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The Great Escape

Did you mean: The Great Escape (1995 Album by Blur), The Best Days, Best Days (Here Comes the Rest of Our Lives), Best Days (performed by Blur), Best Days (performed by Des'ree) More...

 
Album Review: The Great Escape
 

  • Artist: Blur
  • Rating: StarStarStarStarHalf Star
  • Release Date: September 11, 1995
  • Genre: Rock

Review

In the simplest terms, The Great Escape is the flip side of Parklife. Where Blur's breakthrough album was a celebration of the working class, drawing on British pop from the '60s and reaching through the '80s, The Great Escape concentrates on the suburbs, featuring a cast of characters all trying to cope with the numbing pressures of modern life. Consequently, it's darker than Parklife, even if the melancholia is hidden underneath the crisp production and catchy melodies. Even the bright, infectious numbers on The Great Escape have gloomy subtexts, whether it's the disillusioned millionaire of "Country House" and the sycophant of "Charmless Man" or the bleak loneliness of "Globe Alone" and "Entertain Me." Naturally, the slower numbers are even more despairing, with the acoustic "Best Days," the lush, sweeping strings of "The Universal," and the stark, moving electronic ballad "Yuko & Hiro" ranking as the most affecting work Blur has ever recorded. However, none of this makes The Great Escape a burden or a difficult album. The music bristles with invention throughout, as Blur delves deeper into experimentation with synthesizers, horns, and strings; guitarist Graham Coxon twists out unusual chords and lead lines, and Damon Albarn spits out unexpected lyrical couplets filled with wit and venomous intelligence in each song. But Blur's most remarkable accomplishment is that it can reference the past -- the Scott Walker homage of "The Universal," the Terry Hall/Fun Boy Three cop on "Top Man," the skittish, XTC-flavored pop of "It Could Be You," and Albarn's devotion to Ray Davies -- while still moving forward, creating a vibrant, invigorating record. ~ Stephen Thomas Erlewine, All Music Guide

Tracks

Track TitleComposersPerformersTime
Stereotypes Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (3:10)
Country House Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (3:57)
Best Days Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (4:49)
Charmless Man Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (3:34)
Fade Away Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (4:19)
Top Man Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (4:00)
Universal Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (3:58)
Mr. Robinson's Quango Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (4:02)
He Thought of Cars Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (4:15)
It Could Be You Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (3:14)
Ernold Same Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (2:07)
Globe Alone Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (2:23)
Dan Abnormal Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (3:24)
Entertain Me Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (4:19)
Yuko & Hiro Damon Albarn, Graham Coxon, Alex James, Dave Rowntree Blur (5:24)

Credits

Blur (Main Performer), Damon Albarn (Organ), Damon Albarn (Synthesizer), Damon Albarn (Piano), Damon Albarn (Vocals), Damon Albarn (Choir, Chorus), Damon Albarn (Handclapping), Simon Clarke (Saxophone), Graham Coxon (Guitar (Acoustic)), Graham Coxon (Banjo), Graham Coxon (Guitar (Electric)), Graham Coxon (Saxophone), Graham Coxon (Vocals (Background)), Graham Coxon (Choir, Chorus), Graham Coxon (Handclapping), Theresa Davis (Vocals (Background)), Louise Fuller (Violin), Julie Gardner (Assistant Engineer), Alex James (Guitar (Bass)), Alex James (Choir, Chorus), Alex James (Handclapping), Richard Koster (Violin), Roddy Lorimer (Trumpet), John Metcalfe (Viola), Dave Rowntree (Drums), Dave Rowntree (Choir, Chorus), Dave Rowntree (Handclapping), Tim Sanders (Saxophone), J. Neil Sidwell (Trombone), John Smith (Engineer), Stephen Street (Handclapping), Stephen Street (Producer), Nels Israelson (Photography), Cathy Gillat (Vocals), Tom Girling (Assistant Engineer), Ken Livingstone (Narrator), Ivan McCermoy (Cello), Angela Murrell (Vocals (Background)), Tom King (Photography)
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Wikipedia: The Great Escape (album)
Top
The Great Escape
The Great Escape cover
Studio album by Blur
Released 11 September 1995
Recorded January–May 1995
Genre Britpop
Length 56:56
Label Food, Virgin
Producer Stephen Street
Professional reviews
Blur chronology
Parklife
(1994)
The Great Escape
(1995)
Blur
(1997)

The Great Escape is the fourth album by English alternative rock band Blur, released on 11 September 1995. The album received glowing reviews and was a big seller on its initial release, reaching number one in the United Kingdom album chart (outselling the rest of the Top 10 put together) and was their first to crack the US charts reaching number 150[citation needed]. The album was certified triple platinum in UK[citation needed].

The album continues the run of inventive hit singles: "Country House" (their first #1 single, which beat Oasis' "Roll With It" in a chart battle dubbed the The Battle of Britpop), "The Universal", "Stereotypes" and "Charmless Man".

This album was released at the height of the 'Battle of Britpop' and went head to head with Oasis' - (What's the Story) Morning Glory?. Though Blur's "Country House" single outsold Oasis' "Roll With It", Morning Glory far outsold The Great Escape, leading the media to say that Blur won the battle of britpop, but lost the war to Oasis.

Contents

Background and recording

Concept

On June 17, 1995, James and Albarn spoke on BBC Radio 1 about coming up with a title for the album;[2] "We've got until this Wednesday, our record company inform us, to come up with it," said Damon. "We've been trying to get 'life' into it, but nothing was very good – 'Wifelife', 'Darklife', 'Nextlife'," added Alex.

The album is in the style of a concept album, that is, most of the songs are linked by a similar theme—loneliness and detachment. Ten of the fifteen tracks have a distinct reference to being lonely. Damon Albarn subsequently revealed that most, if not all the songs on The Great Escape were about himself, in some form or another (e.g. "Dan Abnormal" is an anagram for "Damon Albarn"). He later admitted that the album would have made "a great musical"[citation needed]. However, dissension over musical direction between Albarn and guitarist Graham Coxon would result in a change in style for the next release, 1997's Blur[citation needed]. Albarn himself stated in 2007, "I've made two bad records. The first record, which is awful, and The Great Escape, which was messy".[3]

Songs

"Mr. Robinson's Quango" was the first song recorded for the album,[4] whilst "It Could Be You" was the last, in May 1995.[5] The title of the latter was taken from the original advertising slogan of the United Kingdom's multi-million-pound-prize National Lottery, which had drawn much public interest after its inception the previous year, though the lyric itself refers to gambling in only the most oblique ways.[6] The song also featured in the film Dude, Where's My Car?.

"Yuko & Hiro" was originally titled "Japanese Workers",[7], whilst "The Universal" was first attempted during the Parklife sessions as a ska number. During the making of The Great Escape the song was resurrected by James , who notes in his autobiography, Bit of a Blur, that the band had almost given up on getting it to work when Albarn came up with the string section.[7]

One song on the album, "Ernold Same", features Ken Livingstone, then an MP and the Mayor of London between 2000 and 2008. He is credited in the sleevenotes as "The Right-On", a character which seems to have been named for Pink Floyd's Arnold Layne.[4] Unusually for an album, the liner notes also contain guitar chords for each of the album's songs, as well as lyrics.

Singles

The album spawned four hit singles for the band with "Country House", "The Universal", "Stereotypes" and "Charmless Man". "Stereotypes" made its debut at a secret gig at the Dublin Castle in London and was considered as the album's lead single, but "Country House" got a bigger reaction from fans.[4] In Japan, "It Could Be You" was released as a 4-track single, featuring b-sides recorded live at the Budokan.

Track listing

  1. "Stereotypes" – 3:10
  2. "Country House" – 3:57
  3. "Best Days" – 4:49
  4. "Charmless Man" – 3:34
  5. "Fade Away" – 4:19
  6. "Top Man" – 4:00
  7. "The Universal" – 3:58
  8. "Mr. Robinson's Quango" – 4:02
  9. "He Thought of Cars" – 4:15
  10. "It Could Be You" – 3:14
  11. "Ernold Same" – 2:07
  12. "Globe Alone" – 2:23
  13. "Dan Abnormal" – 3:24
  14. "Entertain Me" – 4:19
  15. "Yuko and Hiro" – 5:24

Notes

Preceded by
Zeitgeist by The Levellers
UK number one album
23 September 1995 – 6 October 1995
Succeeded by
Daydream by Mariah Carey

 
 

Did you mean: The Great Escape (1995 Album by Blur), The Best Days, Best Days (Here Comes the Rest of Our Lives), Best Days (performed by Blur), Best Days (performed by Des'ree) More...

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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