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Bembo

 

Italian family of painters. At least nine artists with the name Bembo were active in Cremona between 1425 and the end of the 16th century. The two best known, (1) Bonifacio Bembo and (2) Benedetto Bembo, were the sons of Giovanni Bembo ( fl 1425-49), a master who worked both in his home town and in Brescia. Another son, Andrea Bembo, also a painter, became a Brescian citizen in 1431, and a further member of the family, Ambrosio Bembo, is recorded in Cremona in 1450. (3) Giovan Francesco Bembo is thought to be the nephew of Bonifacio.

The following members have entries:

See the Abbreviations for further details.



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Wikipedia: Bembo
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WmBembo.png
Category Serif
Classification Old style
Designer(s) Stanley Morison
Foundry Monotype

Bembo is the name given to an old style serif typeface based upon a face cut by Francesco Griffo, first printed in February 1496 (1495 more veneto). Griffo worked in the Venetian press of the humanist printer Aldus Manutius. The face was first used in the setting of a book entitled De Aetna, a short text about a journey to Mount Aetna written by Italian Cardinal Pietro Bembo. The typeface would serve as a source of inspiration for typefaces of the Parisian publisher Claude Garamond, which are collectively called Garamond. The typeface Bembo we see today is a revival designed by Stanley Morison for the Monotype Corporation in 1929.

Contents

History

Type specimen by Aldus Manutius, from Pietro Bembo's De Aetna, 1495–96.

Griffo was the first punch-cutter to fully express the character of the humanist hand that contemporaries preferred for manuscripts of classics and literary texts, in distinction to the book hand humanists dismissed as a gothic hand or the everyday chancery hand. The typeface called Bembo has a calligraphic feel that is particularly evident in the serifs. It has a delicate transitional curve that rises up into the stem of each letter. Many lowercase letters exhibit hints of sinuous curves reminiscent of those generated by hand-drawn letters; the termination of the arm of both the r and the e flare slightly upward and outward. The lowercase c has a subtle forward slant, a reversal of the oblique stress of the o. Characters h, m, and n have a slight returned curve on their final stem. Lowercase italic k has an elegantly curved stroke in the lower-right. One of the main characteristic that distinguished Griffo's types from earlier Venetian forms is the way in which the ascenders of the lowercase letters stand taller than the capitals. An infant variety also exists, which contains single-story versions of the letters A and G.

Bembo Infant is available in a variety of weights.

According to the authors of Typographic Specimens: The Great Typefaces, Bembo is noted for its ability to "provide a text that is extremely consistent in color and texture," helping it to "remain one of the most popular book types since its release."

More recently, Bembo is the typeface used for volumes in the Everyman's Library series. It is also the principal typeface in the Rough Guides series of travel books.

See also

References

External links


 
 
Learn More
Lita Bembo and the Stukas (World Artist, '70s)
Giovan Francesco Bembo (art)
Annibale Caro (Italian poet)

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Bembo" Read more

 

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