Group Members:
Similar Artists:
Loud Family,
Scruffs,
Tommy Keene,
Tommy Hoehn,
Chris Stamey,
Dwight Twilley,
Shoes,
The dB's,
Alex Chilton,
Brad Jones ,
Mitch Easter,
Todd Rundgren,
Let's Active,
Richard X. Heyman,
Bill Lloyd,
The Hang Ups,
Cargoe ,
Stories,
The Sneakers,
Teenage Fanclub,
Matthew Sweet,
The Replacements,
The Posies,
Game Theory,
Prix ,
The V-Roys,
Joey Molland,
Van Duren,
The Raspberries,
Jellyfish,
Holsapple-Stamey,
The Flamin' Groovies,
Marshall Crenshaw,
Bangles
Influenced By:
The Who,
The Move,
The Kinks,
The Byrds,
The Beatles,
The Beach Boys,
The Yardbirds,
The Velvet Underground,
T. Rex,
Buffalo Springfield,
Badfinger
Followers:
The Westside Daredevils,
The Bigger Lovers,
The Heavy Blinkers,
Ventilator ,
Fountains of Wayne,
The Greenberry Woods,
R.E.M.,
Gin Blossoms,
Paul Westerberg,
Loud Family,
Parthenon Huxley,
Tommy Keene,
Chris Stamey,
Jacobites,
Teenage Fanclub,
Matthew Sweet,
The Smithereens,
The Replacements,
The Posies,
Let's Active,
Jellyfish,
Game Theory,
Drivin' n' Cryin',
The Cucumbers,
The Cavedogs,
Bangles,
The Shaky Hands,
Shake Some Action!,
The Broken West,
American Princes,
The Lime Giants ,
Thomson ,
Florida,
The Luxury Liners,
Limbeck,
Frisbie ,
The Shazam,
Foxymorons,
The Mayflies USA,
Scout,
Majority Dog ,
Joe, Marc's Brother,
Los Valendas ,
Barely Pink,
Cinnamon,
Popsicko ,
Buttercup,
The Beatifics,
Liquor Giants,
Boyfriend ,
Kenny Howes,
Twenty Cent Crush ,
Mockingbirds,
Squire,
Foo Fighters,
Action Figures,
The Rooks,
Gone Fishin (Matt Piucci & Tim Lee) ,
Gigolo Aunts,
Wilco,
Travis,
Ross ,
Ric Menck,
Scott McCarl ,
Mitch Easter,
The Daffodils ,
Chris Cornell,
dEUS,
Jeff Buckley,
Will & the Bushmen ,
The Nines,
Dang Trippers,
Stone Temple Pilots,
Flying Color,
The Sneakers,
The Diodes,
Scott McCaughey,
The Jigsaw Seen,
The Three O'Clock,
The Smashing Pumpkins,
Michael Penn,
Ric Ocasek,
Meat Puppets,
Material Issue,
The Jayhawks,
Holsapple-Stamey,
Susanna Hoffs,
Robyn Hitchcock,
Richard X. Heyman,
Happy Hate Me Nots,
Gunbunnies,
The Grapes of Wrath,
Dream Syndicate,
The dB's,
Dash Rip Rock,
Children,
Cheap Trick,
The Cars,
The Black Crowes,
Bill Lloyd,
The Baseball Project,
The War on Drugs,
French Semester ,
Push-Pull ,
Wheels on Fire,
Taxi Taxi ,
Roofwalkers ,
Wormwood Brothers ,
Broadfield Marchers,
Peter and the Wolf,
Hysterics ,
The Hazey Janes ,
The Coral Sea,
Two Hours Traffic,
Greg Summerlin,
Starling Electric,
The Primary 5,
Ken Will Morton,
Private Eleanor ,
The Fags,
Los Chumps ,
The Wombats ,
True Love,
Ghosty,
The Prime Ministers,
Crushed Stars,
Paul Taylor,
The Cassettes,
Ours,
Gallygows,
Sleet,
Twin Princess,
Honey Langstumpf ,
Blown,
Myracle Brah,
Roger Manning,
Swinger ,
Weird Summer,
Guster,
Duglas T.Stewart ,
Three Hour Tour,
The Holy Cows,
What Gives ,
Cotton Mather,
Nick Rudd,
This Mortal Coil,
The Afghan Whigs,
Botticellis,
The Rewinds,
The Weather Machines,
Earl Greyhound,
Marc Teamaker,
Lou Ford,
The V-Roys,
Rain Parade,
Fiction Factory,
Getaway Car,
Water School,
Hop on Pop ,
Epic Hero,
Paper Airplane Pilots ,
Porchsleeper ,
The Pieces ,
Mississippi Cactus ,
Deal,
Supremium,
Maple Mars,
Spike Priggen,
Captain Soul,
The Magic Magicians,
The California Oranges,
Weed, Inc.,
Moods for Moderns,
The Shins,
The All Golden,
Leisure McCorkle,
For Stars,
Phantom Planet,
Pagoda,
Superdrag,
You Am I,
Epic Soundtracks,
The Figgs,
The Stand,
Novillero,
Death Cab for Cutie,
Wolf Colonel
Formal Connection With:
- Formed: 1971, Memphis, TN
- Disbanded: 1975
- Genres: Rock
- Representative Albums: "#1 Record/Radio City," "Third/Sister Lovers," "3rd"
- Representative Songs: "September Gurls," "In the Street," "Thirteen"
Biography
The quintessential American power pop band, Big Star remains one of the most mythic and influential cult acts in all of rock & roll. Originally led by the singing and songwriting duo of Alex Chilton and Chris Bell, the Memphis-based group fused the strongest elements of the British Invasion era -- the melodic invention of the Beatles, the whiplash guitars of the Who, and the radiant harmonies of the Byrds -- into a ramshackle but poignantly beautiful sound which recaptured the spirit of pop's past even as it pointed the way toward the music's future. Although creative tensions, haphazard distribution, and marketplace indifference conspired to ensure Big Star's brief existence and commercial failure, the group's three studio albums nevertheless remain unqualified classics, and their impact on subsequent generations of indie bands on both sides of the Atlantic is surpassed only by that of the Velvet Underground.The roots of Big Star lie in the group Icewater (also known as Rock City), formed in 1971 by singer/guitarist Bell in association with guitarist Steve Ray, bassist Andy Hummel, and drummer Jody Stephens. Ray left the group a short time after its inception and was soon replaced by Chilton, the onetime Box Tops vocalist who was just 16 years old when the group topped the pop charts with their 1967 classic, "The Letter." Chilton had recently returned to Memphis after attempting to mount a solo career in New York City; he first played with Bell years earlier in a high school cover band, and with his arrival Icewater rechristened itself Big Star, borrowing the name from a local supermarket chain. Recording soon commenced at the local Ardent Studios, where Bell occasionally worked as an engineer and session guitarist; despite solid critical notice and some radio airplay, their brilliant 1972 debut, #1 Record, nevertheless fell prey to the distribution problems of the newly-formed Ardent label's parent company Stax -- more often than not, the album simply never made its way to retailers.
In the meantime, Bell and Chilton continued to butt heads over Big Star's direction -- the former envisioned a primarily studio-oriented project, while the latter preferred performing live; moreover, Chilton's past success in the Box Tops guaranteed him the lion's share of attention from listeners and critics, minimizing Bell's own contributions in the process. In late 1972 Bell finally left the band -- his subsequent attempts to mount a solo career proved largely fruitless, with only a spectacular solo single, "I Am the Cosmos," receiving official release prior to his untimely death in a 1978 car crash. (A posthumous solo compilation, also titled I Am the Cosmos, was finally issued to unanimous critical acclaim in 1992.) Following Bell's exit, Big Star briefly struggled on as a three-piece before disbanding, with Chilton returning to his stalled solo career; months later, he reteamed with Hummel and Stephens to play a local music writers' convention, and the performance was so well-received that they decided to make the reunion permanent.
Big Star's second album, 1974's Radio City, remains their masterpiece -- ragged and raw guitar-pop infused with remarkable intensity and spontaneity. It also contained perhaps their best-known song, the oft-covered cult classic "September Gurls." (Another highlight, "Back of a Car," bears the unmistakable input of Chris Bell, although the duration and extent of his return to duty is unknown.) Distribution difficulties again undermined whatever hopes of commercial success existed, however, and Hummel soon announced his resignation; Chilton and Stephens recruited bassist John Lightman for a handful of East Coast live dates, including a WLIR radio broadcast later issued as Big Star Live. Work on a planned third album soon began, but the sessions proved disastrous as Chilton, reeling from years of music industry exploitation and frustration, effectively sabotaged his own music -- where Radio City teetered on the brink of collapse, the new songs tumbled over completely, culminating in one of the most harrowingly bleak pop records ever made. An album's worth of material was completed and shelved, and then Big Star was no more.
The story might have ended there, but in 1978 the third Big Star album was finally issued overseas -- various titled Third and/or Sister Lovers, it appeared for years in essentially unauthorized versions containing neither the complete session nor the proper sequencing. Still, the record earned a significant cult following, and with the emergence of the nascent power pop movement, it became increasingly clear just how prescient Big Star's music had been. Countless alternative rock bands -- R.E.M., the Replacements, the dB's, and Teenage Fanclub, to name just four -- cited the band's enormous influence in the years to follow, and in 1993 the Posies' Jonathan Auer and Ken Stringfellow backed Chilton and Stephens for a reunion gig at the University of Missouri, a performance captured on the Columbia live disc. To the surprise of many, the Big Star reunion continued with tours of Europe and Japan, and -- most shocking of all -- even an appearance on television's The Tonight Show, although no new studio recordings were forthcoming. ~ Jason Ankeny, All Music Guide
