Straight, Beatrice (1918–2001), actress. The accomplished leading lady possessed a soft but deeply featured face that made her ideal for tragic heroines. She was born in Old Westbury, New York, the daughter of a banker‐diplomat, and educated in private schools in Manhattan and in England, later studying acting with Michael Chekhov. Straight soon attracted attention with her dramatic supporting roles, such as her Lady Macduff in Michael Redgrave's Macbeth (1948), then in leading parts, such as the governess Miss Giddens, who finds that her two charges are haunted in The Innocents (1950). Perhaps her most recalled performance was the Puritan wife Elizabeth in the original The Crucible (1953). Later in her stage career Straight won plaudits for playing tragic mothers in revivals of Ghosts (1973), All My Sons (1974), and Hamlet (1979).
Born: Aug 02, 1914 in Old Westbury, Long Island, New York
Died: Apr 07, 2001 in Los Angeles, California
Occupation: Actor
Active: '50s-'90s
Major Genres: Drama, Mystery
Career Highlights: Patterns, Poltergeist, Chiller
First Major Screen Credit: Patterns (1956)
Biography
"Beatrice who?" This was the standard reaction of younger filmgoers when Beatrice Straight won the 1976 "Best Supporting Actress" Academy Award for her performance as Louise Schumacher, the wife of philandering TV producer William Holden, in Network. Older fans with longer memories knew full well who Beatrice Straight was--and also knew that she'd won her Oscar not merely for her brief Network stint, but for the work of a lifetime. Extensively trained in the Classics by such instructors as Tamara Daykarhanova and Michael Chekhov, Straight made her first Broadway appearance in 1935. She went on to appear in such New York stage productions as The Heiress, Ghosts, and A Streetcar Named Desire, winning the coveted Tony Award for her portrayal of Elizabeth Proctor in 1953's The Crucible. In films from 1951, she was often constrained by minor roles far beneath her talents; exceptions to this rule included her portrayal of Michael Rennie's widow in Phone Call from a Stranger (1952) and the wife of up-and-coming executive Van Heflin in Patterns (1956). Even after winning her Oscar, she found herself in so-so parts that any character actress could have played--though again, there were exceptions, notably her performance as the overconfident paranormal investigator in Poltergeist (1982). Like many another stage stalwart, Straight supplemented her Broadway income in such Manhattan-based TV soap operas as Love of Life. Her prime-time TV roles included Mrs. Hacker in Beacon Hill (1975), the Queen Mother in Wonder Woman (1976), Louisa Beauchamp in King's Crossing (1982), and Rose Kennedy in the 1985 miniseries Robert Kennedy and His Times. Beatrice Straight was at one time the wife of film and Broadway actor Peter Cookson. ~ Hal Erickson, All Movie Guide
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Following her mother's remarriage to BritishagronomistLeonard K. Elmhirst in 1925, the family moved to England. It was there that Straight was educated and began acting in amateur theater productions.
Returning to the United States, she made her Broadway debut in 1939 in the play The Possessed. Most of her theatre work was in the classics, including Twelfth Night (1941), Macbeth, and The Crucible (1953), for which she won the Tony Award for Best Featured Actress in a Play.
Straight worked infrequently in film, and is remembered best for her role as a devastated wife confronting husband William Holden's infidelity in Network (1976). She won the Academy Award for Best Supporting Actress for her performance which, at five minutes and forty seconds, remains the shortest ever to win an Oscar.[1]
Further film and television performances include the role of the mother of Lynda Carter's title character in the Wonder Woman series, and Marion Hillyard, the icy, controlling mother of Stephen Collins in The Promise. She also played the role of the paranormal investigator Dr. Martha Lesh in the film Poltergeist (1982), the most widely seen role of her film career.
Personal life
Straight was married twice, first to Frenchman Louis Dolivet, a left-wing activist who became editor of United Nations World magazine and later a film producer. They divorced in 1949, and she immediately married film and Broadway actor/producer Peter Cookson, with whom she had two sons.