Career Highlights: Sky Devils, Moss Rose, The Sky Hawk
First Major Screen Credit: Wandering Willies (1926)
Biography
Effervescent little Billy Bevan commenced his stage career in his native Australia, after briefly attending the University of Sydney. A veteran of the famous Pollard Opera Company, Bevan came to the U.S. in 1917, where he found work as a supporting comic at L-KO studios. He was promoted to stardom in 1920 when he joined up with Mack Sennett's "fun factory." Adopting a bushy moustache and an air of quizzical determination, Bevan became one of Sennett's top stars, appearing opposite such stalwart laughmakers as Andy Clyde, Vernon Dent and Madelyn Hurlock in such belly-laugh bonanzas as Ice Cold Cocos (1925), Circus Today (1926) and Wandering Willies (1926). While many of Bevan's comedies are hampered by too-mechanical gags and awkward camera tricks, he was funny and endearing enough to earn laughs without the benefit of Sennett gimmickry. He was particularly effective in a series of "tired businessman" two-reelers, in which the laughs came from the situations and the characterizations rather than slapstick pure and simple. Bevan continued to work sporadically for Sennett into the talkie era, but was busier as a supporting actor in feature films like Cavalcade (1933), The Lost Patrol (1934) and Dracula's Daughter (1936). He was frequently cast in bit parts as London "bobbies," messenger boys and bartenders; one of his more rewarding talkie roles was the uncle of plumbing trainee Jennifer Jones (!) in Ernst Lubitsch's Cluny Brown (1946). Among Billy Bevan's final screen assignments was the part of Will Scarlet in 1950's Rogues of Sherwood Forest. ~ Hal Erickson, All Movie Guide
Billy Bevan (born William Bevan Harris on 29 September 1887 in Orange, New South Wales, Australia – died 26 November 1957), was an Australian film actor. He appeared in 254 films between 1916 and 1950.
Bevan (rhymes with "seven") broke into films with the Sigmund Lubin studio in 1916. When the company disbanded, Bevan became a supporting actor in Mack Sennett comedies. An expressive pantomimist, Bevan's quiet scene-stealing attracted attention, and by 1922 Bevan was a Sennett star. Usually seen in a derby hat and drooping mustache, Bevan may not have had an indelible screen character like Charlie Chaplin but he had a friendly, funny presence in the frantic Sennett comedies. Much of the comedy depended on Bevan's timing and reactions; the famous "oyster" routine performed on film by Curly Howard, Lou Costello, and Huntz Hall -- in which a bowl of "fresh oyster stew" shows alarming signs of life and battles the guy trying to eat it -- was originated on film decades earlier by Billy Bevan.
By the mid-1920s Bevan was often teamed with Andy Clyde; Clyde soon graduated to his own starring series. The late 1920s found Bevan playing in wild marital farces for Sennett.
Talking pictures took their toll on the careers of many silent stars, including Billy Bevan. His Australian accent came across as British, but was sufficiently neutral that he could play nondescript character parts (like a hotel employee in the Mae Murray talkie "Peacock Alley"). His starring series came to an end, however, and Bevan began a second career as a character actor and bit player. For the next 20 years he often played rowdy Cockneys (as in "Pack Up Your Troubles" with The Ritz Brothers), and affable Englishmen (as in "Tin Pan Alley" and "Terror by Night").
Bevan died in 1957 in Escondido, California, just before new audiences discovered him in Robert Youngson's silent-comedy compilations. (The Youngson films mispronounce his name as "Be-VAN"; Bevan himself offered the proper pronunciation in a "Voice of Hollywood" reel in 1930.)