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Beate Mainka-Jellinghaus (27. July 1936 in Vogt village near Opole) is a German film editor, who has had numerous collaborations with director Werner Herzog.
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Biography
Early life and family
The daughter of the bank official George Mainka and his wife, Hildegard, born Farbowski lived since fleeing from their homeland in 1945 with her parents in Ansbach. From 1946 to 1951, she received ballet lessons and attended by the average maturity 1952, a private film school in Wiesbaden, Where she was trained as a cutter.
Editor career
She practiced five months in a Copy center and began to cut short as an assistant in the production of documentaries. Since 1955, she lived in Munich, where she studied with the Bavaria Film as a second assistant film editor Anna Hollering been involved in several feature films. Oskar Werner only film director (under the pseudonym "Erasmus Nothnagel"), the television production A certain Judas, 1958 and got her first job as a responsible sectional champion.
In 1959 she became Edgar Reitz know for whom she worked on some early short documentaries. Reitz gave it to Alexander Kluge, With whom she collaborated for many years and significant films of the New German Cinema as Yesterday Girl and Artists in the Big Top: perplexed realized.
About the film editing, they also regularly contributed to the overall design of the films. At the Ulm School of Design They supported students and graduates in the Film Montage. When the phase of the New German Cinema was over, she withdrew from lack of interest in other film projects in the private life.
Significant collaborations
With Werner Herzog
Beate Mainka is film editor. She worked with Herzog on twenty films, since Signs of Life and Last Words (both from 1968) to Where the Green Ants Dream (1984).
Awards
* 1975: Film Ribbon in Gold (cut) forEvery Man for Himself and God against allandIn Danger and Deep Distress, the Middleway Spells Certain Death * 1978: Film Ribbon in Gold (film design)for Germany in the fallin the team
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