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Billie Burke

 
American Theater Guide: [Mary William Ethelbert Appleton] Billie Burke

Burke, [Mary William Ethelbert Appleton] Billie (1885–1970), actress. Born in Washington, D.C., she was raised in England, where her father was a well‐known clown. Burke appeared in a number of English musical comedies and with Charles Hawtrey before coming to New York under contract to Charles Frohman to play the naïve Beatrice Dupré opposite John Drew in My Wife (1907). Successes followed, such as the newlywed Jacqueline in Love Watches (1908), the charmingly conniving Mrs. Dot (1910), chorine Lily Parradell in The “Mind‐the‐Paint” Girl (1912), Lady Thomasine in The Amazons (1913), farmer's wife Norah Marsh in The Land of Promise (1914), and the iron‐willed heroine Jerry (1914). In the same year she married Florenz Ziegfeld and a year later Frohman died; thereafter she acted for various important producers. She played opposite Henry Miller in a revival of A Marriage of Convenience (1918), then appeared as the heroine in Caesar's Wife (1919). Her next two roles were in Booth Tarkington plays: as the kittenish spinster Isabel in The Intimate Strangers (1921) and as the nightclub singer Rose Briar (1922). For her husband she did her only American musical, Annie Dear (1924), and after his death lent her name as producer to editions of the Ziegfeld Follies, although the actual producers were the Shuberts. Burke's last Broadway appearance was as the widow who is courted by a former president in Mrs. January and Mr. X (1944). She later performed in summer stock and in the road company of The Solid Gold Cadillac. The dainty redhead with the quivering voice was hailed by John Corbin of the Times as “a comedienne of matchless charm.” She is mostly recalled today for her many films. Autobiography: With a Feather on My Nose, with Cameron Shipp, 1949.

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Quotes By: Billie Burke
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Quotes:

"Age is something that doesn't matter, unless you are a cheese"

"Age doesn't matter, unless you're cheese."

"A woman past forty should make up her mind to be young; not her face."

"To survive there, you need the ambition of a Latin-American revolutionary, the ego of a grand opera tenor, and the physical stamina of a cow pony."

Actor: Billie Burke
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  • Born: Aug 07, 1884 in Washington, D.C.
  • Died: May 14, 1970 in Los Angeles, California
  • Occupation: Actor
  • Active: '30s-'50s
  • Major Genres: Comedy, Romance
  • Career Highlights: Dinner at Eight, Topper, Topper Takes a Trip
  • First Major Screen Credit: A Bill of Divorcement (1932)

Biography

The daughter of a circus clown, American actress Billie Burke became a musical comedy star in the early 1900s under the aegis of two powerful Broadway producers: Charles K. Frohman and Florenz Ziegfeld. Burke's career soared after her marriage to Ziegfeld, which was both a blessing and a curse in that some newspaper critics, assuming she wouldn't have reached the heights without her husband's patronage, gave her some pretty rough reviews. Actually, she had a very pleasant singing voice and ingratiating personality, not to mention natural comic gift that transferred well to the screen for her film debut in Peggy (1915). She had no qualms about adjusting to characters roles upon reaching 40, but she was devoted to the stage and didn't intend to revive her film career - until the crippling debts left behind by Ziegfeld after his death in 1932 forced her to return full-time to Hollywood. At first concentrating on drama, Burke found that her true strength lay in comedy, particularly in portraying fey, birdbrained society ladies. She worked most often at MGM during the sound era, with rewarding side trips to Hal Roach studios, where she appeared as Mrs. Topper in the three Topper fantasy films, played Oliver Hardy's wife in Zenobia (1939) and earned an academy award nomination for her performance in Merrily We Live (1938). A tireless trouper, Burke appeared in virtually every sort of film, from rugged westerns like Sgt. Rutledge (1960) to a pair of surprisingly good two-reel comedies for Columbia Pictures in the late 1940s. If she had done nothing else worthwhile in her seven-decade career, Burke would forever be remembered for her lighthearted portrayal of Glinda the Good Witch in the matchless The Wizard of Oz (1939). In addition to her many film portrayals, Burke was herself portrayed in two filmed biographies of Flo Ziegfeld: Myrna Loy played her in The Great Ziegfeld (1936), while Samantha Eggar took the role in the TV-movie Ziegfeld: The Man and His Women (1978). ~ Hal Erickson, All Movie Guide
Wikipedia: Billie Burke
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Billie Burke

in Topper Returns
Born Mary William Ethelbert Appleton Burke
August 7, 1884(1884-08-07)
Washington, D.C., U.S.
Died May 14, 1970 (aged 85)
Los Angeles, California, U.S.
Occupation Film, stage actress
Years active 1903–1960
Spouse(s) Florenz Ziegfeld (m. 1914–1932) «start: (1914)–end+1: (1933)»"Marriage: Florenz Ziegfeld to Billie Burke" Location: (linkback:http://en.wikipedia.org/wiki/Billie_Burke)

Mary William Ethelbert Appleton "Billie" Burke (August 7, 1884 – May 14, 1970) was an American actress primarily known to modern audiences for her role as Glinda the Good Witch of the North in the musical film The Wizard of Oz.

Contents

Early life

Billie Burke in 1909[1]

Known as Billie Burke, she toured the U.S. and Europe with a circus because her father, Billy Burke, was employed with them as a singing clown. Her family ultimately settled in London where she was fortunate to see plays in London's historic West End.

She wanted to be a stage actress. In 1903, she began acting on stage, making her debut in London, eventually returning to America to become the toast of Broadway as a musical comedy star. She was praised by The New York Times for her charm and her brightness.

Career

Thanks to her representation by famed producer Charles Frohman, Burke went on to play leads on Broadway in Mrs. Dot, Suzanne, The Runaway, The "Mind-the-Paint" Girl, and The Land of Promise from 1910 to 1913, along with a supporting role in the revival of Sir Arthur Wing Pinero’s The Amazons.

There she caught the eye of producer Florenz Ziegfeld, marrying him in 1914. In 1916, they had one daughter, Patricia Ziegfeld Stephenson (1916-2008).[2] Burke was quickly signed for the movies, making her film debut in the title role of Peggy (1916). She continued to appear on the stage, and sometimes she starred on the screen. She loved the stage more than movie-business, not only because it was her first love, but also because it allowed her to have speaking parts (impossible in silent movies). But when the family's savings were wiped out in the Crash of 1929, she had no choice but to return to the screen.

in Dinner at Eight (1933)

In 1932 Billie Burke made her Hollywood comeback, starring as Margaret Fairfield in A Bill of Divorcement, directed by George Cukor, though the film is better known as Katharine Hepburn's film debut (Burke played Hepburn's mother). Despite the death of Florenz Ziegfeld during the film's production, Billie Burke resumed filming shortly after his funeral.

In 1933, Burke was cast as Mrs. Millicent Jordan, a scatterbrained high-society woman hosting a dinner party in the comedy Dinner at Eight, directed by George Cukor, co-starring with Lionel Barrymore, Marie Dressler, John Barrymore, Jean Harlow and Wallace Beery. The movie was a great success, and revived Burke's career. She subsequently starred in many comedies and musicals, typecast as a ditzy, fluffy and feather-brained upper-class matron due to her helium-filled voice.

In 1936, MGM filmed a biopic of her deceased husband (The Great Ziegfeld), a film that won Academy Awards for Best Picture and Best Actress (Luise Rainer as Ziegfeld's common-law wife, Anna Held). Instead, prominent actress Myrna Loy essayed the role of Burke. Coincidentally, Ray Bolger who was later cast as the Scarecrow in The Wizard of Oz (1939) also starred as himself in the movie.

In 1937 she appeared in the first of the Topper films, about a man haunted by two socialite ghosts (played by Cary Grant and Constance Bennett), in which she played the tremulous and daffy Clara Topper. Her performance as Emily Kilbourne in Merrily We Live (1938) resulted in her only Oscar nomination.

In 1938 (at age 53) she was chosen to play Glinda, "the Good Witch of the North", in the Oscar-winning seminal 1939 musical film The Wizard of Oz, directed by Victor Fleming, with Judy Garland. Burke had worked in a film tailored to Garland just previously called Everybody Sing, in which she played Judy's histrionically hysterical actress-mother. Another star connected with Ziegfeld, Fanny Brice, appeared as the family's maid in that picture. Another successful series followed with Father of the Bride (1950) and Father's Little Dividend (1951), both directed by Vincente Minnelli and starring Spencer Tracy, Joan Bennett, and Elizabeth Taylor.

She wrote two autobiographies, both with Cameron Van Shippe, With a Feather on My Nose (Appleton 1949) and With Powder on My Nose (Coward McCann, 1959).

Radio and television

On CBS Radio, The Billie Burke Show was heard on Saturday mornings from April 3, 1943 to September 21, 1946. Sponsored by Listerine, this situation comedy was initially titled Fashions in Rations during its first year. Portraying herself as a featherbrained Good Samaritan who lived "in the little white house on Sunnyview Lane," she always offered a helping hand to those in her neighborhood. She worked often in early television, appearing in the short-lived sitcom Doc Corkle (1952).

Burke tried to make a comeback on the New York stage. She starred in two short-lived productions: This Rock and Mrs. January and Mr. Ex. Although Burke got good reviews, the plays did not. She appeared in several plays in California as well, although her mind became clouded, and she had trouble remembering lines. In the late 1950s, her failing memory led to her retirement from show business, although her explanation for that was, "Acting just wasn't any fun anymore."

Her last screen appearance was in Sergeant Rutledge, a Western directed by John Ford in 1960.

Death

Memorial statue at Billie Burke's grave in Kensico Cemetery

Billie Burke died in Los Angeles of dementia, thought to be Alzheimer's and natural causes, aged 85, in 1970 and was interred at Kensico Cemetery, Valhalla, Westchester County, New York, survived by her daughter, Patricia, and four grandchildren.[3]

Legacy

For many years, Burke's framed photo was displayed above the exit staircase at New York's Ziegfeld Theatre, but it vanished after renovations to it. However, an opening night program, bearing a picture of Burke, from her 1912 triumph The Mind The Paint Girl (Sir Arthur Wing Pinero) is still displayed in the lobby of the Lyceum Theatre in New York City.

Radio

  • The Ziegfeld Follies of the Air - 1932
  • Good News of 1939 - 1938
  • The Rudy Vallee Hour - 1939
  • The Gulf Screen Guild Theater - 1939
  • The Rudy Vallee Sealtest Show - 1940-41
  • The Pepsodent Show - 1941
  • The Billie Burke Show - 1943-1946
  • Duffy's Tavern - 1944
  • The Sealtest Village Store - 1944
  • Mail Call - 1944
  • The Charlie McCarthy Show - 1944-47
  • Tribute to Ethel Barrymore - 1945
  • The Rudy Vallee Show - 1945
  • Show Stoppers - 1946
  • The Danny Kaye Show - 1946
  • WOR 25th Anniversary - 1947
  • Your Movietown Radio Theatre - 1948
  • The Eddie Cantor Pabst Blue Ribbon Show - 1948
  • Family Theater - 1948-52
  • This Is Show Business - 1949
  • The Martin and Lewis Show - 1949
  • The Bill Stern Colgate Sports Newsreel - 1949
  • Stagestruck - 1954
  • Biography in Sound - 1955-56

Broadway

  • My Wife - 1907
  • Love Watches - 1908
  • Mrs. Dot - 1910
  • Suzanne (stage show) - 1910
  • The Philosopher in the Apple Orchard - 1911
  • The Runaway - 1911
  • The Amazons - 1913
  • The Land of Promise - 1913
  • Jerry - 1914
  • The Rescuing Angel - 1917
  • A Marriage of Convenience - 1918
  • Caesar's Wife - 1919
  • The Intimate Strangers - 1921
  • Rose Briar - 1922
  • Annie Dear - 1924
  • The Marquise - 1927
  • The Happy Husband - 1928
  • Family Affairs - 1929
  • The Truth Game - 1930
  • Ziegfeld Follies of 1934 - 1934
  • Ziegfeld Follies of 1936 - 1936
  • This Rock - 1943
  • Ziegfeld Follies of 1943 - 1943
  • Mrs. January and Mr. X - 1944

Filmography

References

  1. ^ Franklin, Barnett (February 1909). "That Extraordinary Personage, The Theatrical Press Agent". Overland Monthly LIII (2): 93. 
  2. ^ "Patricia Ziegfeld Stephenson, Daughter of Legendary Broadway Impresario". Jazz News. 2008-04-25. http://www.allaboutjazz.com/php/news.php?id=18104. Retrieved 2008-05-11. 
  3. ^ "Billie Burke Dead; Movie Comedienne; Billie Burke, Film Comedienne And Once a Stage Beauty, Dies.". New York Times. 1970-05-16. http://select.nytimes.com/gst/abstract.html?res=F40710FD3F5D137B93C4A8178ED85F448785F9. Retrieved 2008-05-11. "Billie Burke, a great Broadway beauty when the century was young and later renowned as a movie comedienne, died last night at the age of 84." 

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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
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