Career Highlights: Snoopy, Come Home, It's the Great Pumpkin, Charlie Brown, A Charlie Brown Christmas
First Major Screen Credit: Gerald McBoing Boing (1951)
Biography
Some animators remain forever associated with one creation or series of creations; this was particularly true for Bill Melendez, who remained closely tied to his majestic ability to bring Charles M. Schulz's Peanuts characters to life. Born Jose Cuautemoc in Sonora, Mexico, in 1916, Melendez studied illustration at CalArts (née the Chouinard Art Studio) and began his career at the age of 22, signing on as an animator with the Disney studios on such feature classics as Fantasia (1940), Pinocchio (1940), Dumbo (1941), and Bambi (1942). In subsequent years, he moved to Warner Brothers as an animator on Bugs Bunny, Daffy Duck, and Porky Pig cartoons, then to UPA (ca. 1948), where he helped animate innumerable theatrical featurettes and commercials. Melendez's connection with Schulz arrived in conjunction with his UPA work doing advertising spots for the prestigious J. Walter Thompson agency; a big fan of the Peanuts comic strips, he hit upon the idea of using the characters to sell automobiles, a concept to which Schulz immediately warmed. The men experienced such an intimate and intuitive working rapport that they ultimately branched out into half-hour animated specials, several Peanuts feature films, and five one-hour Peanuts specials, plus countless additional television advertisements for companies such as MetLife. (Throughout his long tenure with Schulz, Melendez did double duty by making the non-verbal vocal noises emanated by two of the characters, Snoopy and Woodstock). Additional Schulz creations included animations of Cathy, The Lion, the Witch and the Wardrobe, Babar, and Garfield on the Town. Melendez died at age 91 in September 2008, eight and a half years after Schulz. He was survived by his son, Steven, who ran Bill Melendez Productions after his death. Throughout his career, Melendez received 17 Emmy nominations and won 8; he also received an Oscar nomination in 1970 for writing the lyrics to the score of A Boy Named Charlie Brown (1969). ~ Nathan Southern, All Movie Guide
In 1938, Meléndez was hired by Walt Disney to work on animated short films and feature-length films such as Bambi, Fantasia, and Dumbo. While there, he worked to unionize the rank and file animators he was working with.[2] A member of the Screen Cartoonists' Guild, he left as part of the 1941 Disney animators' strike and never returned as an employee, moving on to Leon Schlesinger Productions and its successor company, Warner Bros. Cartoons, along with Emery Hawkins, Basil Davidovich, and Don Williams, where he would remain until the early 1950s. On most of these productions, Meléndez was credited as "J.C. Melendez" and worked mostly for directors Robert McKimson and Art Davis.
UPA and commercial animation work
When the number of animation units at Warner Bros. was reduced from four to three in 1948, Melendez, after being moved to Robert McKimson's unit for a time, moved over to United Productions of America (UPA) where he animated on cartoons such as Gerald McBoing-Boing. Melendez also produced and directed thousands of television commercials, first at UPA, then Playhouse Pictures and John Sutherland Productions.[3]