Representative Albums: "Lines and Grooves," "New Voice: Old Voice"
Biography
As both a musician and a composer, acoustic bassist/guitarist Joshua Bayer often brings a strong ‘60s influence to the table. Bayer has used electric keyboards on some of his recordings, but not in a fusion, jazz-funk, smooth jazz or pop-jazz way--much of his ‘90s and 2000s work has been greatly influenced by the straightahead post-bop of the ‘60s. And that post-bop perspective has often asserted itself in Bayer's playing as well as his composing. As an upright bassist, his influences range from Jimmy Garrison to Ron Carter to Eddie Gomez--and as a composer, his long list of influences has included Wayne Shorter, Miles Davis, Oliver Nelson, Bill Evans, Cedar Walton and the seminal John Coltrane (among others). That isn't to say that every one of his influences were part of ‘60s post-bop; the Duke Ellington/Billy Strayhorn songbook has also affected some of his writing, and he isn't oblivious to the ‘50s hard bop and ‘40s bebop that came before post-bop--in the Washington, DC area, he has participated in Charlie Parker and Bud Powell tribute concerts. Further, most of the ‘60s post-boppers who have influenced him started out playing bop. But even so, there is no getting around the fact that post-bop has greatly affected his playing and writing.
Bayer is based in Washington, DC--a city that has given us everyone from Duke Ellington to Shirley Horn to saxman Ron Holloway over the years--and the United States capitol is where he has been keeping busy teaching and playing. In fact, Bayer (whose brother, Samuel Bayer, is a Boston-based singer/songwriter) is on the faculty of the Washington Conservatory of Music.
Music For Dances, the bassist/guitarist's first album as leader, was released on the Interlace label in the late ‘90s. Bayer followed that CD up with his sophomore outing, Lines and Grooves, which was dominated by his own material and was released by the independent Jazzheads Records in 2003. ~ Alex Henderson, All Music Guide
Bayer is a lunarimpact crater located in the southwest section of the moon, to the east of the crater Schiller. The rim of Bayer is slightly worn by erosion, but remains well-defined. There is an inner terrace, but the outer wall is intruded upon by nearby impacts. The most significant of these is Schiller H, which forms a ridge attached to the northwest rim of Bayer. The floor of Bayer is relatively flat and lacks a central peak. There is a small, but notable crater on the floor near the western wall. This crater has a breach in its northern rim.
Satellite craters
By convention these features are identified on Lunar maps by placing theletter on the side of the crater mid-point that is closest to Bayer.
Bayer
Latitude
Longitude
Diameter
A
51.3° S
30.3° W
18 km
B
48.8° S
28.2° W
18 km
C
49.7° S
31.2° W
22 km
D
47.9° S
29.8° W
20 km
E
51.7° S
32.3° W
29 km
F
53.0° S
31.6° W
20 km
G
51.7° S
35.3° W
7 km
H
53.5° S
32.5° W
27 km
J
52.5° S
33.6° W
18 km
K
50.2° S
34.0° W
16 km
L
47.5° S
33.6° W
14 km
M
50.6° S
31.0° W
10 km
N
48.3° S
29.2° W
9 km
P
51.6° S
29.5° W
4 km
R
52.5° S
35.5° W
9 km
S
52.3° S
36.4° W
13 km
T
49.2° S
30.1° W
8 km
U
48.4° S
31.3° W
10 km
V
47.5° S
31.6° W
9 km
W
48.0° S
33.5° W
9 km
X
53.4° S
33.6° W
8 km
Y
49.2° S
35.7° W
31 km
Z
49.0° S
33.4° W
7 km
References
Andersson, L. E.; Whitaker, E. A., (1982). NASA Catalogue of Lunar Nomenclature. NASA RP-1097.
Cocks, Elijah E.; Cocks, Josiah C. (1995). Who's Who on the Moon: A Biographical Dictionary of Lunar Nomenclature. Tudor Publishers. ISBN 0-936389-27-3.
