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- Formed: 1984, Washington, D.C.
- Disbanded: 1986
- Genres: Rock
- Representative Albums: "Plays for Lovers/House Burning Down," "Plays for Lovers," "House Burning Down"
| Artist: Beefeater |
Group Members:
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| Discography: Beefeater |
| Wikipedia: Beefeater (band) |
| Beefeater | |
|---|---|
| Origin | Washington D.C. |
| Genres | Alternative rock, post-hardcore |
| Years active | 1984-1986 |
| Labels | Dischord Records |
| Associated acts | Strange Boutique Fidelity Jones Rhythm Pigs Embrace Rites of Spring Peach of Immortality To Live and Shave in L.A. Truth Serum (band) |
| Former members | |
| Tomas Squip Fred "Freak" Smith Dug E.Bird(Birdzell) Bruce Taylor Mark Shellhaas Kenny Craun |
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Beefeater was an American post-hardcore band from late 1984 until 1986. Formed by Tomas Squip, Fred "Freak" Smith, Dug E. Bird (Birdzell) and Bruce Taylor, they were pioneers of the post-hardcore genre and the Revolution Summer which took place in the Washington D.C. hardcore in the mid-'80s with similar bands like Embrace, Rites of Spring and Gray Matter, among others. Their debut LP, Plays for Lovers was released in 1985 on the Dischord and their follow-up House Burning Down was released in 1987, a year after the band's demise. Drummers Mark Shellhaas and Kenny Craun replaced Taylor on later albums. Squip and Birdzell went on to form Fidelity Jones, while Craun joined the Rhythm Pigs.
While Beefeater's songs had all the angry energy of its hardcore labelmates the energy was channelled as much through funk and jazz as rock and roll. Dug E. Bird's fast-paced bass slap drives a rhythm section over which Fred "Not Sonic" Smith's guitar rides in a way reminiscent of the Minutemen. House Burning Down saw the incorporation of even more non-punk influences, most notably world music and included musical cameos many of the Dischord Records regulars (Ian MacKaye provides an intro to the album, in addition to some saxophone). The EP on the Olive Tree label, was more straight-ahead, sounding a bit more like a Caribbean flavoured Gang of Four meets The Fall.
Squip's essay in Threat by Example: A Documentation of Inspiration (Martin Sprouse, editor, 1991 Pressure Drop Press: San Francisco, ISBN 0-9627091-1-5) outlines his notably religious world view and motivation, unusual for a Dischord band.
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