Bataan

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Plot

In 1942, Metro-Goldwyn-Meyer and the United States Office of War Information collaborated on Bataan with the official goal to increase public understanding of World War II. The first war film to take place entirely on the battlefield -- with no scenes of the soldiers on leave, depictions of the home front, or flashbacks to pre-war civilian life -- Bataan prepared its wartime audience for American casualties. Its Alamo-esque storyline emphasized the value of such sacrifice and its diverse group of soldiers --compiled of all ranks, races, classes, ages, and creeds -- portrayed this effort as the duty of all men. It is a depiction of altruism and national unity that both inspired public support of the War and served as the template for World War II films throughout the forties and into the present. ~ Aubry Anne D'Arminio, Rovi

Review

Bataan is blatantly one-sided. It is racist, blurs the facts, and when watched today, looks as real as a puppet show. Yet, in 1943, this film admirably stood for two very important things: the undeniable heroism of the United States Armed Forces and the advent of the WWII combat film. Before Bataan, Hollywood handled the war through "safe" service comedies and spy pictures. Bataan fearlessly embraced combat, setting the bar for subsequent films and initiating its new genre. The film's successful formula defined the characteristics of the WWII combat film -- including the multi-ethnic unit that has a religious man, a learned man, an experienced man, and a neophyte; the stated objective; the internal group conflicts; and the talk of home. Even the most novel WWII films owe debt to Bataan -- simply compare the characters in Saving Private Ryan to those in this influential picture. Bataan's attitude and appearance are not impressive, but its importance in film history renders it eternally watchable and forever interesting. ~ Aubry Anne D'Arminio, Rovi

Cast

Desi Arnaz - Felix Ramirez; Barry Nelson - F.X. Matowski; Phillip Terry - Matthew Hardy; Roque Espiritu - Cpl. Jesus Katigbay; Kenneth Spencer - Wesley Epps; Alex Havier - Yankee Salazar; Tom Dugan - Sam Malloy; Donald Curtis - Lieutenant; Ernie Alexander - Wounded Soldier; Lynne Carver - Nurse; Bud Geary - Infantry Officer; Mary McLeod; Dorothy Morris - Nurse; Lloyd Nolan - Danny Burns; Phil Schumacher - Machine Gunner

Credit

Cedric Gibbons - Art Director, Tay Garnett - Director, George White - Editor, Bronislau Kaper - Composer (Music Score), Sidney Wagner - Cinematographer, Irving Starr - Producer, Arnold A. Gillespie - Special Effects, Warren Newcombe - Special Effects, Robert D. Andrews - Screenwriter

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Bataan

Original promotional poster
Directed by Tay Garnett
Produced by Irving Starr
Written by Robert Hardy Andrews
Starring Robert Taylor
George Murphy
Thomas Mitchell
Lloyd Nolan
Music by Bronislau Kaper, Eric Zeisl
Cinematography Sidney Wagner
Editing by George White
Distributed by Metro-Goldwyn-Mayer; United States Office of War Information
Release date(s)
  • June 3, 1943 (1943-06-03)
Running time 114 min.
Language English

Bataan (1943) is a war film about the defense of the Bataan Peninsula at the start of World War II. It was made by Metro-Goldwyn-Mayer, directed by Tay Garnett and produced by Irving Starr, with Dore Schary as executive producer. It starred Robert Taylor, Lloyd Nolan, Thomas Mitchell and Robert Walker.

Contents

Historical background

The Battle of Bataan followed the Japanese December 1941 invasion of the Philippines and lasted from January 1 to April 9, 1942. The American and Filipino forces retreated from Manila to the nearby mountainous Bataan peninsula for a desperate last stand, hoping for a relief force. However, the Allies were being driven back in all areas of the Pacific theater and none could be sent. After three months of stubborn resistance, the starving and malaria-ridden defenders surrendered and were forced to undertake the infamous Bataan Death March.

Plot

The US Army is conducting a fighting retreat. A high bridge spans a ravine on the Bataan peninsula. After the army and some civilians cross, a group of thirteen hastily-assembled volunteers from different units is assigned to blow it up and delay Japanese rebuilding efforts as long as possible. The soldiers are a mixed lot, including a Mexican-American California National Guardsman Pvt. Felix Ramirez (Desi Arnaz), Pvt. Wesley Epps, a black demolitions expert (Kenneth Lee Spencer), Pvt. Matthew Hardy, a conscientious objector in the Medical Corps (Phillip Terry), Pvt. Francis X. Matowski, an engineer (Barry Nelson), Pvt. "Yankee" Salazar, a Philippine Scout (Alex Havier), Pvt. Sam Molloy, a cook (Tom Dugan), Corporal Jake Feingold (Thomas Mitchell) (Chemical Corps) and Seaman Leonard Purckett, a naive young navy musician (Robert Walker). Sergeant Bill Dane (Robert Taylor) is from the regular 31st Infantry, while Corporal Barney Todd (Lloyd Nolan) claims to be a signalman. However, Dane suspects him of being a pre-war acquaintance, a soldier accused of murder who had escaped while being guarded by then-military policeman Dane.

They dig in on a hillside and blow up the bridge, but their commander, cavalry Captain Henry Lassiter (Lee Bowman), is killed by a sniper, leaving Dane in charge. One by one, the defenders are killed, with one, Pvt. Felix Ramirez, succumbing to malaria.

Army Air Corps pilot Lieutenant Steve Bentley (played by future Senator George Murphy) and his Filipino mechanic, Corporal Juan Katigbak (Roque Espiritu), work frantically to repair an airplane. They succeed, but Katigbak is killed and Bentley is mortally wounded. He has them load explosives aboard, takes off and deliberately crashes his plane into the bridge's foundation.

The remaining soldiers repel a massive frontal assault. Epps and Feingold are killed in the battle, with Epps being beheaded by a samurai sword. Purckett and Todd are later killed by Japanese soldiers who had feigned being dead, leaving only Sergeant Dane. Before he dies, Todd admits to Dane that he is actually Dan Burns, the soldier who had escaped from Dane's custody. Dane stoically digs his own marked grave beside those of his fallen comrades, waits in it, and fires at the onrushing enemy as the final credits roll.

Cast

Production

The presence of a racially integrated fighting force prevented the film's showing in the United States' South.

Scenes from the 1934 RKO film The Lost Patrol, directed by John Ford, were reused in this film.

Reception

According to one historian, the film "successfully made white viewers aware... of the inherent sadism in the American lynching ritual". By the 1940s publications were able to mass distribute photographs taken of hanged men, so there was a "rewriting of the respective relations of the black and the Asian to the white norm, as the film adjusted to a wartime context [which raised questions of integration]."[1]

See also

References

  1. ^ Locke, Brian (Spring 2008). "Strange Fruit: White, Black, and Asian in the World War II Combat Film "Bataan"". Journal of Popular Film and Television (Heldref Publications) 36 (1): 9–20. doi:10.3200/JPFT.36.1.9-20. ISSN 0195-6051. 

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Mentioned in

Bataan (province, Philippines)
Cabanatuan (city of central Luzon)
Going Hollywood: The War Years (1986 Film, TV & Radio Film)