| Basilica of Our Lady of Guadalupe Basilica de Nuestra Señora de Guadalupe (Spanish) |
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View of the new and the old basilica from the Plaza Mariana |
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| Basic information | |
| Location | Mexico City, Mexico |
| Geographic coordinates | 19°29′2.4″N 99°7′1.2″W / 19.484°N 99.117°WCoordinates: 19°29′2.4″N 99°7′1.2″W / 19.484°N 99.117°W |
| Affiliation | Roman Catholic |
| District | Roman Catholic Archdiocese of Mexico |
| Year consecrated | 12 October 1976 |
| Ecclesiastical or organizational status | minor basilica, national shrine of Mexico |
| Leadership | Mons. Enrique Glennie Graue [1] |
| Website | www.virgendeguadalupe.org.mx |
| Architectural description | |
| Architect(s) | Pedro Ramírez Vázquez |
| Architectural type | Church |
| Groundbreaking | 1974 |
| Completed | 1976 |
| Specifications | |
| Capacity | 10 000 |
| Height (max) | 42 metres (138 ft) |
| Dome dia. (outer) | 100 metres (330 ft) |
The Basilica of Our Lady of Guadalupe (Spanish: Basílica de Nuestra Señora de Guadalupe) is a Roman Catholic church, minor basilica and National Shrine of Mexico in the north of Mexico City. The shrine was built near the location where Our Lady of Guadalupe appeared to Juan Diego Cuauhtlatoatzin. This site is also known as La Villa de Guadalupe or, in a more popular sense, simply La Villa.
The new Basilica houses the original tilma (or apron) of Juan Diego that shows the icon of Our Lady of Guadalupe. It is one of the most important pilgrimage sites of Catholicism and is visited by several million people every year, especially around December 12, Our Lady of Guadalupe's Feast day.
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Pilgrimages have been made to this shrine almost uninterruptedly since 1531-32. In the latter year there was a shrine at the foot of Tepeyac Hill which served for ninety years, and still, in part, forms the parochial sacristy. In 1622 a rich shrine was erected; a newer one, much richer, in 1709. Other structures of the eighteenth century connected with it are a parish church, a convent and church for Capuchin nuns, a well chapel, and a hill chapel. About 1750 the shrine got the title of collegiate, a canonry and choir service being established. It was aggregated to the Basilica of St. John Lateran in 1754; and finally, in 1904 it was created a basilica.
Officially known as the "Templo Expiatorio a Cristo Rey," the construction of the old basilica began in 1531 and was not finished until 1709. The major architect was Pedro de Arrieta. It is characterized by its doric interior and marble statues of Juan Diego and Fray Juan de Zumárraga, which appear in the altarpiece that originally held the image of Our Lady of Guadalupe. (That altarpiece matches a similar one in the chapel above the hill, which instead of Juan Diego and Juan de Zumárraga, features archangels Gabriel and Michael). The church was granted basilica status by Pope Pius X in 1904.
The Juan Diego's cloak was housed in this church from 1709 to 1974. In 1921 a bomb planted in a flower vase near the altar by an anticlerical activist exploded causing great damage to the interior of the building (in memory of this incident, the New Basilica holds in a showcase an iron crucifix called "the attempt Christ". The cloak survived the incident largely undamaged.
The old basilica was sinking as a result of the weakness of the ground, as the city was built on a former lake. As a consequence a new, more spacious, basilica was built. The old one was closed for many years and repairs have recently finished. It is now again open to the public and perpetual adoration is held there. It is a very important place for Mexico City.
The modern basilica was built between 1974 and 1976 by the Mexican architect Pedro Ramírez Vázquez who was also the architect of the Aztec Stadium and the National Anthropology Museum. It is a circular building constructed in such way as to allow maximum visibility for the image to those inside. The structure is supported by a major pylon that prevents the shrine from sinking in the unstable subsoil.
The Basilica has sitting space for 10,000 people.
The Basilica is surrounded by several churches, and the whole ensemble is called Villa, which means "Town". It includes
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