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Remy Belleau

 

Belleau, Rémy (c.1528-1577). French poet. A member of the Pléiade, he was born in Nogent-le-Rotrou and educated under Muret at the Collège de Boncourt. In 1556 his translation of the Odes d'Anacréon appeared together with a collection—the Petites Inventions—which revealed an early predilection for the descriptive realism of the blason. Back in France after participating briefly in an Italian campaign in the cavalry of the marquis d'Elbeuf (1556-7), Belleau wrote a commentary for Ronsard's Second Livre des Amours (1560) and became tutor to the marquis's son, Charles de Lorraine, at the family estate at Joinville (1563-6), a setting idealized in Belleau's major work, the Bergerie (1565; revised and augmented, 1572).

Belleau's descriptive qualities are in evidence again in Les Amours et nouveaux échanges des pierres precieuses, a lapidary collection published in 1576 with verse adaptations of Ecclesiastes and the Song of Songs. A posthumous collective edition of his works (1578) contained for the first time an interesting verse comedy, La Reconnue (composed about 1563).

Although Belleau's work lacks lyrical intensity and sustained imaginative vision, his sensitive evocations of the physical and natural world (including art objects) reveal the delicate precision and the pictorial realism of a visual artist.

[Malcolm Quainton]

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Columbia Encyclopedia: Remy Belleau
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Belleau, Remy (rāmē' bĕlō'), 1528-77, French poet of the Pléiade (see under Pleiad). His Bergerie (1565), a collection of poems in a framework of prose, celebrates nature in sonnets, odes, eclogues, and hymns.
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Remy (or Rémi) Belleau (1528 Nogent-le-Rotrou - 1577 Paris), was a poet of the French Renaissance. He is most known for his paradoxical poems of praise for simple things and his poems about precious stones.

A nobleman (under the tutelage of the Lorraine family), Remy did his studies under Marc Antoine Muret and George Buchanan. As a student, he became friends with the young poets Jean de La Péruse, Étienne Jodelle, Jean de La Taille and Pierre de Ronsard and the latter incorporated Remy into the "La Pléiade", a group of revolutionary young poets. Belleau's first published poems were odes, les Petites Inventions (1556), inspired by the ancient lyric Greek collection attributed to Anacreon and featuring poems of praise for such things as butterflies, oysters, cherries, coral, shadows, turtles. In the 1560s, Belleau tried his hand at a mixed verse and prose form modeled on the Italian pastoral Arcadia by Jacopo Sannazaro (French translation, 1544): this became La Bergerie (1565-1572), in which narration (in prose) is interspersed with poems on love and the countryside. His last work, les Amours et nouveaux Eschanges des Pierres precieuses (1576), is a poetic description of gems and their properties inspired by medieval and renaissance lapidary catalogues.

Remy Belleau was greatly admired by poets in the twentieth century, such as Francis Ponge.

References

  • (French) Schmidt, Albert-Marie, ed. Poètes du XVIe siècle. Collection: Bibliothèque de la Pléiade. Paris: Gallimard, 1953. ISBN 2-07-010455-9
  • (French) Simonin, Michel, ed. Dictionnaire des lettres françaises - Le XVIe siècle. Paris: Fayard, 2001. ISBN 2-253-05663-4

 
 

 

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French Literature Companion. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Remy Belleau" Read more