy The Assassination Bureau (1969), again with Michael Relph.
His last film was The Man Who Haunted Himself (1970) with Roger Moore, with whom he had also made three episodes of the television seriesThe Persuaders!: Overture, Powerswitch and To the Death, Baby. Dearden was killed in a car accident in 1971, in a horrific crash on the M40 near the spot where the character Harold Pelham – the Man Who Haunted Himself – is supposed to have crashed his car in the opening sequence of the film.[citation needed]
He had two sons, Torquil Dearden and the screenwriter and director James Dearden (born 14 September 1949, London).
Reputation
The film critic David Thomson does not hold Dearden in high regard. He writes: "[Dearden's] films are decent, empty, and plodding and his association with Michael Relph is a fair representative of the British preference for bureaucratic cinema. It stands for the underlining of obvious meaning".[1]
More positively, for the Australian film writer, Brian McFarlane: "Dearden's films offer, among other rewards, a fascinating barometer of public taste at its most nearly consensual over three decades."[2]
References
^ David Thomson A New Biographical Dictionary of Film, 2002, London: Little, Brown, p213
^ Brian McFarlane The Encyclopedia of British Film, 2003, London: BFI/Methen, p168